1,721,021 research outputs found
Two unindentified girls in white dresses, Walla Walla, Washington, approximately 1885
No full textCaption on mount: Brodeck and Co. Main Street. Opposite First. Walla Walla, Wash.
Printed on verso: Brodeck and Co. Photographers. Walla Walla, Wash.
PH Coll 334 Brodeck.3Henry Brodeck was a photographer in San Francisco and San Jose California between 1869-1876. While in San Francisco he was associated with Brodeck and Company at 640 Market Street. He was active in Portland, Oregon from 1877-1878 and in Alaska in 1881. Brodeck moved to Walla Walla Washington ca. 1880 where he operated as Brodeck & Company till he died in 1886. After his death the studio was operated by Mrs. Brodeck and D. Brodeck from 1889-1892.To order a reproduction, inquire about permissions, or for information about prices see:
http://www.lib.washington.edu/specialcollections/services/reproduction/reproduction
Please cite the Order Numbe
Dr. N.G. Blalock, Walla Walla, Washington, approximately 1880
No full textHandwritten on verso: Dr. N.G. Blalock. Walla Walla W.T.
Printed on verso: H.H. Brodeck. M. Wagner. Brodeck and Co. Photographers. Main Street. Walla Walla, W.T.
PH Coll 334 Brodeck.2Henry Brodeck was a photographer in San Francisco and San Jose California between 1869-1876. While in San Francisco he was associated with Brodeck and Company at 640 Market Street. He was active in Portland, Oregon from 1877-1878 and in Alaska in 1881. Brodeck moved to Walla Walla Washington ca. 1880 where he operated as Brodeck & Company until he died in 1886. After his death the studio was operated by Mrs. Brodeck and D. Brodeck from 1889-1892.To order a reproduction, inquire about permissions, or for information about prices see:
http://www.lib.washington.edu/specialcollections/services/reproduction/reproduction
Please cite the Order Numbe
Father Duffy, Walla Walla, Washington, approximately 1882
No full textCaption on mount: Photographed By. Brodeck. Walla Walla, WA.
Handwritten on verso: Father Duffy. Walla Walla.
Printed on verso: H.H. Brodeck. Photographer. Main Street. Walla Walla, W.T.
PH Coll 334 Brodeck.4Henry Brodeck was a photographer in San Francisco and San Jose California between 1869-1876. While in San Francisco he was associated with Brodeck and Company at 640 Market Street. He was active in Portland, Oregon from 1877-1878 and in Alaska in 1881. Brodeck moved to Walla Walla Washington ca. 1880 where he operated as Brodeck & Company till he died in 1886. After his death the studio was operated by Mrs. Brodeck and D. Brodeck from 1889-1892.To order a reproduction, inquire about permissions, or for information about prices see:
http://www.lib.washington.edu/specialcollections/services/reproduction/reproduction
Please cite the Order Numbe
Studio portrait of a young seated Chinese man dressed in traditional clothing and holding a fan, Walla Walla, Washington, probably between 1880 and 1890
No full textCaption on mount: Brodeck and Co. Photographers. Walla Walla, W.T.
PH Coll 334 Brodeck & Co.1Henry Brodeck was a photographer in San Francisco and San Jose California between 1869-1876. While in San Francisco he was associated with Brodeck and Company at 640 Market Street. He was active in Portland, Oregon from 1877-1878 and in Alaska in 1881. Brodeck moved to Walla Walla, Washington in about 1880 where he operated the Brodeck & Company studio until he died in 1886. After his death the studio was operated by Mrs. Brodeck and D. Brodeck from 1889-1892.Immigrants
Portrait of Mitchell Gilliam
No full textA portrait of Mitchell Gilliam.Mitchell Gilliam, P. U., [unintelligible] years, Judge Superior [undecipherable] state of Washington at Seattl
Le rapport de Brodeck: sur les traces du récit lacunaire à la manière de Jean Giono
Full text linkThis article intends to show how Phi-lippe Claudel, like Jean Giono in A King Without Distraction, is a master of the elliptical narrative in Brodeck’s Report. Brodeck, caught between a painful past and a worrying present, will take the reader through two versions of his report, one official and other clandestine, two writings by which he seeks to understand, link and reconstruct the facts, report whose content will never be uncovered to the reader. In our study we will follow the trail of those gaps in the narrative, so typical in Jean Giono, but also featured in the structure of modern novel with the enigmatic and initiatic construction of Brodeck’s Report by Philippe Claudel.Este artículo quiere mostrar cómo Philippe Claudel, al igual que Jean Giono en Un roi sans divertissement, es a su vez maestro de la narración elíptica en la doble escritura de su Informe de Brodeck. Brodeck atrapado entre su pasado doloroso y su presente inquietante nos llevará por dos escrituras, una oficial y otra clandestina, escrituras por las cuales intenta comprender, hilvanar, recomponer pero cuyo contenido no descubriremos jamás. En nuestro estudio seguiremos el rastro de esos huecos de la narración, propios a Jean Giono pero también al conjunto de la estructura de la novela moderna, en la construcción enigmática e iniciática de El informe de Brodeck por Philippe Claudel
Philippe Claudel’s Brodeck as a parody of the fable or the Holocaust universalized
Full text linkThis article examines Philippe Claudel’s 2007 novel Brodeck (French title: Le Rapport de Brodeck) that allegorizes the Holocaust by parodying tropes and narrative structures characteristic to fairy tales and fables. While analyzing the author’s simultaneous inscription and subversion of the two ancient genres, I speculate about the possible reasons for his narrative choices and consider the meanings generated by his indirect representation of the Nazi genocide. Considering the widespread view of the Holocaust as sacred and unique, the article problematizes the novel’s universalization of the Jewish tragedy, which Claudel achieves by drawing on genres shunning historical and geographical specificity, and aiming to convey timeless and universal truths
Composer son rien avec un morceau de tout: à propos des romans les âmes grises et le rapport de brodeck de Philippe Claudel
No full textThe paper deals with the representation of History in the works of the contemporary French writer Philippe Claudel (*1962) in his novels Gray Souls (Les âmes grises, 2003) and Brodeck (Le rapport de Brodeck, 2007), to be specific. The author uses, according to his own words, mentions of History to create parallels with the present. In Gray Souls he evokes the First World War, in Brodeck the Second World War. In both cases, narration is the matter of insignificant, marginal narrators, who are, however, touched by the events, deciding to tell their story in order to deal with history, bad memories and reproofs. Analyses show the way Claudel´s novels treat the question of memory, individual as well as collective, of the relation between History and individual destinies, of the role of testimony, memory and oblivion
Le Le rapport de Brodeck: sur les traces du récit lacunaire à la manière de Jean Giono
No full textThis article intends to show how Philippe Claudel, like Jean Giono in A King Without Distraction, is a master of the elliptical narrative in Brodeck’s Report. Brodeck, caught between a painful past and a worrying present, will take the reader through two versions of his report, one official and other clandestine, two writings by which he seeks to understand, link and reconstruct the facts, report whose content will never be uncovered to the reader. In our study we will follow the trail of those gaps in the narrative, so typical in Jean Giono, but also featured in the structure of modern novel with the enigmatic and initiatic construction of Brodeck’s Report by Philippe Claudel.Este artículo quiere mostrar cómo Philippe Claudel, al igual que Jean Giono en Un roi sans divertissement, es a su vez maestro de la narración elíptica en la doble escritura de su Informe de Brodeck. Brodeck atrapado entre su pasado doloroso y su presente inquietante nos llevará por dos escrituras, una oficial y otra clandestina, escrituras por las cuales intenta comprender, hilvanar, recomponer pero cuyo contenido no descubriremos jamás. En nuestro estudio seguiremos el rastro de esos huecos de la narración, propios a Jean Giono pero también al conjunto de la estructura de la novela moderna, en la construcción enigmática e iniciática de El informe de Brodeck por Philippe Claudel.Este artículo quiere mostrar cómo Philippe Claudel, al igual que Jean Giono en Un roi sans divertissement, es a su vez maestro de la narración elíptica en la doble escritura de su Informe de Brodeck. Brodeck atrapado entre su pasado doloroso y su presente inquietante nos llevará por dos escrituras, una oficial y otra clandestina, escrituras por las cuales intenta comprender, hilvanar, recomponer pero cuyo contenido no descubriremos jamás. En nuestro estudio seguiremos el rastro de esos huecos de la narración, propios a Jean Giono pero también al conjunto de la estructura de la novela moderna, en la construcción enigmática e iniciática de El informe de Brodeck por Philippe Claudel
Representació teatral “Brodeck Informa"
No full textObra teatral basada en textos de P. Claudel i C. BaudelaireDramatis personaeEls homes• Brodeck: Mauri Hervàs; Daouid Marouan• Orschwir, alcalde: Isaac Seguí• Schloss, el de l’alberg: Oriol Cartró• Limmat, mestre: Miguel Picallo• Peiper, capellà: Lluís Batet• Knopf, notary: Carlos Florensa• Wirfrau, ferrer: Eduard Valsera• Göbbler, carnisser: Jandro Tous• Marcus, pastor: Guillem LambíesLes dones• Gertrud, adolescent: Olaya Ciruela• Doris, cambrera: Cristina Losada• Fedorina, mare adoptiva: Laura Castillo• Mare Plitz, herbolària: Aida MormeneoEls animals• El Gat Freddie: Anna Camps• El Cavall Sòcrates: Emma SolerLa memoria• Laura Gassó• Marta Otero• Ana Pedra… i l’Altre• Guió, direcció d’escena i artística: Ana Barjau• Ajudant de direcció: Agnès Esquerra• Il·luminació: Josep Lambíes; Gabriel Andrés• Tècnics d’il·luminació i so: Xavier Carramiñana; Joan Fiol• Material escenogràfic: Jordi Cervantes; Laura Lloren
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