1,721,085 research outputs found
Vivre le patrimoine mondial au quotidien
L’ouvrage interroge les relations au patrimoine que les habitants des villes inscrites sur la liste du patrimoine mondial de l’Unesco entretiennent dans leurs pratiques ordinaires à partir d’études de cas (France, Chili, Italie). Les contributions ici réunies discutent des enjeux théoriques et pragmatiques, liés au fait d’habiter le patrimoine urbain, en fonction du statut des habitants ou de leurs choix de fréquentation de lieux (places, commerces, rues, quartiers). Ces pratiques journalières ancrent les résidents dans des habitudes, des sociabilités, un cadre de vie et des attachements qui constituent un terrain d’enquête varié pour les chercheurs et les professionnels du patrimoine. Le livre évoque également la responsabilité des habitants en matière de développement durable, dans leurs pratiques ordinaires
La fabrique des patrimoines européens au XXIe siècle
Le patrimoine européen est-il un fantasme institutionnel ou une réalité vécue ? Ce numéro explore les formes et les mises en œuvre de la fabrique d’un patrimoine polymorphe (paysages, monuments, chemins, sites, artefacts, routes, espaces urbains, lieux de mémoire, etc.) dans différents pays. Il permet d’analyser, dans des cas étudiés jusque-là de manière dispersée, l’opérativité symbolique de procédés de dénomination du patrimoine et d’attribution de valeur, leurs effets concrets non seulement auprès des acteurs mais aussi par leur biais, et les tensions qu’ils suscitent ou dont ils sont le prétexte. Il présente des approches et des outils analytiques pour que le patrimoine, lorsqu’il est investi de valeurs européennes, puisse faire l’objet d’un travail définitoire, comparé et critique. Is European heritage a fantasy dreamed up by the institutions or an actual experience? This issue explores the forms and processes of qualification and making of a cultural heritage deemed polymorphic (landscapes, monuments, sites, artefacts, paths, routes, urban spaces and places of memory, etc.) in a variety of countries. Drawing on a joint analysis based on multiple case studies, the papers look at the symbolic operation related to the processes of naming heritage as such, their actual effects for actors involved but also their biases and the tensions they generate or that they can be the pretext for. The issues presents a variety of approaches and analytic tools allowing for the definition and the critical, comparative study of cultural heritage when associated with European values. ¿Es el patrimonio europeo una fantasía institucional o una realidad vivida? Este número explora las formas y aplicaciones del estatus de un patrimonio polimórfico (paisajes, monumentos, caminos, sitios, artefactos, rutas, espacios urbanos, lugares de memoria, etc.) en diferentes países. En estos casos estudiados hasta ahora de forma dispersa, se analiza la operatividad simbólica de los procesos de nombramiento y valoración del patrimonio, sus efectos concretos no sólo en los actores sino también a través de ellos, y las tensiones que generan o para las que sirven de pretexto. Presenta enfoques analíticos y herramientas para garantizar que el patrimonio, cuando está dotado de valores europeos, pueda ser objeto de un trabajo definitorio, comparativo y crítico
« Oser la singularité », entretien avec Marc Atallah, directeur de La Maison d’Ailleurs à Yverdon-les-Bains, réalisé par Marie-Sylvie Poli
Après la crise majeure traversée par les institutions culturelles lors de la pandémie de la covid-19, la revue Culture & Musées a souhaité organiser une réflexion ouverte et constructive sur l’avenir des musées. Elle s’est inscrite dans le cadre de journées d’étude organisées pour la célébration du 30e anniversaire de la revue, qui avaient pour titre « Voir le musée autrement : le champ des possibles ». Cette livraison anniversaire se nourrit des discussions commencées lors de ces journées de l’automne 2021. Elle propose une approche prospective de la muséologie et du musée à partir d’une diversité de regards fondés à la fois sur des travaux de recherche et sur des expériences pratiques. La particularité de ce numéro spécial est en effet de mêler articles scientifiques et points de vue de professionnels, en encourageant une forme d’écriture plus libre et plus personnelle
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Percorsi culturali e patrimonio religioso: Multi-dinamica di una categoria trasversale in un contesto turistico
International audienceDal 1987, le tracce geografiche (strada, sentiero, percorso) del Medioevo sono state trasformate in itinerari culturali certificati dal Consiglio d'Europa. Questi percorsi erano un tempo frequentati da viaggiatori e pellegrini provenienti dall'Europa, ma ora attraggono una varietà di camminatori con profili eterogenei (residente, camminatore-pellegrino, turista-escursionista) formando multi-comunità con valori sociali, religiosi e legati al patrimonio. Queste comunità di attori operano in un contesto turistico attraverso dinamiche di rete grazie a strumenti partecipativi, socio-tecnologici e digitali con lo scopo di costruire la loro identità culturale, visiva ed europea. Giocano quindi un ruolo centrale nel riconoscimento di questo oggetto culturale come categoria di patrimonio recente che si pone all'incrocio disciplinare tra geografia culturale, del paesaggio e dei processi comunicativi. Questo articolo studia un corpus di percorsi culturali certificati con valori religiosi secondo una metodologia qualitativa che li classifica (approccio tipologico) e poi li analizza (approccio sistemico)
Heritage Networks: Cultural Routes and Members’ Dynamics
Les vidéos du workshop sont disponibles sur sa page de présentationInternational audienceMy current research work is related to analyse heritage processes in complex context with an attention regarding "network" concept. The Cultural Routes are characterised by a diversity of heritage dynamics that are both operated by governance (Council of Europe) and by a heterogeneous network of actors who are nevertheless fully involved in the certification process. In a part of my research work, I examined the figure of the actor "member" engaged within an active network that is managed by an administrative body (federation, association) in charge of a route. I analysed with Nolwenn Pianezza the links forged between members and their motivations through a network engagement from a collective and individual point of view. We conducted a field survey (interviews) among the actors’ "member" of the European Federation of Cluniac Sites whose results are published (2020). We focused the field approach on professional profiles, membership projects and biographies of members involved in a Cultural Route. Indeed, from a methodological approach, we focused our theoretical reflection on a qualitative survey (interviews) carried out with a sample of members of the European Federation of Cluniac Sites (EFCS) registered at the annual General Assembly (Italy, April 2019). The aim of this survey was to deepen the study of the fabric of actors’ “member” of this Cultural Route, beyond administrative issues. It also wished to identify the plural identities of members who testify to their cultural experiences within this governing body (Federation), and then to collect some individual views of the symbolic and individual meaning carried by their membership. This survey is part of an ERASMUS+ European project (DECRA, 2017-2019)
Le musée à l’ère du tourisme de masse
A donné lieu à publication : Définir le musée du XXIe siècle. Matériaux pour une discussion. Sous la direction de François Mairesse. ICOFOM, 2017, 308 pages. ISBN : 978-92-9012-424-5International audienc
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