113,336 research outputs found
Reflexões sobre a tradução de alusões bíblicas em Drácula de Bram Stoker
Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Estudos da Tradução, Florianópolis, 2013.Trata-se, por um lado, de discutir a questão da referencialidade alusiva ao texto bíblico na obra Drácula de Bram Stoker (1897) como recurso intertextual. Por outro lado, busca-se investigar de que modo as alusões selecionadas foram traduzidas do inglês para o português. As edições escolhidas para levar a cabo o presente estudo são, respectivamente, Dracula de Bram Stoker (1847-1912), publicada originalmente em língua inglesa em 1897, e a tradução para a língua portuguesa realizada por Theobaldo de Souza e lançada em 2007 pela editora L&PM, sob o título Drácula. No que concerne à Bíblia, trata-se da Edição Pastoral segundo o cânon católico, publicada em 1990 pela editora Paulus. Nesta última, de forma analítica, buscou-se os excertos que eventualmente caracterizassem as alusões destacadas na obra de Stoker. Para a delimitação dos excertos a serem investigados, definiu-se a temática da morte como filtro redutor das ocorrências alusivas. As bases teóricas e metodológicas referentes à interpretação e à retextualização de alusões decorrem, sobretudo, dos postulados de Hatim e Mason (1990), Koch e Elias (2009), Kristeva (1969, 1976, 1978), Ritva Leppihalme (1997) e Minna Ruokonen (2010) It refers, on one hand, to a discussion of the issue of references allusive to Biblical texts in Bram Stoker´s Dracula (1897), as an intertextual feature. On the other hand, it seeks to investigate how the selected allusions were translated from English into Portuguese. The editions chosen to carry out this study are, respectively, Dracula by Bram Stoker (1847-1912), originally published in the English language in 1897, and its translation into the Portuguese language done by Theobaldo de Souza, launched in 2007, published via L&PM with the title Drácula. Regarding the Bible, it was used the Pastoral Edition according to the Catholic Canon, published in 1990 by Paulus Publishing House. In the Bible, in an analytical way, we search for the excerpts that, eventually, characterize the allusion in the Stoker´s work. For the delimitation of the excerpts to be investigated, it was chosen the theme of death as a reducer filter for the allusive occurrences. The theoretical and methodological basis for the interpretation and retextualization of allusions result, mainly, from the postulates of Hatim & Mason (1990), Koch & Elias (2009), Kristeva (1969, 1976, 1978), Ritva Leppihalme (1997) and Minna Ruokonen (2010)
Bram Stoker's Dracula A Reader's Guide
Dracula (1897) is one of the most commonly studied gothic novels and has been hugely influential through adaptations in fiction, on stage and in cinema. Offering an authoritative, up-to-date guide for students, this book introduces its context, language, themes, criticism and afterlife, leading students to a more sophisticated understanding of the text. It is the ideal guide to reading and studying the novel, setting Dracula in its historical, intellectual and cultural contexts, offering analyses of its themes, style and structure, providing exemplary close readings, presenting an up-to-date account of its critical reception. It also includes an introduction to its substantial history as an adapted text on stage and screen, focusing on the portrayal of the vampire from Nosferatu to Interview with a Vampire. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading.Intro -- Contents -- Acknowledgements -- Author's note -- 1. Contexts -- 2. Language, style and form -- 3. Reading Dracula -- 4. Critical reception and publishing history -- 5. Adaptation, interpretation and influence -- 6. Guide to further reading -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- ZDracula (1897) is one of the most commonly studied gothic novels and has been hugely influential through adaptations in fiction, on stage and in cinema. Offering an authoritative, up-to-date guide for students, this book introduces its context, language, themes, criticism and afterlife, leading students to a more sophisticated understanding of the text. It is the ideal guide to reading and studying the novel, setting Dracula in its historical, intellectual and cultural contexts, offering analyses of its themes, style and structure, providing exemplary close readings, presenting an up-to-date account of its critical reception. It also includes an introduction to its substantial history as an adapted text on stage and screen, focusing on the portrayal of the vampire from Nosferatu to Interview with a Vampire. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
author-bios-SRD-19-0063.R1 – Supplemental material for The Network Structure of Police Misconduct
Supplemental material, author-bios-SRD-19-0063.R1 for The Network Structure of Police Misconduct by George Wood, Daria Roithmayr and Andrew V. Papachristos in Socius</p
Vitae and the research environment
This presentation was given by Dr Vivian Hodges, Research Manager for Vitae, at the BRAM-NET Annual Event on the 17th February 2011. The event was organised by Dr Rosa Scoble and hosted at Brunel University. BRAM-NET (The Brunel Research Administrators & Managers Network) is a forum to share best practice and information on new initiatives between colleagues supporting research in the centre and academic areas at Brunel University
Literatuurgeschiedenis nu! Twee films met Veerle Fraeters, Bram Caers, Dirk De Geest en Marieke Winkler
Abstract: Vijftien jaar geleden verschenen de eerste delen van de grote, door de Taalunie ge\uefnstigeerde Geschiedenis van de Nederlandse literatuur: Stemmen op schrift van Frits van Oostrom en Altijd weer vogels die nesten beginnen van Hugo Brems. Hoe kijken neerlandici heden ten dage naar dit project? Welke verdiensten hebben de boeken, welke blinde vlekken vertonen ze? Een andere vraag die opkomt is of er in het licht van nieuwe ontwikkelingen in het vakgebied en in de literatuur behoefte is aan aanvullingen vanuit een hedendaags perspectief. Professor Veerle Fraeters (Universiteit Antwerpen) gaat in gesprek met dr. Bram Caers (Universiteit Leiden) over de twee delen over de middeleeuwen; professor Dirk De Geest (KU Leuven) en dr. Marieke Winkler (Open Universiteit) laten hun licht schijnen over het deel na 1945
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
The Significance of Colours in Bram Stoker’s Dracula
The article provides a corpus-assisted analysis of colour terms in Bram Stoker’s novel Dracula. The aim of the analysis is to establish whether colours contribute to the novel’s Gothic mood. Colours can be used to evoke specific atmospheres; they also bear symbolic meanings. This makes them a powerful option for enhancing the mood of a Gothic horror novel. The analysis indicates that white, red and black are the most important colours in Dracula, appearing in distinct patterns and contexts
Využití sociálních médií v B2B prodeji
Tato diplomová práce se zabývá tím, jak mohou B2B obchodníci využívat sociální média v prodeji. Na základě systematické rešerše literatury, autor zjistil, že akademici, zkoumající danou problematiku, navrhují další výzkum, a to: v kterých konkrétních krocích se dají využít sociální média v prodeji (Salo, 2017). Autor se na základě toho rozhodl zjistit, jaké sociální sítě, různé technologie a pluginy se dají využít v B2B prodeji - tzv. social sellingu. Social selling se v této práci týká primárně procesu akvizice a okrajově péčí o stávající zákazníky. Autor si vybral kvalitativní průzkum pomocí 10 hloubkových polo-strukturovaných rozhovorů, aby odhalil jak, která sociální média to jsou, tak i motivaci prodejců, proč tato média používat/nepoužívat. Aby autor dodržel správnost vyhodnocení výsledků, data byla analyzována pomocí Tématické analýzy, která v této studii vykrystalizovala 2 hlavní strategické přístupy v social sellingu. Tyto přístupy (tzv. Push a Pull strategie) obsahují praktické příklady a konkrétní aktivity, které mohou prodejci využívat v každodenní praxi. Tyto výsledky jsou prezentovány s důrazem na praktičnost a jednoduchost implementace. Tvoří proto hlavní přínos autorovo výzkumu. V poslední části autor zmiňuje výzvy a manažerská doporučení, které mohou obchodníci využít v každodenním pracovním životě.This diploma thesis focuses on social media usage in B2B sales. Based on the systematic literature review conducted by the author, he has found out that recent researchers (Salo, 2017) suggest further research in the area of how and in which sales phase should various social networking sites, technologies and plugins used. To further fill this research gap, author decided to identify these social media and their usage among B2B salespeople in the so-called social selling process. The social selling process in this thesis applies mainly to acquiring new prospects and tangentially to taking care of existing clients (follow-up step). Author has chosen a qualitative research method via conducting 10 in-depth semi-structured interviews to reveal these instruments as well as motivation of a sales person on why to use social media in the selling process. The collected data was analyzed using Thematic analysis to ensure the right procedure and to identify main themes which crystalized into 2 main strategic approaches in social selling. These approaches (Push and Pull) include practical examples of concrete activities which sales people can use in their daily jobs and are presented with focus on practicality and ease of implementation. These also form the main contribution of author`s research. In the last part, author mentions challenges in social selling and recommended managerial implications for salesforce
TeX v jednoduchém unixovém prostředí
summary:Při ladění TeXového dokumentu potřebujeme mnohokrát opakovaně pouštět TeX, podívat se, jak dopadl výsledek v prohlížeči DVI nebo PDF souboru, mrknout na výpis TeXu na terminálu, podívat se případně do logu a celou činnost opakovat. V tomto článku je ukázáno, jak tuto práci dělá autor článku. Proces "editor-TeX-kuk" je zde podporován jednoduchými unixovými nástroji: bashovým skriptem texloop, který si autor pro tyto účely vytvořil, dále terminálem Xterm a jednoduchým editorem, který umí navázat na klávesovou zkratku spuštění příkazu v systému. Čtenář se zde může inspirovat a přizpůsobit tyto nástroje svým vlastním potřebám. V článku je popsána funkce skriptu texloop, dále je neformálně rozveden dlouholetý vývoj autorova vztahu k textovým editorům a konečně je zde uvedena konfigurace terminálu Xterm, aby vyhovoval českému prostředí jak v kódování ISO-8859-2, tak v kódování UTF-8. Pro kódování UTF-8 si v závěru článku vygenerujeme TeXový formát csplain.summary:By debugging a TeX document it is necessary many times repeatedly to run TeX, to look for the result in DVI or PDF file, to gander the TeX output on the terminal, or eventually to have a look in the log-file, and all that action to repeat. In the paper it is show, how this work is made by author. The process '‘'editor-TeX-look' is supported by simple Unix tools: bash script texloop, created by author for these purposes, Xterm terminal and a simple editor, which is able to link to the shortcut key the activation of a system command. The reader could be inspired with the solution and to adapt these tools to his/her own needs. In the paper the function of the texloop script is described, and further the longstanding evolution of the author's relation to text editors is informal elaborated and finally a configuration of Xterm terminal, suitable for the czech environment with both ISO-8859-2 and UTF-8 encoding is introduced. For UTF-8 encoding the TeX format csplain is generated at the end of the paper
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