1,281 research outputs found
Dynamic structure of detonation in gaseous and dispersed media
No full textOf late the demands of industry in creating new composite and functional materials with present properties stimulated an increased interest to the investigation of processes which occur in the detonation technologies of complex chemical composition with an additive of disperse particles. The collection includes a series of papers presented at the 3d International Conference "Lavrentyev Readings on Mathematics, Mechanics, and Physics" (Novosibirsk, 1990),was held by the Hydrodynamics Institute under the support of the Presidium of the Siberian Branch of the USSR Academy of Sciences to stimulate the international cooperation of the leading international centers. In the framework of this Conference the Round Table seminar was held by Prof. A. Borissov and Prof. V. Mi trofanov devoted to "Dynamic Structure of Detonation in Gaseous and Dispersed Media". The idea to hold such Round Table was supported by Chairman of Organizing Committee academician Prof. V.Titov from Hydrodynamics Institute, and academician Prof. V. Nakoryakov and also his Institute of Thermophysics. The main ideas discussed at the Round Table were presented in the form of papers which reflected present situation of the problem of dynamic structure of the detonation waves in gaseous and dispersed media. The basic experimental facts concerning of complicated mul ti dimensional non-stationary structure both of the detonation wave and its front surface, generation of the cell structure, the effect of transverse waves, obstacles, channel geometry etc. on the transition from dynamic regime to stationary structure are represented in the fist three paper
Anatoly Kuznetsov, Author of Babi Yar: The History of the Book and the Fate of the Author
No full textThis Introduction to the special issue devoted to Anatoly Kuznetsov, author of Babi Yar: A Document in the Form of a Novel, dwells on the different aspects of the book’s importance, surveys the life of the author as intertwined with the history of this book, suggests a way of reading his other work in the light of Babi Yar, and notes the contributions of the articles collected in this issue
The Absurdity of Reality in the Novel of Anatoly Korolev «Byt Boschom» («To be Bosch»)
No full textThe article is devoted to the research of the controversial novel’s poetics of the modern prose writer Anatoly Korolev, the representative of the frontier aesthetics between realism and postmodernism. The author uses various discourses to interpret an absurdity in the novel «Byt Boschom» («To be Bosch»): narration about reality, text in text, metatext. The meaning of the discourses’ combination is represented in the article. Studying the absurdity in the novel allows to see existential problems revealed in this writing
The Absurdity of Reality in the Novel of Anatoly Korolev «Byt Boschom» («To be Bosch»)
No full textThe article is devoted to the research of the controversial novel’s poetics of the modern prose writer Anatoly Korolev, the representative of the frontier aesthetics between realism and postmodernism. The author uses various discourses to interpret an absurdity in the novel «Byt Boschom» («To be Bosch»): narration about reality, text in text, metatext. The meaning of the discourses’ combination is represented in the article. Studying the absurdity in the novel allows to see existential problems revealed in this writing
Nasledie «Sidora Karpovicha» v sovremennoj pesennoj kul'ture
No full textThe article analyzes the transformation of the Russian folk song “Dear
Sir Sidor Karpovich”, studied by V. N. Toporov in 1979. This text was a
prison game depicting a funeral rite and having a function of initiation,
but re cently it has become a popular song and lost its minor mood. At the
same time, the protagonist (Sidor Karpovich) loses his name and becomes
a secondary character. The main role is taken by his wife, Lyubka, called
by the epithet “gray dove”. The plot of the song is based on twists and turns of her life after the death of her husband. Analyzing the image of the dove in poetry and, in particular, in prison lyrics, as well as looking at possible influences of other popular songs, the author proposes possible reasons for such a transformation
Anatoly Vasiliev’s Theatre. Semiology of Continuity and the Way to a New Type of Theatrical System
No full textIntroduction. The article provides a general description of Anatoly Vasiliev’s theatrical method, discussing the essence of methodological and philosophical breakthroughs in the future of Russian and world theaters, and, in this context, the continuity of the main tenets of Stanislavsky’s system.Methodology and sources. The article compares two theatrical concepts, two methodological, philosophical, and historical approaches of Russian and World Theatres: Stanislavski’s system and Vasiliev’s method. It determines the semiology of continuity and features of a new approach to the development of dramatic art.Results and discussion. The article highlights the elements of the Stanislavsky system present in Anatoly Vasiliev’s method, aiming to derive an algorithm for utilizing new opportunities based on established systems and techniques for training modern actors. The article's conclusions are drawn from five years of experience (since 1988) with the Vasiliev method, gained through direct contact with the master while collaborating on texts by Plato, Oscar Wilde, Fyodor Dostoevsky, William Faulkner, Thomas Mann, Erasmus of Rotterdam, and Alexander Pushkin. As the article relies on introspective research followed by epistemological analysis, it maintains a subjective nature. It is the outcome of the author’s experience working within the Anatoly Vasiliev’ s School of Dramatic Art at the GITIS acting and directing course (1988–1993), and years of observation of the method’s evolution in working with Vasiliev's students, students of theater universities, and professional actors both in Russia and abroad.Conclusion. The article does not claim to precisely represent Vasiliev’s ideas and thoughts but rather reflects the author’s journey through the rehearsal process in Vasiliev’s theater, acknowledging the internal changes experienced by the author as an actor, director, and individual within the method. It abstains from making value judgments regarding the Stanislavsky system and Vasiliev’s method, instead highlighting the most distinctive features of the theatrical method, elucidating its philosophy, and emphasizing the unity between the Stanislavsky and Vasiliev systems
La prose de Minaev : phénomène d'altérité « dirigée »
No full textMinaev's prose is a literature of manipulation. The author seems to dissect the world of glamour and success to dispute mass-culture, to denounce the new rich, the jet set - all those whom he calls « the soulless ». The writer claims to offer the diary of a new Pechorin, a present-day Byronic hero. The story, however, is not meant to show a character but to send the readers an ideological message which differs little from official discourse. Aiming at commercial success, many of Minaev's novels are bestsellers - the author tries to represent a false « other » comprised of the current power's admirers, who are presented as a minority. The support given to the writer by the Kremlin-directed media and the conjunction of Minaev's thesis with the main points of propaganda seem to suggest that his prose might be part of a large-scale ideological project.Tokmakov Anatoly. La prose de Minaev : phénomène d'altérité « dirigée ». In: Revue Russe n°33, 2009. D’autres Russies. Altérité, diversité et complexité dans la Russie d' aujourd’hui. pp. 159-169
Image of the Real and Unreal World in Anatoly Kozlov’s Story-fontasmagori «I and the Prophet-Urodka»
No full textThe author regards the problem of the influence of European literature on the Belarusian prose of the early 21-th century on the example of Anatoly Kozlov’s story-fontasmagori «I and the Prophet-Urodka». The author of the article explores the thematic and genre features of the literary work, studies its moral and ethical issues. Great attention is paid to the analysis of artistic means of revealing of specific world created by A. Kozlov’s fantasy.У артыкуле асэнсоўваецца праблема ўплыву еўрапейскага мастацтва слова на беларускую прозу пачатку ХХІ ст. на прыкладзе аповесці-фантасмагорыі Анатоля Казлова «Я і Прарок-Уродка». Аўтар даследуе тэматычную і жанравыя адметнасці твора, вывучае яго маральна-этычную праблематыку. Найбольш увагі ў артыкуле надаецца аналізу мастацкіх сродкаў выяўлення ўмоўнага свету, створанага фантазіяй аўтара
Motives of Existentialism in the Poetry of Knuts Skujenieks and Anatoly Zhigulin
No full textMaģistra darbā apskatīti eksistenciālistiskie motīvi Knuta Skujenieka un Anatolija Žiguļina – nozīmīgu 20. gs. 2. puses dzejnieku – dzejā. Pētījumā aplūkota galvenokārt abu autoru nometnes laika dzeja, būtisku vietu ierādot arī biogrāfiskajam kontekstam. Nometnes situācija abiem dzejniekiem ir bijusi eksistenciālistisko izjūtu ģenēzes impulss.
Eksistenciālistiskie motīvi dzejā latviešu un krievu literatūrzinātnē vēl joprojām ir maz pētīta tēma. Maģistra darbā apskatītas eksistenciālisma idejas totalitārisma apstākļos, kā arī eksistenciālistisko situāciju refleksija K. Skujenieka un A. Žiguļina dzejā vairākos aspektos: 1) kā nebrīves un brīvības pretstats; 2) kā sevis iepazīšana izvēles, atbildības un godīguma eksistenciālās šķautnēs; 3) kā dzejnieka vienpatās eksistences neaizsargātība; 4) kā brīvā griba un tās traģika; 5) nāve kā eksistenciālisma robežsituācija; 6) nometnes esamība kā atkailināts padomju dzīves modelis.
Atslēgas vārdi: Knuts Skujenieks, Anatolijs Žiguļins, nometnes lirika, eksistenciālistiskie motīvi, mākslinieciskā izteiksme.The Master Thesis examines motives of existentialism in the poetry of two significant poets of the second half of the 20th century: Knuts Skujenieks and Anatoly Zhigulin. The thesis principally deals with the poetry written during the time both poets spent at labour camps. An essential part of the research is devoted to the biographical context of their work. Life at the labour camps provided the main impulse of the genesis of existential feelings for both poets.
Motives of existentialism in poetry have not been studied to a large extent both in Latvian and Russian history of literature. The author of the Master Thesis in her research discusses existential ideas in totalitarian regime as well as analyses the reflection of existential situation in K. Skujeniek’s and A. Zhigulin’s poetry according to the following aspects: first, captivity vs. freedom; second, acquainting with oneself in the existential circumstances of choice, responsibility and honesty; third, the exposure of the poet’s vulnerable self; fourth, free will and its tragic implications; fifth, death as the dividing line of existentialism; sixth, the existence of the labour camp as exposed model of the soviet life.
Key words: Knuts Skujenieks, Anatoly Zhigulin, the poetry at labour camps, motives of existentialism, literary expression
The historical and cultural content of the writing of the novel Anatoly Rybakov's «Heavy Sand»
No full textУ статті аналізується історико-культурний контекст написання роману Анатолія Рибакова «Важкий пісок». Аналізується часова ретроспекція в романі. Розглядаються складнощі тодішнього літературного життя. Особлива увага надається цензурі в радянській літературі. Автор був змушений слідувати правилам опису Другої світової війни. Піднімається питання автентичності опису жертв Голокосту. Особливе місце займає занурення автора в середовище, збір свідчень очевидців, дотримання історичної правди. Зазначається, що увага до «єврейського питання» була викликана внутрішнім бажанням письменника дослідити долю свого народу. Важливо, що Анатолій Рибаков належав до радянських письменників «першої величини» і дуже уважно ставився до своєї творчості. В статті розрізняються поняття «простір» і «місце». В статті ми доходимо висновку, що роман «Важкий пісок» є поєднанням особистих спогадів і загальнолюдської пам’яті.The article analyzes the historical and cultural context of writing Anatoly Rybakov's novel «Heavy
Sand». Temporal retrospection in the novel is analyzed. The complexities of literary life of that time are considered.
Particular attention is paid to censorship in Soviet literature. The author was forced to follow the rules
of description of the Second World War. Recently, a great deal of research has been devoted to the topic of time
and historical memory. Various explorations of the influence of time and context on certain stages of creation
and influence of Anatoly Rybakov's novel «Heavy Sand» are made. Сhildren's memories make up a certain
outline of the novel Heavy Sand – the writer has repeatedly pointed out that the novel takes place in the town
of Snovsk, just as this city is a prototype of the city of Revsk in his other work, Cortik. The aspiration for the
authenticity of the area was also preserved by the creators of the TV series Heavy Sand – in the beginning of
the two thousand years (at that time it was called Shchors) a whole town was built on five hectares. A. Rybakov
thoroughly studied the "spirit of the city", reconstructed events from the words of eyewitnesses and used his
experience as a combatant. It was his deep immersion in the cultural and historical context that enabled him
to accurately and insightfully portray the joyful, everyday and especially tragic pages of twentieth-century
history. The question of the authenticity of the description of the victims of the Holocaust is raised. Particularly
important is the immersion of the author in the environment, the gathering of eyewitness accounts, the
observance of historical truth. It is noted that attention to the “Jewish question” was caused by the writer's
inner desire to explore the fate of his people. It is important that Anatoly Rybakov belonged to Soviet writers
of the “first magnitude” and was very attentive to his work. In fact, space is modeled according to the needs
and capabilities of people at one time or another. "Work" with it is not imbued with sacralization and is mostly
done for pragmatic reasons. The concepts of space and place are different in the article. In the article we come
to the conclusion that the novel «Heavy Sand». Іs a combination of personal memories and universal memory
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