1,720,969 research outputs found

    Listening with Elephant Ears : Contesting Exclusion at the Intersection of Virtuosity and Ableism

    No full text
    This article addresses Listening with Elephant Ears, a contemporary music composition and performance created by the author together with the Elefantöra (Elephant Ear) ensemble. Elefantöra is a norm-critical music ensemble that includes both disabled and non-disabled musicians. When musicians are defined as disabled, normative assumptions regarding the correct use of musical instruments and expert definitions of good sound generate rehabilitative approaches to music that perpetuate exclusions of ableism. This article examines the intersections that exist between exclusions of ableism and exclusions based on musical virtuosity. It focuses on the ways in which Elefantöra contests both exclusions of ableism and virtuosity in their creative reappropriations of sound technology. Composed in the fall of 2020 as a collaborative artistic research engagement, Listening with Elephant Ears was first performed at the Lund Contemporary Music Festival in Sweden, October 2021. The article draws on ethnographic and sound material generated from my artistic research engagement with Elefantöra. Created during the COVID-19 pandemic, Listening with Elephant Ears actively reappropriates the Zoom video conference software as a music technology. The piece embraces Zoom’s limitations and emphasizes the aesthetic value of the audio distortions and digital interference that Zoom introduces into musical performance. Critiquing regimes of regulation that situate disabled musicians differently to non-disabled musicians, Listening with Elephant Ears applies care as a theoretical perspective from which to reflect critically on rehabilitative approaches to music and the associated exclusions of ableism and musical virtuosity

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Get PDF
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Get PDF
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

    Get PDF
    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

    Get PDF
    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

    No full text
    Nao informado

    THE INTEGRATION ISSUES OF SOMALI IMMIGRANTS IN SWEDEN: Experiences, Challenges and Opportunities

    No full text
    ABSTRACT The purpose of this thesis is to examine the integration of the Somali immigrants in Sweden and to explore the factors that impede or help in the process. The study in particular aims at looking at how culture, identity and migration form immigrants’ integration experiences. It will further explore the communication barriers with, mainly; the government institutions from the perspective of Somalis and how removing these barriers could help improve the situation. The thesis also discusses the theories of transnationalism, cosmopolitanism, immigration, and integration in relation to communication for development and social behaviour change. Qualitative research methods have been selected to explore the experiences of the Somali immigrants integrate into the wider Swedish community through the use of semi-structured interviews. The Somali immigrants have good networks among themselves in Sweden, and with home country, however they do not manage to establish a good networking with the Swedish society. The outcome of this study implies that most immigrants feel that there are communication barriers in the way to a better integration. Through the use of qualitative research in semi-structured interviews with selected Somali immigrants from various backgrounds, the study shows that there are many issues that might help the community to integrate into Sweden and proposes some recommendations on how the situation could be improved

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

    No full text
    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Fictional Film and Social Change: A study of two Nigerian narratives

    No full text
    Nearly 50 years ago a UNESCO paper expounded the value of film as a development tool, alongside other forms of media. Factual films were useful platforms to provide information and instruction particularly in the fields of agriculture and health, and thereby act as a stimulus for practical innovation. Motion pictures were also considered to be a potential conveyor of development knowledge, both vertically across social strata, i.e informing policymakers, governments and institutions; and horizontally across the length and breadth of countries with the potential to reach diverse and dispersed communities. More recently, scholars such as Lewis et al. (2014) have argued that fiction, whether it be literature or cinematic, could and should be considered as valuable supplements and even challenges to more conventional forms of academic or policy knowledge. This study examines that assertion with regard to two Nigerian films, Dry and Unspoken. Both films, classified under the genre of drama (IMDb), address the devastating but preventable condition known as vesicovaginal fistula and as such draw attention to other connected social concerns, inter alia, child marriage, gender inequality and the rights of the girl-child. The films are significant as cultural texts because both were authored and directed by Nigerian women, and so themes of race, gender, and shared heritage acquire greater relevance. My research was guided by theories of representation and audience reception and employed narrative analysis methods to determine if and how the two works constitute ‘development films’, and to assess their potential to transcend the screen and contribute to transforming lives. My findings show that despite cinematic constraints and the imperatives of artistic story-telling the films, through their stylistic codes and thematic unveilings, have validity as tools for social epistemology and advocacy, and the potential to influence behaviour change and institutional policy revision. These attributes put them alongside other contributions within the field of edutainment and suggest that the cinematic experience can have a legitimate role as a site of development communication
    corecore