3,662 research outputs found
L'opera ecclesiastica di Carlo Marchionni (1702-1786) ad Ancona e nello Stato Pontificio
No full textA partire dagli studi condotti da Rudolf Berliner e da Joachim Gaus, l’indagine sull’opera di Carlo Marchionni è sempre andata concentrandosi sulle due maggiori realizzazioni romane dell’architetto, quindi la grande villa lungo via Salaria, destinata ad accogliere la collezione di antichità del cardinale Alessandro Albani, e la sagrestia della basilica di San Pietro, la cui ricostruzione, meditata sin dal secolo precedente, si rese finalmente possibile solo negli anni Settanta del Settecento. Tuttavia, l’attività professionale di Carlo Marchionni, nonché quella, complementare, di disegnatore, furono particolarmente intense: l’architetto mise a punto numerosissimi progetti, in particolare per opere ecclesiastiche, in tutto lo Stato Pontificio, mentre l'attitudine a raccogliere personalmente le proprie idee all’interno di volumi rilegati, e spesso tematici, è ciò che ha permesso di ricostruire il percorso progettuale di monumenti noti, quando non di venire a conoscenza di opere che non furono mai realizzate, o realizzate e successivamente distrutte. Dalle chiese superstiti di Ancona e di Montemarciano, realizzate nelle Marche in concomitanza dell’ottenimento dell’incarico per il completamento del porto dorico, passando per la prova giovanile della chiesa dei Santi Giovanni Battista ed Evangelista a Nettuno, di fatto il punto da cui la ricerca dell’architetto sul tema dell’edificio chiesastico prese le mosse, per arrivare ai progetti per opere minori, per così dire, quindi alle idee per cappelle e altari di cui non resta altro se non le relative elaborazioni grafiche, il lavoro qui presentato ha tentato di far emergere il ricco quadro di modelli e di riferimenti di un architetto che, pur operando all’interno dei limiti imposti dall’ambiente accademico di formazione, intraprese una ricerca del tutto personale e che, in fondo, tradisce un ancora forte attaccamento a quell’eredità barocca che, nella seconda metà del Settecento, si andava invece rifuggendo
Professor Angela Shannon
No full textAngela Shannon shares her poetry with the Taylor community.
Angela Shannon is the author of Singing the Bones Together, a 2004 Minnesota Book Awards Finalist. She teaches English at Bethel University. Her work has been published in journals, textbooks, and anthologies, including TriQuarterly, Ploughshares, Where One Ends Another Begins: 150 Years of Minnesota Poetry, and Beyond the Frontier: African American Poetry for the 21st Century. Her choreopoem Root Woman premiered at the Fleetwood-Jourdain Theater in Evanston, Ill
Angela Shanté : 2022 Irma Black Award Silver Medal Acceptance Speech
No full textAuthor Angela Shanté gives an acceptance speech for When My Cousins Come to Town, illustrated by Keisha Morris (West Margin Press)https://educate.bankstreet.edu/irma_black_awards/1004/thumbnail.jp
The Family History of Angela Ruth Weidert
No full textAngela Ruth Weidert authored this family history as part of the course requirements for HIST 550/700 Your Family in History offered online in Spring 2018 and was submitted to the Pittsburg State University Digital Commons. Please contact the author directly with any questions or comments: [email protected]
Materia-autore = Author-Matter
No full textThe etymology of the word author refers to an act of creation, an act of augmentation, from the Latin verb augere. Author instantiates creation, the expansion of the pre-existing. In 1967 Roland Barthes declared the death of the author in his famous essay to state once more that the crisis is that of the author as a single subjectivity and as a term that condenses prestige, undermined by the de-subjectivation strategies of automatism, fortuity and fragmentation of the historical avant-gardes, as well as by the machinic act and by the reproducibility of the second avant-gardes.
Fifty years after Barthes’ paradigmatic formula, this lack of authorship appears to be a successful brand. The ten- sions between the anomie of matter, the law that establishes authorship and the economy that makes the work pos- sible, invoke discordant perspectives. Artists make the self-destruction of their work the real work, and appeal is made for the demolition of architectures, whether by a recognised author or not, in order to re-design, or better still, re-claim the territory. Artificial intelligence consolidates its logics and its design by progressively shedding human ingenuity. The space of criticism becomes, finally, increasingly ephemeral. However, there is an acceptation of criti- cism that is, rather than an individual ‘signature’, an exploration and explanation of how design makes theory.
The binomial author-matter seeks to mark these tensions and contradictions: the featured term author is main- tained to underline the persistence of that prestigious subjectivity, at the very moment when the rhetoric of “mat- ter as an author” promises other forms of authorship
Giussani Sansoni, Angela
No full textLa scheda ricostruisce la vita e l'apporto della scrittrice Angela Giussani Sansoni alla letteratura per l'infanzia.The headword explains the biography and the contribution of the author Angela Giussani Sansoni to the children's literature
Deliberation and journalism
No full textThe first chapter in 'International Journalism and Democracy' re-examines current ideas about the role of journalism in promoting democracy, introducing the concept of "deliberative journalism". 'Deliberation and Journalism' lists the ways in which journalists can assist deliberation and politics in communities around the world. The chapter defines deliberation as a specific form of conversation that precedes and promotes decision-making and action by members of a community. The author recognises the difficulty of engaging in deliberation in communities that are divided by different interests, identities, backgrounds, resources and needs. She provides examples of strategies that journalists can use to encourage inclusive and productive deliberation in the face of community diversity.\ud
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The chapter introduces examples of types of deliberative journalism that have emerged around the globe. These include strategies that have been sometimes been labeled as public journalism, civic journalism, peace journalism, development journalism, citizen journalism, the street press, community journalism, environmental journalism, and social entrepreneurism. The chapter also includes models of journalism that have not yet been given any particular name. Although the book identifies problems surrounding the theory and practice of these forms of journalism, the author notes that this is to be expected. Most models of deliberative journalism are relatively new, with none being more than a few decades old. The author concludes that resolution of these problems will only occur incrementally
Models of breakup: a final state interaction problem
No full textIn this paper, we discuss the evolution of breakup models from fully quantum mechanical, such as the Ichimura–Austern–Vincent model to semiclassical, to eikonal approximations following the insight on the mechanism first proposed by Hussein and McVoy (HM) for the presently called stripping term. In particular we concentrate on, and stress that, the correct implementation of a quantum mechanical model of breakup requires the use of energy dependent interactions and the energy averaging procedure is a key point to understand the difference among models. On the other hand using fixed energy potentials is one of the steps towards the high energy eikonal limit first proposed by HM. However the intermediate semiclassical transfer to the continuum model of Bonaccorso and Brink does use an energy dependent nucleon–target optical potential, while fixing the core–target interaction at the incident energy. The relationship between these methods is clarified
Il tempo perduto delle donne nei racconti di Adriana Bittel: Cum încărunţeste o blondă, Soi bun, Departe-n zare, spre Azuga
No full textIl contributo comprende la prima traduzione in italiano di tre racconti della scrittrice rumena Adriana Bittel, e un saggio sulle strategie narrative messe in atto da Bittel per descrivere lo spazio della socialità femminile nella Romania del periodo precedente al 1989The contribution consists of the translation into Italian of three short stories authored by the Romanian woman writer Adriana Bittel, entitled respectively, "How a Blond turns white", "Good Quality", “Far away in the horizon, towards Azuga”. Angela Tarantino, the author of the translation, adds to her work a presentation of Adriana Bittel and the narrative strategies used to describe the space of the women's sociality in Romania during the years previous to 198
Erratum: Lack of immunity against rubella among Italian young adults. [BMC Infect Dis., 17, (2017) (199)] Doi: 10.1186/s12879-017-2295-y
No full textAfter publication of this article [1], the authors noted that the given names and family names of all authors had been inverted, and are therefore incorrect in the original article. In the original article, the author names appear as the following: Gallone Maria Serena, Gallone Maria Filomena, Larocca Angela Maria Vittoria, Germinario Cinzia and Tafuri Silvio. However, this is incorrect, and the author names should appear as per the below: Maria Serena Gallone, Maria Filomena Gallone, Angela Maria Vittoria Larocca, Cinzia Germinario, Silvio Tafuri. The author names have been corrected in the author list and the citation for this Erratum
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