1,354,740 research outputs found

    Arthur and Ottilie Bleier collection. 1884-1952

    No full text
    This collection holds the papers of Arthur and Ottilie (née Schnabl) Bleier. It primarily contains personal documents, such as educational and official papers. Prominent topics are Arthur Bleier’s career as a physician and the Bleiers’ internment in the Theresienstadt Concentration Camp. In addition to the textual material, the collection holds photographs and some artifacts from the Holocaust (yellow stars and armbands).Dr. Arthur Bleier (1874 - 1951) was born in Vienna to Ignaz Bleier and Pauline Stein. After passing his “Matura” in Vienna, he studied medicine in Heidelberg and Vienna. He served in WW I as a decorated, medical officer.Ottilie Bleier (1879 - 1952) was born in Vienna to Jacob Schnabl and Emilie (Eva) Bloch. Arthur and Ottilie got married in 1904. They had three children, Lisa, Anna, and Peter. Anna and her husband, Hans Frey, fled Vienna in 1939 to England and then to Chicago.In 1942, Ottilie and Arthur Bleier were deported to Theresienstadt. They returned to Vienna in 1945, and two years later they joined their daughter in Chicago.ProcesseddigitizedFrey, Anna ; Kallir, Camill

    Reseña de Bleier, Roman, Bürgermeister, Martina, Klug, Helmut W., Neuber, Frederike y Schneider, Gerlinde (eds.): "Digital Scholarly Editions as Interfaces"

    No full text
    Reseña del volumen: Bleier, Roman; Bürgermeister, Martina, Klug, Helmut W., Neuber, Frederike y Schneider, Gerlinde (eds.). Digital Scholarly Editions as Interfaces. Norderstedt: Books on Demand, 2018. ISBN: 978374810925

    Cultura y comunicación en los noventa. Con Gerardo Bleier, Ana Inés Larre Borges y Gabriel Peveroni

    No full text
    Con la excusa del dossier sobre cultura y comunicación en los noventa, tuvo lugar el 18 de agosto una conversación en la que se buscó evaluar la importancia de esa década. Participaron como invitados Ana Inés Larre Borges, Gerardo Bleier y Gabriel Peveroni, a cuya condición común de intelectuales y periodistas culturales suman las de ensayistas, investigadores, escritores… Lo que sigue es una versión de ese encuentro, que moderó el coordinador del dossier, Óscar Brando

    Going Beyond Counting First Authors in Author Co-citation Analysis

    No full text
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Introduction: Versions of Cultural Objects

    No full text
    The version of a cultural object is identified, defined, articulated, and analysed through diverse mechanisms in different fields of research. The study of versions allows for the investigation of the creative processes behind the conception of the object, a closer inspection of the socio-political contexts that affect it, and may even provide the means to investigate the object’s provenance and circulation. At a symposium at Maynooth University, scholars from different research areas exchanged ideas about different forms of media, including text, image, and sound, to work towards an understanding of the term versioning in the broadest sense. While the understanding of versions and related terminology differs between disciplines, a cross-disciplinary dialogue will highlight the range and depth of existing studies and provide an interdisciplinary understanding of the term versioning which will be useful for a more holistic conceptualisation. The present volume tries to contribute to this dialogue by providing eight peer-reviewed articles resulting from the discussion and presentations held at Maynooth University

    Variations on the Author

    No full text
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

    No full text
    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

    No full text
    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author, publisher and bookseller : a tripartite synergy in Nigerian book industry

    No full text
    This work is about the roles of Author, Publisher and Bookseller in Book development in Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after which it proceeded by defining who an author, a publisher, and a bookseller is and expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in the emerging Information Society. Furthermore, the various constraints to book development were identified while the paper advised on how the Book Industry can be further promoted in Nigeria. However, the paper concluded and made recommendations on how the Book sector can help in enhancing scholarship in the country

    The Thursday Murder Club: Launching a megabrand author - a publishing case study

    No full text
    In 2020, the Christmas book charts in the UK made headlines: Barack Obama’s eagerly awaited autobiography, The Promised Land, was beaten to the top spot by The Thursday Murder Club by Richard Osman, a debut cosy crime novel set in a retirement village. Not only did Osman’s book beat the former US president’s expected bestseller, it also broke records, becoming the fastest-selling debut crime novel of all time. Although Osman has a certain level of fame in the UK from his TV appearances on shows such as Pointless, his celebrity status does not entirely explain the novel’s huge sales. This article tracks the acquisition, publication, and promotion journey of The Thursday Murder Club in order to understand the industry and cultural context of its success and to interrogate the role of celebrity in the creation of author brands. The findings suggest that the unexpected scale of the success of the book owed to a number of factors, including in-depth editing by the novel’s agent, editor, and author to tighten up the plot, an extensive and strategic promotional campaign, the pandemic (which drove interest in the book’s genre and themes), and the quality of the writing. We find that the book’s success was accentuated by Osman’s celebrity status rather than being entirely reliant on it. This research adds to the growing scholarship on celebrity authorship by means of an in-depth case study and provides insight into the processes behind publishing a ‘celebrity’ book and launching a megabrand author
    corecore