30,117 research outputs found

    Maria Bitiri

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    Maria Bitiri. In: Materiale şi cercetãri arheologice (Serie nouã), H-S 2021. p. 1

    Maria Bitiri – Selected bibliography/Bibliographie séléctive

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    Maria Bitiri – Selected bibliography/Bibliographie séléctive. In: Materiale şi cercetãri arheologice (Serie nouã), H-S 2021. pp. 21-25

    Săpăturile paleolitice din Ţara Oaşului (1962—1966) / Les fouilles archéologiques de « Ţara Oaşului » (1962—1966)

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    Bitiri Maria. Săpăturile paleolitice din Ţara Oaşului (1962—1966) / Les fouilles archéologiques de « Ţara Oaşului » (1962—1966). In: Materiale şi cercetări arheologice, N°9 1970. pp. 11-38

    Peintures rupestres de la grotte Cuciulat (Roumanie)

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    Cârciumaru Marin, Bitiri Maria. Peintures rupestres de la grotte Cuciulat (Roumanie). In: Bulletin de la Société préhistorique française, tome 80, n°3, 1983. pp. 94-96

    Maria Bitiri – Photographic retrospective/Retrospective photographique

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    Dobrescu Roxana, Nicolae Cătălin I. Maria Bitiri – Photographic retrospective/Retrospective photographique. In: Materiale şi cercetãri arheologice (Serie nouã), H-S 2021. pp. 17-19

    Maria Bitiri – La Dame du Paléolithique de la Roumanie

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    Cârciumaru Marin. Maria Bitiri – La Dame du Paléolithique de la Roumanie. In: Materiale şi cercetãri arheologice (Serie nouã), H-S 2021. pp. 13-15

    Şantierul arheologic Bicaz / Le chantier archéologique de Bicaz

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    Nicolăescu-Plopşor Constantin S., Teodoru Dan, Teodor Silvia, Păunescu Alexandru, Mogoşanu Florea, Bitiri Maria, Paul-Bolomey Alexandra, Florescu Marilena, Berlescu Natalia. Şantierul arheologic Bicaz / Le chantier archéologique de Bicaz. In: Materiale şi cercetări arheologice, N°7 1961. pp. 37-47

    Maria Bersani

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    La voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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