161,029 research outputs found
Maksym Rylskyi and Oleksandr Biletskyi: Personal and Creative Contacts
No full textМаксима Рильського й Олександра Білецького пов’язували тривалі професійні й особисті взаємини, що сформувалися в повоєнний період, хоча знайомі вони були ще з 1930‑х років. Перебуваючи в Харкові, М. Рильський навідував родину Білецьких, у яких збиралися вчені, поети, митці. У М. Рильського й О. Білецького були спільні риси вдачі та вподобання (любов до музики, театру, всебічна обдарованість), спільні наукові інтереси, спрямовані, зокрема, на вивчення і популяризацію української літератури, введення української культури до світової. Обидва зробили значний внесок у розвиток українського театру: О. Білецький – один з організаторів Театру юного глядача у Харкові (1921), написав для нього три п’єси, був членом театральних художніх рад; М. Рильський багато років завідував літературною частиною Київського театру опери та балету ім. Т. Г. Шевченка, перекладав і редагував лібрето світової оперної класики. Вони започаткували або відновили деякі наукові напрями в літературознавстві, фольклористиці та етнології; ініціювали розгортання славістичних і порівняльних досліджень. О. Білецький заклав основи вивчення в Україні античних і зарубіжних літератур, а М. Рильський написав низку цінних праць із перекладознавства, фольклористики, поетики.Maksym Rylskyi and Oleksandr Biletskyi have been connected with long professional and personal relationships formed in the post-war period, although they have known each other since the 1930s. Having been in Kharkiv, M. Rylskyi visits the family of Biletskyi, where scientists, poets, and artists gather. M. Rylskyi and O. Biletskyi have common traits of character and preferences (love for music, theatre, comprehensive gift), common scientific interests aimed, in particular, at studying and promoting Ukrainian literature, integration of Ukrainian culture into the world one. They have also made a significant contribution to the development of Ukrainian theater. O. Biletskyi is known as one of the organizers of the Young Spectator’s Theatre in Kharkiv (1921). He has written three plays for it and is a member of the theater's artistic councils. M. Rylskyi has been in charge of the literary department of the Taras Shevchenko Kyiv Opera and Ballet Theater, translated and edited librettos of world opera classics. They have started or renewed some scientific trends in Literary Science, Folkloristics, and Ethnology; initiated the development of Slavic and comparative studies. O. Biletskyi has laid the foundations for the investigation of ancient and foreign literatures in Ukraine. M. Rylskyi has written a number of valuable works in Translation Studies, Folkloristics, and Poetics
Maksym Rylskyi and Oleksandr Biletskyi: Personal and Creative Contacts
No full textМаксима Рильського й Олександра Білецького пов’язували тривалі професійні й особисті взаємини, що сформувалися в повоєнний період, хоча знайомі вони були ще з 1930‑х років. Перебуваючи в Харкові, М. Рильський навідував родину Білецьких, у яких збиралися вчені, поети, митці. У М. Рильського й О. Білецького були спільні риси вдачі та вподобання (любов до музики, театру, всебічна обдарованість), спільні наукові інтереси, спрямовані, зокрема, на вивчення і популяризацію української літератури, введення української культури до світової. Обидва зробили значний внесок у розвиток українського театру: О. Білецький – один з організаторів Театру юного глядача у Харкові (1921), написав для нього три п’єси, був членом театральних художніх рад; М. Рильський багато років завідував літературною частиною Київського театру опери та балету ім. Т. Г. Шевченка, перекладав і редагував лібрето світової оперної класики. Вони започаткували або відновили деякі наукові напрями в літературознавстві, фольклористиці та етнології; ініціювали розгортання славістичних і порівняльних досліджень. О. Білецький заклав основи вивчення в Україні античних і зарубіжних літератур, а М. Рильський написав низку цінних праць із перекладознавства, фольклористики, поетики.Maksym Rylskyi and Oleksandr Biletskyi have been connected with long professional and personal relationships formed in the post-war period, although they have known each other since the 1930s. Having been in Kharkiv, M. Rylskyi visits the family of Biletskyi, where scientists, poets, and artists gather. M. Rylskyi and O. Biletskyi have common traits of character and preferences (love for music, theatre, comprehensive gift), common scientific interests aimed, in particular, at studying and promoting Ukrainian literature, integration of Ukrainian culture into the world one. They have also made a significant contribution to the development of Ukrainian theater. O. Biletskyi is known as one of the organizers of the Young Spectator’s Theatre in Kharkiv (1921). He has written three plays for it and is a member of the theater's artistic councils. M. Rylskyi has been in charge of the literary department of the Taras Shevchenko Kyiv Opera and Ballet Theater, translated and edited librettos of world opera classics. They have started or renewed some scientific trends in Literary Science, Folkloristics, and Ethnology; initiated the development of Slavic and comparative studies. O. Biletskyi has laid the foundations for the investigation of ancient and foreign literatures in Ukraine. M. Rylskyi has written a number of valuable works in Translation Studies, Folkloristics, and Poetics
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Larry O. Spencer, Conference Author Presentation
No full textGen. Larry O. Spencer, USAF (Ret.), author of Dark Horse: A Journey from the Horseshoe to the Pentago
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author Under Sail The Imagination of Jack London, 1902-1907
No full textIn this second volume of Author Under Sail Jay Williams investigates the life of Jack London as a professional writer at the turn of the 1900s, as his publications spanned The Call of the Wild to The Iron Heel and The Road. While documenting key life events, especially his rising fame, this biography explores London's necessity to illustrate the inner workings of his own vast imagination through his socialist essays and fiction.Cover -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- 1. Howl, O Heav'nly Muse! -- 2. Jesus in the Theater of Socialism -- 3. Jack London's Place in American Literature -- 4. Theater of War, Theater at Home -- 5. Revolution, Evolution, and the Scene of Writing -- 6. The Jack London Show Goes on the Road -- 7. Red Atavisms and Revolution -- 8. Earthquake Apocalypse and Building the City, Boat, and House Beautiful -- 9. The Future of Socialism and the Death of the Individual -- 10. The Road Never Ends -- Notes -- Bibliography -- IndexIn this second volume of Author Under Sail Jay Williams investigates the life of Jack London as a professional writer at the turn of the 1900s, as his publications spanned The Call of the Wild to The Iron Heel and The Road. While documenting key life events, especially his rising fame, this biography explores London's necessity to illustrate the inner workings of his own vast imagination through his socialist essays and fiction.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
اسلم کولسری کی غزل:بیان و بدیع کے تناظر میں: ASLAM KOLSARY’S GHAZAL IN THE LIGHT OF BIAN-O-BADIE
No full textAslam kolsari is new significant and potentially well-known personality for contributing to modern Urdu ghazal. Being a mindful and multidimensional literary figure he has specific fame in poetry. A distinguish diction in poetry is individuality specifically connected with his name. His ghazal contains all attributes of Research and criticism. Communication of an ordinary concept in his poetry is reflection of Aslam kolasri. In this article the author has explored how poetic characteristics distinguished Aslam kolsari
Self-similar regimes in Unstably Stratified Homogeneous Turbulence
No full textUnstably stratified homogeneous turbulence develops at late time a self-similar dynamics characterized by an exponential growth of turbulent quantities. It is believed from recent theoretical studies that different growth rates are possible, depending on the initial distribution of energy at large scales. In order to confirm these predictions, we run both highly resolved direct numerical simulations and a spectral model based on an eddy-damped quasi-normal closure. In addition to confirming the influence of initial conditions, our study sheds light on the anisotropic structures of the self-similar regimes
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