241 research outputs found
Nobody lied when they said I cried over you [first line of chorus]
No full textstrophic with choruspiano and voiceads on back cover for Jerome H. Remick & Co. stock205-4Johns Hopkins University, Levy Sheet Music Collection, Box
189, Item 129Lyric by Karyl Norman and Hyatt Berry. Music by Edwin J. Weber.As Sung By Karyl Norman (The Creole Fashion Plate)unattrib. photo of Norma
Nobody lied when they said I cried over you [first line of chorus]
No full textstrophic with choruspiano and voiceads on back cover for Jerome H. Remick & Co. stock205-4Johns Hopkins University, Levy Sheet Music Collection, Box
189, Item 129Lyric by Karyl Norman and Hyatt Berry. Music by Edwin J. Weber.As Sung By Karyl Norman (The Creole Fashion Plate)unattrib. photo of Norma
Structural transformations and disordering in zirconolite (CaZrTi2O7) at high pressure
Full text linkThere is interest in identifying novel materials for use in radioactive waste applications and studying their behavior under high pressure conditions. The mineral zirconolite (CaZrTi2O7) exists naturally in trace amounts in diamond-bearing deep-seated metamorphic/igneous environments, and it is also identified as a potential ceramic phase for radionuclide sequestration. However, it has been shown to undergo radiation-induced metamictization resulting in amorphous forms. In this study we probed the high pressure structural properties of this pyrochlore-like structure to study its phase transformations and possible amorphization behavior. Combined synchrotron X-ray diffraction and Raman spectroscopy studies reveal a series of high pressure phase transformations. Starting from the ambient pressure monoclinic structure, an intermediate phase with P21/m symmetry is produced above 15.6 GPa via a first order transformation resulting in a wide coexistence range. Upon compression to above 56 GPa a disordered metastable phase III with a cotunnite-related structure appears that is recoverable to ambient conditions. We examine the similarity between the zirconolite behavior and the structural evolution of analogous pyrochlore systems under pressure.<br/
NOBODY LIED / (When they said that I cried over you.) / Words by / KARYL NORMAN / & HYATT BERRY. / Music by / EDWIN J. WEBER:
No full textBox no. 1This item has been bound together with items gma-doc-00524 and gma-doc-00034.Edwin J. Weber: Nobody Lied; music printItem type: book | Content type: music and text | Writing material: pencil | Counting of pages: page numbersvocal-instrumental score | staff notation; tonic sol-fa | voice; piano"I have wander'd my whole life through [...]
“LA RESURRECCIÓN DEL CID”. ANNA HYATT HUNTINGTON, ESCULTORA
Full text linkLa norteamericana Anna Hyatt (1876-1973) es autora de esculturas emblemáticas como la estatua ecuestre del Cid Campeador. Tras casarse con Archer Milton Huntington (1870-1955), fundador de la Hispanic Society of America, compartió con el filántropo el amor por el hispanismo. La estatua, inaugurada en 1927, se ubicó frente a la fachada del Museo Hispánico de Nueva York. Una crónica del madrileño diario La Nación destacaba que el Cid había “resucitado” a orillas del Hudson. Una resurrección doble, pues, al mismo tiempo una réplica se levantó en Sevilla con motivo de la Exposición Iberoamericana. El mecenazgo del matrimonio Huntington se extendió por toda España y se conservan numerosas obras de Anna Hyatt, entre las que destaca la estatua del Cid.The North American Anna Hyatt (1876-1973) is the author of emblematic sculptures such as the equestrian statue of the Cid Campeador. After marrying Archer Milton Huntington (1870-1955), founder of the Hispanic Society of America, she shared with the philanthropist his love for Hispanicism. The statue inaugurated in 1927 was located in front of the façade of the Hispanic Museum in New York. The newspaper La Nación highlighted who the Cid had “resurrected” on the banks of the Hudson. A double resurrection, then, at the same time a replica was inaugurated in Seville during the Ibero-American Exposition. The patronage of the Huntington couple spread throughout Spain and numerous works by Hyatt are preserved, among which the statue of El Cid stands out
The Last Supper with Twelve Tribes
Full text linkFriends of the Library monies were used to purchase a 60“ x 13.5“ Gichlee canvas copy for the James White Library.
The Last Supper with Twelve Tribes was painted by Hyatt Moore (1943–) in the year 2000 to commemorate the inclusion of all peoples under God.
The following people groups and areas are depicted: Crow of Montana, Berber of North Africa, Masai of Kenya, China, Ecuador, Afghanistan, Jesus, Ethiopia, Tzeltal of Mexico, Canela of Brazil, Papua New Guinea, Salish of British Columbia, Mongolia, Colombia, Canada.
For more information about the work of art, see the author\u27s webpage.https://digitalcommons.andrews.edu/library-art/1012/thumbnail.jp
William Faulkner: From Jefferson to the World
Full text linkCombining explications of William Faulkner’s novels and short stories with thematic analysis, Hyatt H. Waggoner works from the close reading of a specific work outward to its most general meanings and relationships. By this method he has made a significant contribution to the understanding of Faulkner’s career and artistic achievement.
Waggoner examines both better and lesser-known works, which yield valuable insights into Faulkner’s development when treated in relation to his whole body of work. The author also addresses the major themes which emerge from critical analyses of individual works: Faulkner’s uneasy relationship with his Christian background and his unchanging conception of the role of the artist related to his changing practice as a writer. Waggoner concludes that Faulkner’s artistic career reflects a creatively productive, but tortured and ambiguous, relationship with his community.
Hyatt H. Waggoner, professor of American literature at Brown University, is the author of The Heel of Elohim: Science and Values in Modern American Poetry (1950); Hawthorne: A Critical Study, which was selected in 1955 for the annual Explicator Prize; and numerous articles which show his concern with the most significant trends in American literature.https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/1033/thumbnail.jp
Verongia hirsuta var. fistularoides Hyatt 1875
No full text<i>Verongia hirsuta</i> var. <i>fistularoides</i> Hyatt, 1875 <p>(Fig. 1A)</p> <p> <i>Verongia hirsuta</i> var. <i>fistularoides</i> Hyatt, 1875: 403 (no illustration).</p> <p> <i>Verongia hirsuta</i>; Poléjaeff 1884: pl. X figs. 1–3 (as <i>V.h.</i> var. <i>fistularoides</i>).</p> <p> <i>Aplysina hirsuta</i>; Von Lendenfeld 1889: 422.</p> <p> <i>Verongia fistularis</i>; De Laubenfels 1936: 21; 1948: 82, text-figs. 11–12.</p> <p> The variety was described by Hyatt from Havana, Cuba, approximate coordinates 23.163197°N 82.378587°W, coll. Rafael Arango [holotype cited as ‘syntype’ but consisting of a fragment of a large single specimen MCZ PORa-6638 (143458)]. The species <i>Verongia hirsuta</i> Hyatt, 1875 was assigned to the synonymy of <i>Aplysina fistularis</i> (Pallas, 1766) by De Laubenfels (1948: 87), without referring to the two varietal names mentioned by Hyatt, <i>V. h.</i> var. <i>fulvoides</i> Hyatt, 1875 (see below) and the present <i>V.h.</i> var. <i>fistularoides</i>. Neither variety descriptions are accompanied by illustrations and apart from reference to the ‘hirsute’ condition of the dried blackish specimens they are barely recognizable. In case of varieties without indication which of them is the typical variety, the first author referring to them determines the nominotypical variety, and in this case Poléjaeff’s description, although not explicitly discussed as belonging to var. <i>fistularoides</i>, makes it clear he considered that variety as the typical variety (here illustrated with a scan of Poléjaeff’s pl. X fig. 1 in Fig. 1A). As the nominotypical variety this has to be renamed <i>V. hirsuta</i> var. <i>hirsuta</i> (ICZN art. 47.1). This is a clear junior synonym of <i>Aplysina fistularis</i> (Pallas, 1766).</p>Published as part of <i>Van Soest, Rob W. M., 2024, Correcting sponge names: nomenclatural update of lower taxa level Porifera, pp. 1-122 in Zootaxa 5398 (1)</i> on page 13, DOI: 10.11646/zootaxa.5398.1.1, <a href="http://zenodo.org/record/10494167">http://zenodo.org/record/10494167</a>
Shot Under the Volcano
No full textA unique multimedia installation: a creative collaboration between artist John Hyatt and UNIFORM, design and innovation company with offices in Liverpool and London: based on a shrine that is mentioned very fleetingly in the Malcolm Lowry's novel Under the Volcano, the shrine of the 'Virgin for those who have nobody with', the artwork builds a unique one-to-one interaction between the viewer and the text of the novel. The installation is for adults only and an official is on hand to authorise participation. The viewer chooses a shot from two bottles of clear liquid – one is pure water, the other is 70% proof firewater and the choice is their own. Sensors detect the preference and calculates an individual fortune by delivering a section of the novel chosen at random for the participant from a bank of digital sound clips narrated and recorded by Hyatt. Fortune-telling through a random selection from a text is known as bibliomancy: an ancient rite usually practiced using Virgil's Aeneid. In Under the Volcano, Lowry's main character, Geoffrey Firmin, uses an Elizabethan text. The installation, Shot Under the Volcano, uses Lowry's novel itself to give prophecy. Shot Under the Volcano was installed at Bluecoat, School Lane, in Liverpool City centre allied to and becoming a part of ‘Under the Volcano, 70 Years On: A Malcolm Lowry Conference’, an international conference held at Liverpool John Moores University. http://www.thebluecoat.org.uk/events/view/events/3727 An original, intimate, fortune-telling, multimedia art installation incorporating sensor technology, digital print, cardboard sculpture, tequila, water, sound, performance and literature. The new multimedia artwork, Shot Under the Volcano, was inspired by the 1947 novel, Under the Volcano, by Wirral-born author, Malcolm Lowry. The unique installation, Shot Under the Volcano, was the first output from a creative collaboration between the Liverpool-based international artist, John Hyatt, newly-appointed Professor of Contemporary Art and Director of ART LABS in the School of Art and Design, Liverpool John Moores University, with Uniform, design and innovation company with offices in Liverpool and London. The work was executed with assistance from the expertise of the team of the Printmaking and Fashion areas of Liverpool School of Art and Design, Hannah Fray, Paul Davidson, and Cathy Reilly; and a community group of highly talented young Liverpudlians, Dot Russell-Gajos, Hattie Russell-Gajos, Nina Butterworth and Theo Butterworth, facilitated by the artists, Amy Russell and Fiona Stirling. The work is the first output from Hyatt's artist's residency at Sensor City, Liverpool's new centre for the development of sensor technologies and industries
STRATEGI ROOM ATTENDANT DALAM MENINGKATKAN KUALITAS PELAYANAN TERHADAP TAMU DI HYATT REGENCY YOGYAKARTA
No full textIn the final project, entitled The Strategy of Room Attendant in Improving of Service Quality to Guests at Hyatt Regency Yogyakarta aims to find out the strategy of room attendant in the process of completing the work to be completed on time and to get optimal results. In addition, to find out the strategy of laundry division providing linnen in a timely manner for the room attendant to support the process of cleaning guest rooms.
To obtain the results of this research, the author go into the field to do work practices directly at Hyatt Regency Yogyakarta Hotel. Then the authors make an interview to some housekeeping department staff, including supervisors and housekeeping manager that was related to the author�s purpose in this research. The author also took some photo documentation at the research site.
The results of the research that has been done is to clean a guest room are necessary steps in the correct order so that the work can be completed properly and can save time. It also requires great care of the laundry attendant sorting out the dirty linnen that linnen stains or spots can be identified and cleaned up immediately. So that it does not increase the working time to replace the linnen room attendant in the guest rooms
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