1,721,083 research outputs found
Benjamin Lewis Interviewed by Juliann Mackiewicz
Get PDFJuliann Mackiewicz interviews Benjamin Lewis, an active Milledgeville community member, about growing up as a young man during segregation and his family\u27s connection to Milledgeville.
Listen to the podcast version here:
YouTube
https://youtu.be/fjXhZ6P6dkc
Spotify
To be postedhttps://kb.gcsu.edu/collectingthepast/1020/thumbnail.jp
The work of world literature : introduction
Get PDFThe contentious discourse around world literature tends to stress the 'world' in the phrase. This volume, in contrast, asks what it means to approach world literature by inflecting the question of the literary. Debates for, against, and around 'world literature' have brought renewed attention to the worldly aspects of the literary enterprise. Literature is studied with regard to its sociopolitical and cultural references, contexts and conditions of production, circulation, distribution, and translation. But what becomes of the literary when one speaks of world literature? Responding to Derek Attridge's theory of how literature 'works', the contributions in this volume explore in diverse ways and with attention to a variety of literary practices what it might mean to speak of 'the work of world literature'. The volume shows how attention to literariness complicates the ethical and political conundrums at the centre of debates about world literature
Robert Benjamin Lewis et les darker races (1836-1844)
No full textJe propose aujourd’hui de revenir sur la figure de Robert Benjamin Lewis (1802-1858), qui fut le premier et le seul au XIXe siècle à associer les Afro-Américains aux tribus perdues d’Israël (bien qu’indirectement), dans le but d’annoncer le rassemblement futur des peuples de couleur
Robert Benjamin Lewis et les darker races (1836-1844)
No full textJe propose aujourd’hui de revenir sur la figure de Robert Benjamin Lewis (1802-1858), qui fut le premier et le seul au XIXe siècle à associer les Afro-Américains aux tribus perdues d’Israël (bien qu’indirectement), dans le but d’annoncer le rassemblement futur des peuples de couleur
Robert Benjamin Lewis et les darker races (1836-1844)
No full textJe propose aujourd’hui de revenir sur la figure de Robert Benjamin Lewis (1802-1858), qui fut le premier et le seul au XIXe siècle à associer les Afro-Américains aux tribus perdues d’Israël (bien qu’indirectement), dans le but d’annoncer le rassemblement futur des peuples de couleur
Dimensional changes in hardened gage steels
Get PDFThesis (Sc.D.) Massachusetts Institute of Technology. Dept. of Metallurgy, 1947.Vita.Bibliography: leaves 109-113.by Benjamin Lewis Averbach.Sc.D
D-0470: 101 West 100 North, Logan, Utah, Benjamin Lewis/John A. Larsen/L. E. Bitter residence. Lot 1 Block 20 Plat A. Built 1902
No full textD-0470: 101 West 100 North, Logan, Utah, Benjamin Lewis/John A. Larsen/L. E. Bitter residence. Lot 1 Block 20 Plat A. Built 190
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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