6,105 research outputs found
"Estudo sobre o pente de Istambul", de Gilberto Mendes
No full textPARTITURA - MENDES, Gilberto. Estudo sobre o Pente de Istambul. Editoração de Beatriz Alessio e Maurício Simão. São Paulo, 2012
Arqueologia da Escravidão: uma proposta de pesquisa para Florianópolis
No full textTCC (graduação) - Universidade Federal de Santa Catarina. Centro de Filosofia e Ciências Humanas, Departamento de História.São conhecidos no município de Florianópolis locais que atestam a presença escrava através de sua história documentada. Estes locais podem ainda contribuir para novas informações através do estudo da cultura material que abarcam. Para tanto é necessário discutir a inclusão de novas fontes no estudo de história da escravidão em Florianópolis a exemplo do que já vem ocorrendo em diferentes regiões do país e das Américas. Neste trabalho apresentamos lugares de diferentes formas de ocupação que testemunham a presença escrava. Estes locais compreendem atividades de trabalho e do cotidiano associadas a engenhos de farinha, de açúcar, armação baleeira, igrejas e caminhos. Conclui-se propondo um maior diálogo entre história e arqueologia, com o intuito de trazer novas informações sobre as práticas culturais e o cotidiano de populações de africanos e afro descendentes na Desterro do século XIX
Experimentalismo e transgressão na Grammatica portugueza pelo methodo confuso de Mendes Fradique
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2009.A presente pesquisa tem como objetivo mostrar em que medida o autor Mendes Fradique, em sua obra Grammatica portugueza pelo methodo confuso, transita livremente pelo cômico, pelo nonsense e pelo experimentalismo, revelando significativa independência em relação aos movimentos literários organizados, além de antecipar formas de expressão literária que se tornariam comuns décadas após o lançamento do seu método confuso. Concomitantemente, procuraremos mostrar que a obra em questão é essencialmente crítica, tendo como pano de fundo a transgressão dos cânones literários e da própria gramática, além de problematizar as relações de poder subjacentes à linguagem. A partir da análise dessas questões, tentaremos conferir maior importância à obra de Mendes Fradique no contexto literário. Além disso, esta pesquisa poderá servir para ampliar os estudos nessa área do humor, bem como resgatar contribuições valiosas e inovadoras de um autor pouco (re)conhecido, cuja produção poderia ter chegado até nossos dias de forma menos obscura e marginal.The present research aims at showing to what extent the author Mendes Fradique, in his work called Grammatica portugueza pelo methodo confuso, strolls freely by humor, nonsense and experimentalism, revealing a significant independence in relation to the organized literary movements, besides anticipating forms of literary expression which would become common decades after the release of his confused method. Simultaneously, we will try to show that the work in analysis is essentially critical, having as its background the transgression of the literary canons and the grammar itself, besides questioning the power relations present in language. From the analysis of these problems, we will try to confer more importance to Fradiques work within the literary context. Moreover, this research may be useful to widen the studies in the area of humor, as well as to recover important and innovative contributions of a lesser known author, whose production could have arrived to the present days in a less obscure and marginal way
Beatriz de Luna Mendes Benveniste descobre-se em Dona Grácia Nási (c. 1510-1569)
No full textAs intolerâncias religiosas perante o elemento judaico em solo ibérico do século XIV culminaram com a expulsão dos Sefarditas da recém-nascida Espanha em 1492. O decreto de expulsão de 1496, em seguida transformado em conversão forçada de todos os Sefarditas residentes em Portugal (1498), por sua vez intensificou e impulsionou duas correntes que transformarão o mapa socioeconómico do Mundo de então: o Cripto-judaísmo e a Diáspora Sefardita. Com raízes na Ibéria oriental, Beatriz de Luna Mendes Benveniste — mais tarde conhecida por Beatriz Mendes Benveniste e, depois do seu regresso público e oficial ao Judaísmo, simplesmente por Dona Grácia Nási — é um exemplo ilustre das contribuições dos Sefarditas (homens e mulheres) à economia mundial e, ao mesmo templo, da dedicação à defesa dos direitos humanos dos Judeus, a prescindir da sua origem étnico-linguistíca e do seu estatuto forçado (e nunca desejado) de cristãos-novos. O percurso da vida de Grácia Nási será de facto uma constante e sincera luta, ora disfarçada, ora patente, para ganhar os tão desejados direitos de expressão religioso-existenciais do seu Povo, acompanhados pelos seus equivalentes cívico-comerciais
Where Are We? Performative Strategies of Encounter
No full textThis chapter is a visual, aural, and written iteration of the performative walk “Where are we? Performing the city, slowing down time” developed and presented by the artists Beatriz Cantinho and Susana Mendes Silva in the context of the “Elia Academy 2023: exploring situatedness” that took place in the University of Évora in May. The aesthetic focus of this performative walk was a reflection on how one can create connections with the place where one is, and how one can look and unveil lost, forgotten, or erased stories of a given territory. The territory was the city of Évora, where Cantinho and Mendes Silva wanted participants to experience its history, landscape and soundscape, and their own bodies, their own presence from a situated perspective. The authors also wanted to trigger a conscious experience that contrasted with the touristic way of experiencing this World Heritage city and its water systems
Salman Rushdie in the Cultural Marketplace
No full textTaking up the roles that Salman Rushdie himself has assumed as a cultural broker, gatekeeper, and mediator in various spheres of public production, Ana Cristina Mendes situates his work in terms of the contemporary production, circulation, and consumption of postcolonial texts within the workings of the cultural industries. Mendes pays particular attention to Rushdie as a public performer across various creative platforms, not only as a novelist and short story writer, but also as a public intellectual, reviewer, and film critic. Mendes argues that how a postcolonial author becomes personally and professionally enmeshed in the dealings of the cultural industries is of particular relevance at a time when the market is strictly regulated by a few multinational corporations. She contends that marginality should not be construed exclusively as a basis for understanding Rushdie’s work, since a critical grounding in marginality will predictably involve a reproduction of the traditional postcolonial binaries of oppressor/oppressed and colonizer/colonized that the writer subverts. Rather, she seeks to expand existing interpretations of Rushdie’s work, itineraries, and frameworks in order to take into account the actual conditions of postcolonial cultural production and circulation within a marketplace that is global in both orientation and effects.info:eu-repo/semantics/publishedVersio
Salman Rushdie in the Cultural Marketplace
No full textTaking up the roles that Salman Rushdie himself has assumed as a cultural broker, gatekeeper, and mediator in various spheres of public production, Ana Cristina Mendes situates his work in terms of the contemporary production, circulation, and consumption of postcolonial texts within the workings of the cultural industries. Mendes pays particular attention to Rushdie as a public performer across various creative platforms, not only as a novelist and short story writer, but also as a public intellectual, reviewer, and film critic. Mendes argues that how a postcolonial author becomes personally and professionally enmeshed in the dealings of the cultural industries is of particular relevance at a time when the market is strictly regulated by a few multinational corporations. She contends that marginality should not be construed exclusively as a basis for understanding Rushdie’s work, since a critical grounding in marginality will predictably involve a reproduction of the traditional postcolonial binaries of oppressor/oppressed and colonizer/colonized that the writer subverts. Rather, she seeks to expand existing interpretations of Rushdie’s work, itineraries, and frameworks in order to take into account the actual conditions of postcolonial cultural production and circulation within a marketplace that is global in both orientation and effects.info:eu-repo/semantics/publishedVersio
Salman Rushdie in the Cultural Marketplace
No full textTaking up the roles that Salman Rushdie himself has assumed as a cultural broker, gatekeeper, and mediator in various spheres of public production, Ana Cristina Mendes situates his work in terms of the contemporary production, circulation, and consumption of postcolonial texts within the workings of the cultural industries. Mendes pays particular attention to Rushdie as a public performer across various creative platforms, not only as a novelist and short story writer, but also as a public intellectual, reviewer, and film critic. Mendes argues that how a postcolonial author becomes personally and professionally enmeshed in the dealings of the cultural industries is of particular relevance at a time when the market is strictly regulated by a few multinational corporations. She contends that marginality should not be construed exclusively as a basis for understanding Rushdie’s work, since a critical grounding in marginality will predictably involve a reproduction of the traditional postcolonial binaries of oppressor/oppressed and colonizer/colonized that the writer subverts. Rather, she seeks to expand existing interpretations of Rushdie’s work, itineraries, and frameworks in order to take into account the actual conditions of postcolonial cultural production and circulation within a marketplace that is global in both orientation and effects.info:eu-repo/semantics/publishedVersio
Os sete estudos para piano de Gilberto Mendes
No full textO presente trabalho aborda os 7 Estudos para piano de Gilberto Mendes, utilizando a análise voltada para questões interpretativas. Ao conjugar esse objetivo com o de registrar as técnicas composicionais utilizadas, procuramos relacioná-los com algumas obras anteriores buscando, assim, um maior entendimento da linguagem deste que é considerado um dos maiores compositores brasileiros da atualidade. Reunido esse grupo de obras, e observando-as segundo esses critérios, procuramos elaborar um trabalho que possa servir de incentivo a posteriores pesquisas sobre Mendes e o repertório brasileiro contemporâneo para piano. Acrescentamos também a este trabalho a edição digitalizada dos quatro estudos do autor que permaneciam inéditos, a fim de facilitar o acesso a essas obras ainda pouco divulgadas, bem como a transcrição de uma entrevista com o compositor acerca de seu processo criativo. Acompanha este trabalho um disco compacto contendo gravações de alguns estudos pelo pianista e professor José Eduardo Martins, além de uma conversa entre os dois músicos.This work approaches the seven piano Études by Gilberto Mendes in an analysis focusing interpretation issues. In combining this objective to that of registering the compositional techniques applied, we tried to compare these pieces to earlier works, looking for a better understanding of the language of this composer who is considered one of the best in Brazil today. Having gathered this group of works and observed them according to these criteria, our aim was to write a study that could encourage further research on Mendes and the contemporary Brazilian piano repertoire. To facilitate access to these less publicized pieces, a digital edition of the four previously unreleased Mendes études has also been added to this work, as well as a transcript of an interview with the composer about his creative process. A compact disc featuring some of the études, interpreted by pianist and professor José Eduardo Martins and followed by a recorded conversation between the two musicians is also enclosed in this work
Murilo Mendes and Bernanos: dialogues in memory
No full textBuscou-se no presente artigo focalizar a figura dramática de Georges Bernanos - autor francês que habitara na Brasil durante a Segunda Guerra Mundial - evocada pelo poeta Murilo Mendes em "Instantané".Article focuses on the dramatic figure of Georges Bernanos - French author who lived in Brazil during the Second World War - evoked by poet Murilo Mendes, in "Instantané"
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