161,443 research outputs found
Jeszcze o "Beatrix Cenci" Juliusza Słowackiego
No full textHanna Sieja-Skrzypulec makes a comparative interpretation of the drama and its Kraków staging from 2009 directed by Maciej Sobociński (a premiere in The Juliusz Słowacki Theatre) making the notions of re-creation and repetition, as well as a teatrum mundi topos the key words. The author points to a consciously emphasized “mirror” structure of drama in staging, reinforced on the stage by multimedia. The text concentrates on the image (face) of Beatrix (painting reproductions, movies, theatrical staging), hence her identity and dignity had to be defended in the patriarchal world.Hanna Sieja-Skrzypulec makes a comparative interpretation of the drama and its Kraków staging from 2009 directed by Maciej Sobociński (a premiere in The Juliusz Słowacki Theatre) making the notions of re-creation and repetition, as well as a teatrum mundi topos the key words. The author points to a consciously emphasized “mirror” structure of drama in staging, reinforced on the stage by multimedia. The text concentrates on the image (face) of Beatrix (painting reproductions, movies, theatrical staging), hence her identity and dignity had to be defended in the patriarchal world
Putovima Beatrix Potter
No full textPrezentacija s naslovom Putovima Beatrix Potter nastavni je materijal u okviru nastave na daljinu na izbornom kolegiju Slikovnica - prva knjiga djeteta Preddiplomskog sveučilišnog studija Rani i predškolski odgoj i obrazovanje Učiteljskog fakulteta Sveučilišta u Rijeci, u ak. godini 2019./2020., te je ujedno i aktivnost u okviru manifestacije Noć knjige 2020. Prezentacija je zamišljena kao virtualna šetnja krajolicima iz života i djelovanja engleske dječje književnice i ilustratorice Beatrix Potter putem autorskih fotografija Maje Verdonik, snimljenih na autentičnim lokacijama. U prezentaciju je uključen, kao popratni tekst pojašnjenja i uputa na povezanost s određenim pričama i ilustracijama, i prijevod ulomaka iz knjige Beatrix Potter's Derwentwater, autorica Joyce Irene Whalley i Wynne Bartlett (prevela M. Verdonik). Kao glazbena pozadina upotrijebljena je glazba iz baleta Orašar P. I. Čajkovskog (dostupna u okviru paketa Windows 8). Materijal je namijenjen studentima Učiteljskih i Filozofskih fakulteta u Republici Hrvatskoj. Kako je riječ i o aktivnosti u okviru manifestacije Noć knjige 2020., materijal je namijenjen i širokoj publici zainteresiranih
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BEATRIX-II, phase II: Data summary report
No full textThe BEATRIX-II experimental program was an International Energy Agency sponsored collaborative effort between Japan, Canada, and the United States to evaluate the performance of ceramic solid breeder materials in a fast-neutron environment at high burnup levels. This report addresses the Phase II activities, which included two in situ tritium-recovery canisters: temperature-change and temperature-gradient. The temperature-change canister contained a Li{sub 2}O ring specimen that had a nearly uniform temperature profile and was capable of temperature changes between 530 and 640{degrees}C. The temperature-gradient canister contained a Li{sub 2}ZrO{sub 3} pebble bed operating under a thermal gradient of 440 to 1100{degrees}C. Postirradiation examination was carried out to characterize the Phase II in situ specimens and a series of nonvented capsules designed to address the compatibility of beryllium with lithium-ceramic solid-breeder materials. The results of the BEATRIX-II, Phase II, irradiation experiment provided an extensive data base on the in situ tritium-release characteristics of Li{sub 2}O and Li{sub 2}ZrO{sub 3} for lithium burnups near 5%. The composition of the sweep gas was found to be a critical parameter in the recovery of tritium from both Li{sub 2}O and Li{sub 2}ZrO{sub 3}. Tritium inventories measured confirmed that Li{sub 2}O and Li{sub 2}ZrO{sub 3} exhibited very low tritium retention during the Phase II irradiation. Tritium inventories in Li{sub 2}ZrO{sub 3} after Phase II tended to be larger than those found for Li{sub 2}ZrO{sub 3} in other in situ experiments, but the larger values may reflect the larger generation rates in BEATRIX-II. A series of 20 capsules was irradiated to determine the compatibility of lithium ceramics and beryllium under conditions similar to a fusion blanket. It is concluded that Li{sub 2}O and Li{sub 2}ZrO{sub 3} should remain leading candidates for use in a solid-breeder fusion-blanket application
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In situ tritium recovery from Li{sub 2}O irradiated in fast neutron flux: BEATRIX-II effect of gas composition
No full textThe BEATRIX-II irradiation experiment is an in-situ tritium recovery experiment to evaluate the tritium release characteristics of Li{sub 2}O and to characterize its stability under fast neutron irradiation to extended burnups. This is an IEA sponsored experiment which is being carried out in the Materials Open Test Assembly of FFTF. The participants are Japan, Canada and the US. The in-situ tritium recovery experiment includes two specimens: a thin annular specimen capable of temperature changes and a larger temperature-gradient specimen. Two other papers have been presented this week at ICFRM-5 which dealt with the results to date. At this workshop I will discuss the effects of gas composition changes that have been observed in BEATRIX-II, Phase 1 and the implications that these observations have on the operation of ion chambers
O tłumaczeniu nazw własnych przez Mirosławę Czarnocką-Wojs w opowieściach Beatrix Potter
No full textThe following article is devoted to the analysis of the proper name translations introduced
by Mirosława Czarnocka-Wojs into her Polish edition of The Complete Tales by Beatrix Potter,
published in 1991 by Wydawnictwo ALFA in Warsaw. Proper names, such as anthroponyms,
toponyms, zoonyms, phytonyms, chrematonyms and ideonyms, containing some scores of diminutive
and augmentative forms of nouns and adjectives, and revealing the culture of Great
Britain, are held under close scrutiny by the author of the article. The Polish reality of the
1990s was taken into consideration during the analysis of the enumerated elements as one
of the possible aspects that might have influenced the adults’ and children’s interpretation of
Beatrix Potter’s works
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
KNJIŽEVNA ANALIZA STVARALAŠTVA BEATRIX POTTER
No full textBeatrix Potter priznata je autorica i ilustratorica dječjih slikovnica koja je djelovala u viktorijanskome periodu. Začetnica je moderne slikovnice u kojoj su ilustracija i tekst značenjski isprepleteni i nerazdvojni. U njezinim su slikovnicama protagonisti antropomorfizirani likovi prožeti zornim osobinama s kojima se čitatelj može poistovjetiti. Autorica koristi mješavinu antropomorfizma i realističnoga prikaza životinja da predstavi ljudske teme poput obitelji, prijateljstva, domaćinstva, zajednice, kritike društva, pohvale selu, pouke i pustolovine. Ovaj rad raspravlja o Potterinim slikovnicama u kontekstu ovih tema kao i o problemu implicitnoga čitatelja i suvremenosti Potterinih slikovnica.Beatrix Potter is a recognized author and illustrator of children's picture books who wrote in the Victorian period. She is the mother of the modern picture book in which illustration and text are meaningfully intertwined and inseparable. In her picture books, the protagonists are anthropomorphized characters imbued with clear traits that the reader can identify with. The author uses a mixture of anthropomorphism and realistic depiction of animals to present human themes such as family, friendship, household, community, criticism of society, praise of the village, lessons and adventure. This paper discusses Potter’s picture books in the context of these topics as well as the problem of the implicit reader and the contemporaneity of Potter's picture books
KNJIŽEVNA ANALIZA STVARALAŠTVA BEATRIX POTTER
No full textBeatrix Potter priznata je autorica i ilustratorica dječjih slikovnica koja je djelovala u viktorijanskome periodu. Začetnica je moderne slikovnice u kojoj su ilustracija i tekst značenjski isprepleteni i nerazdvojni. U njezinim su slikovnicama protagonisti antropomorfizirani likovi prožeti zornim osobinama s kojima se čitatelj može poistovjetiti. Autorica koristi mješavinu antropomorfizma i realističnoga prikaza životinja da predstavi ljudske teme poput obitelji, prijateljstva, domaćinstva, zajednice, kritike društva, pohvale selu, pouke i pustolovine. Ovaj rad raspravlja o Potterinim slikovnicama u kontekstu ovih tema kao i o problemu implicitnoga čitatelja i suvremenosti Potterinih slikovnica.Beatrix Potter is a recognized author and illustrator of children's picture books who wrote in the Victorian period. She is the mother of the modern picture book in which illustration and text are meaningfully intertwined and inseparable. In her picture books, the protagonists are anthropomorphized characters imbued with clear traits that the reader can identify with. The author uses a mixture of anthropomorphism and realistic depiction of animals to present human themes such as family, friendship, household, community, criticism of society, praise of the village, lessons and adventure. This paper discusses Potter’s picture books in the context of these topics as well as the problem of the implicit reader and the contemporaneity of Potter's picture books
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BEATRIX-II: A multi-national solid breeder experiment
No full textBEATRIX-II is an IEA program focused on tritium recovery experiments on lithium ceramic materials in a fast neutron reactor which partially simulates the environment of a fusion blanket. In addition to data on the performance of Li{sub 2}O and Li{sub 2}ZrO{sub 3}, the BEATRIX-II program offers information on innovative technologies associated with tritium recovery. The successful execution of the BEATRIX-II program also offers a precedent for the structure, schedule and interfaces that other international programs should consider. Japan, Canada, and USA re participants in the BEATRIX-II program with primary responsibilities being assigned to Japan Atomic Research Institute, Atomic Energy of Canada Ltd., Battelle Pacific Northwest Laboratory, and Westinghouse Hanford Company. The purpose of the BEATRIX-II experiment is to conduct in situ tritium recovery experiments on ceramic solid breeder materials under irradiation conditions which expanded the burnup, irradiation damage, tritium production, and temperature regimes previously investigated. A liquid metal, fast neutron reactor was selected because spatial variations in tritium and heat production are minimized and temporal variations in the lithium burnup rate (burnout) are also minimal. The Fast Flux Test Facility was selected because it possessed a high neutron flux, excellent control and monitoring capabilities and ready access for a tritium recovery experiment
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BEATRIX-II: A multi-national solid breeder experiment
No full textBEATRIX-II is an IEA program focused on tritium recovery experiments on lithium ceramic materials in a fast neutron reactor which partially simulates the environment of a fusion blanket. In addition to data on the performance of Li{sub 2}O and Li{sub 2}ZrO{sub 3}, the BEATRIX-II program offers information on innovative technologies associated with tritium recovery. The successful execution of the BEATRIX-II program also offers a precedent for the structure, schedule and interfaces that other international programs should consider. Japan, Canada, and USA re participants in the BEATRIX-II program with primary responsibilities being assigned to Japan Atomic Research Institute, Atomic Energy of Canada Ltd., Battelle Pacific Northwest Laboratory, and Westinghouse Hanford Company. The purpose of the BEATRIX-II experiment is to conduct in situ tritium recovery experiments on ceramic solid breeder materials under irradiation conditions which expanded the burnup, irradiation damage, tritium production, and temperature regimes previously investigated. A liquid metal, fast neutron reactor was selected because spatial variations in tritium and heat production are minimized and temporal variations in the lithium burnup rate (burnout) are also minimal. The Fast Flux Test Facility was selected because it possessed a high neutron flux, excellent control and monitoring capabilities and ready access for a tritium recovery experiment
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