1,763 research outputs found
Della critica. Compendio di sociologia dell'emancipazione di Luc Boltanski
No full textSe la critica è esercizio politico in quanto superamento di «false necessità» e se, come giustamente è stato affermato , il senso della critica non risiede tanto nel delineare risposte corrette, quanto piuttosto nell’alimentare domande adeguate con cui interrogare la realtà e la nostra posizione in essa, occuparsi della critica significa dunque occuparsi del potenziamento o dell’impoverimento del nostro modo di immaginare. In questo senso, guardando al terreno anche disciplinare su cui si inoltra Boltanski con il suo testo, ci interessa mettere a fuoco la questione della critica laddove quest’ultima si configura come un ponte. Un ponte tra territori diversi dell’immaginazione: da una parte, l’immaginazione sociologica, che indaga questioni situate nel contesto di processi e mutamenti strutturali di più ampio respiro; dall’altra parte, l’immaginazione politica, orientata a trasformare problemi personali in questioni pubbliche . Costruire ponti, lavorare alla loro manutenzione in modo che – tramite continui scambi, contatti, transiti, passaggi, contaminazioni – arricchiscano i due territori che i ponti stessi mettono in collegamento: questa ci pare una buona definizione di come possa essere pensato il rapporto tra critica e sociologia nell’orizzonte contemporaneo, dalla quale guardare e farsi un’idea di analisi e approfondimenti importanti come quello che Boltanski propone
Competencia, desconfianza y la pérdida del disfrute. Un detalle del Leviathan de Hobbes
Get PDFCompetencia y desconfianza son consideradas por Hobbes fuentes básicas de la agresión. Se muestra que responden a lógicas diferentes: Mientras que la competencia conduce a la agresión concreta y motivada por el deseo sensible de objetos, la desconfianza supone un rendimiento cognitivo mayor; a saber, el considerar a cualquier otro como enemigo y a los objetos como medios de aseguramiento futuro, mediante la anticipación y la lucha por el poder. Al devenir esto último prototipo de la acción racional, el disfrute de objetos tiende a ser relegado a la irracionalidad. La novedad esta en evidenciar esta cuestión y algunas de sus consecuencias
Conversations with Cabrera: Mauro Guillén
No full textPresented online January 26, 2021, 3:00 p.m.-4:00 p.m.Conversations with Cabrera are unscripted and informal, unearthing leadership’s thinking behind the big ideas taking shape across the Institute and trends likely to define our future. This video series is meant to capture candid conversations between President Ángel Cabrera and thought leaders across Georgia Tech and beyond.Ángel Cabrera, President, Georgia Institute of Technology, Atlanta, GA.Mauro Guillén, Zandman Professor at the Wharton School of the University of Pennsylvania and director of the Penn Lauder Center for International Business Education and Research (CIBER).Runtime: 56:53 minutesPresident Ángel Cabrera in conversation with author and educator Mauro Guillén. They discuss the themes of Guillén's book, 2030: How Today's Biggest Trends Will Collide and Reshape the Future of Everything. Mauro Guillén’s bestselling book 2030 is both a remarkable guide to the coming changes and an exercise in the power of “lateral thinking,” thereby revolutionizing the way you think about cataclysmic change and its consequences
No Europe without Brussels: The Berlaymont Building and the Development of the Léopold Area
No full textEurope and Brussels had a mutual dependency from the founding of the European Communities. This article explores the historic relation between local urban and the transnational development of post-war Europe. It ultimately raises the question to what extent there exists a dialogue between various actors involved to actively design and build the image of Europe in Brussels.Green Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-care. Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.History, Form & Aesthetic
Between La Tendenza and Neoliberty: Mauro Baracco Goes to Australia
No full textDiscussion of various relationships between Italian postmodern architecture (including works by Aldo Rossi, Gianni Braghieri and Gabetti&Isola), Australian postmodern architecture (including Edmond&Corrigan and Robin Boyd among others), and theoretical and design approach undertaken by the author (Mauro Baracco) as both a practitioner (director of Baracco+Wright Architects, Melbourne) and an academic (Associate Professor in Architecture and Urban Design, RMIT University, Melbourne)
Zwischen Kontinuität und Erneuerung : zum 60. Geburtstag: Interviews mit dem Sozialphilosophen Axel Honneth
No full textRezension zu: Mauro Basaure, Jan Philipp Reemtsma, Rasmus Willig (Hrsg.) : Erneuerung der Kritik: Axel Honneth im Gespräch, Frankfurt 2009, Verlag Campus, ISBN 978-3-593-38859-5, 215 Seiten, 21,90 Euro
A mountain made of woods: the landscape in Mauro Corona's novels
No full textreservedIn questa trattazione i protagonisti saranno le piante, gli animali e i paesaggi emersi dall'analisi dei romanzi Mauro Corona . I romanzi dello scrittore sono stati analizzati in modo da poter creare una panoramica dei paesaggi presenti nelle sue opere. Dando una visione sia quantitativa che qualitativa, i luoghi e gli spazi vengono riportati in maniera dettagliata dal punto di vista fisico, della flora e della fauna, ma anche mostrando la connotazione più legata ad un punto di vista emotivo/soggettivo. L’autore nei suoi romanzi ci parla prevalentemente di un paesaggio montuoso, rurale, mostrandoci spesso i dettagli di alcuni spazi.In this discussion, the protagonists will be the plants, the animals and the landscapes. The novels by the writer Mauro Corona have been analysed in order to create an overview of the landscapes in his works. Giving both a quantitative and a qualitative view, the places and spaces are reported in detail from a physical, flora and fauna point of view, but also showing the connotation more related to an emotional/subjective point of view.
In his novels, the author predominantly speaks to us of a mountainous, rural landscape, often showing us the details of certain spaces
CONTEXTUALISER L’ATROCITE ? LE MUSEE DE LA MEMOIRE ET DES DROITS DE L’HOMME AU CHILI
No full textCet article cherche à innover dans le cadre de la controverse sur le musée de la Mémoire et des Droits de l’homme (MMDH) du Chili : devrait-il ou non intégrer dans sa muséographie la période antérieure au 11 septembre 1973, c’est-à-dire le contexte du coup d’État ? Je défends la thèse selon laquelle le MMDH peut intégrer une dimension contextuelle sans trahir sa mission, sa vision et sa fonction, tant qu’il répond à une approche de la notion de contexte-sans-causalité. Selon moi, le grand problème de la critique venant de la droite politique – qui accuse le musée de ne pas remplir sa mission pédagogique, car il décontextualise le coup d’État – est que cette critique répond à une vision causale de la notion de contexte, ce qui la conduit à des contradictions insurmontables. Si, grâce à une muséographie bien réfléchie, le concept de contextualisation non causale était mis en oeuvre avec succès, ceci n’engendrerait pas une contradiction au sein du musée mais pourrait même le favoriser. La conviction que le coup d’État et ses atrocités n’ont ni causes ni antécédents et ne peuvent en avoir renforce la mission pédagogique du MMDH.This article seeks to make a novel contribution in the context of the controversy surrounding the Museum of Memory and Human Rights (MMDH) in Chile: should the MMDH (or should it not) include in its museography the period before September 11, 1973—i.e., the context for the coup d’état? I defend the thesis that the MMDH can integrate a contextual dimension—without betraying its mission, vision, and function—as long as it responds to an approach to the notion of a context-without-causality. In my opinion, the main problem with criticism from the political right—which accuses the museum of not fulfilling its educational mission because it decontextualizes the coup d’état—is that it responds to a causal vision of the notion of context, which leads it to insurmountable contradictions. If, thanks to a well-thought-out museography, the concept of noncausal contextualization were successfully implemented, this would not create a contradiction within the museum, but could even favour it. The conviction that the coup d’état and its atrocities have no causes or antecedents, and cannot have them, reinforces the educational mission of the MMDH
Sacralidad, cohesión social y desencantamiento. Conversación con Hans Joas
No full textIn light of an analytical review of the different stages of Hans Joas’ social theoretical work — whose stages range from his early studies of George Herbert Mead and American pragmatism to his most recent publication Die Macht des Heiligen (The Power of the Sacred) (2017)—, as well as the complex internal connections between them, a detailed critical evaluation is made of both the meaning of the Durkheimian notion of the value consensus and the relevance of this consensus to social cohesion in modern societies. In view of all this, urgent issues in current society are discussed —such as migration, the geopolitical order and internal and external security; all of them issues to which Joas has also devoted part of his work. To resume, such theoretical and empirical questions about social cohesion serve here as the guiding thread for an understanding of the power of Hans Joas’s social theory, in particular, his sociology of the sacred
Bröckling, Ulrich. 2015. El Self emprendedor. Sociología de una forma de subjetivación. Santiago de Chile: Editorial Universidad Alberto Hurtado [335 pp.]
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