158 research outputs found
LUCIJA CAPAN – THE MOST FAMOUS TEACHER FROM TOUNJ
No full textAutor prikazuje život i djelovanje Lucije Capan, istaknute učiteljice i upraviteljice osnovne škole u Tounju te opisuje njezino djelovanje izvan školskih okvira s ciljem unapređenja društvenog, zdravstvenog i kulturnog života na tounjskom prostoru, a time i opravdava zašto osnovna škola u Tounju nosi njezino ime.The author describes the life and work of Lucija Capan, a prominent teacher and a principal of the elementary school in Tounj. It describes her activities outside the school with the aim of improving social, health and cultural life in the Tounj area, thus justifying the reason why the elementary school in Tounj bears her name
LUCIJA CAPAN – THE MOST FAMOUS TEACHER FROM TOUNJ
No full textAutor prikazuje život i djelovanje Lucije Capan, istaknute učiteljice i upraviteljice osnovne škole u Tounju te opisuje njezino djelovanje izvan školskih okvira s ciljem unapređenja društvenog, zdravstvenog i kulturnog života na tounjskom prostoru, a time i opravdava zašto osnovna škola u Tounju nosi njezino ime.The author describes the life and work of Lucija Capan, a prominent teacher and a principal of the elementary school in Tounj. It describes her activities outside the school with the aim of improving social, health and cultural life in the Tounj area, thus justifying the reason why the elementary school in Tounj bears her name
Comparison and analysis of violence in the fairy tales of the Grimm brothers and Svetlana Makarovič
No full textThe diploma thesis Comparison and Analysis of Violence in the Fairy Tales of the Grimm Brothers and Svetlana Makarovič begins with a presentation of youth literature, which includes the fairy tale. It details the types of fairy tales and their main features. This is followed by an examination of the topic of violence and its forms, with an emphasis on child abuse, particularly the topic of violence in fairy tales. The theoretical part is concluded with a description of the lives and works of the authors, Jacob and Wilhelm Grimm and Svetlana Makarovič.
The thesis continues with a description and detailed analysis of the five selected fairy tales by each author. The selected fairy tales for Brothers Grimm are The Two Brothers, Hansel and Gretel, Snow White, Snow-White and Rose-Red, and The Golden Bird, and for Svetlana Makarovič Kokoška Emilija, Sapramiška, Ščeper in mba, Šuško in gozdni dan, and Tacamuca.
The main section of the diploma thesis includes tables that show the forms of violence, examples of motifs of violence in the selected fairy tales, and the interpretations of violence.
The purpose of the diploma thesis is to present a comparison of the presence of the motifs of violence in fairy tales by the same author, followed by a comparison of the presence of the motifs of violence in fairy tales by different authors
GLUMAC, LIK , ULOGA : RAD NA PREDSTAVI „DNEVNIK SOLERICE“
No full textPredstava Dnevnik solerice, hrvatske autorice Jasmine Rodić, premijerno je izvedena 9. travnja 2021. godine u Gradskom kazalištu Požega u režiji Roberta Raponje. Ujedno je i praktični dio diplomskog ispita iz glume studentice Lucije Subotić na Akademiji za umjetnost i kulturu u Osijeku, Kazališni odsjek, smjer gluma i lutkarstvo, pod mentorstvom red. prof. art. Roberta Raponje i sumentorstvom doc. art. Katice Šubarić. Dramatizaciju istoimenog romana potpisuje izv. prof. art. Marijana Nola, kostimografiju i scenografiju izv. prof. dr. art. Jasmina Pacek, a glazbu univ. spec. art. therap. Marina Hojsak. Uz Luciju Subotić u predstavi igraju: Anabela Sulić, Blanka Bart, Mateja Bublić, Vanja Čiča, Dominik Karaula, Davor Tarbuk, Grgur Grgić, Lorenco Tolić i Marijin Kuzmičić. U ovom radu Lucija Subotić analizira proces rada na predstavi Dnevnik solerice u kojoj tumači lik Jasmine. Na početku rada govori o romanu koji je bio predložak za dramatizaciju po kojoj je nastala predstava. Zatim se dotiče same autorice romana kao i autorskog tima predstave. Analizira sve od prvog čitanja romana, dramaturške obrade, preko uspostavljanja modela igre, govoreći o važnosti kostimografije, scenografije, rekvizite, glazbe i svjetla u cijelom procesu. U nastavku opisuje svoj rad na ulozi, unutarnja i vanjska sredstva kojima se služila otjelotvorujući uloge Jasmine. Ističe da rad na sebi, istinsko proživljavanje i samospoznaja glumca dovode do potpunog scenskog i privatnog oslobođenja. Zatim izvodi zaključak o glumi i radu na predstavi.The play Dnevnik solerice, written by a Croatian author Jasmina Rodić, had its premiere on the 9th April 2021 in the City Theatre Požega staged by Robert Raponja. It was at the same time a practical component of a master thesis in acting made by a student Lucija Subotić at the Academy of Arts and Culture in Osijek, Department of Theatre Arts, mentored by Full Proffesor Robert Raponja, and submentored by Assistant Professor Katica Šubarić. The dramatization of the novel having the same name as the play is attributed to Assistant Professor Marijana Nola, cotume and stage design to Proffesor Jasmina Pacek, and music to University Specialist in Art Therapy Marina Hojsak. Beside Lucija Subotić, there are other actors in the play: Anabela Sulić, Blanka Bart, Mateja Bublić, Vanja Čiča, Dominik Karaula, Davor Tarbuk, Grgur Grgić, Lorenco Tolić and Marijin Kuzmičić. In her master thesis, Lucija Subotić analyses the process of work on the play Dnevnik solerice, in which she interpretes the character of Jasmina. The novel, which was the foundation for creating a dramatization of the play, is explained at the beginning of the thesis. Then the thesis touches on the author of the novel and the authoring team of the play. The first reading of the novel, dramatugical interpretation, the establishment of the play, the importance of costume and stage design, props, music and lights are analysed in this thesis. Furthermore, Lucija Subotić explains her creative work on the role, in other words, she analyses the text, her work on the character and extrinsic and intrinsic means, which she user to portray Jasmina. She emphasizes that the work on oneself, actual experience and self- cognition of an actor bring to the full stage and private liberation. In the end she draws a conclusion about acting and working on the play
DER KULT DER HL. LUCIJA IN MEERESSTARKEN GEMEINSCHAFTEN IM OSTEN DER ADRIA
No full textSimboličko suznačenje kulta sv. Lucije kod naroda pomorskih tradicija nedovoljno je istraženo. Pored uobičajnih kršćansko-ikonografskih vrijednosti, koje Crkva Luciji pripisuje po legendi, njezino značajnije i učestalije javljanje na lokalitetima istočne jadranske obale, poglavito na Kvarneru, u Splitu te u Veneciji, ukazuje na tradiciju štovanja koja se razvila na maritimnoj osnovi poglavito djelatnih pomorskih zanimanja. Stoga, ovo će istraživanje pripomoći boljem razumijevanju pozadine simboličkog prostora Lucijina kulta, te ukazati na topologiju javljanja u pomorski snažnim zajednicama matrijarhalnog korijena i krajevima srednjeg i sjeveroistočnog Jadrana, uključujući i Veneciju.This paper presents the basis of the cult of St. Lucy (Sveta Lucija) and its spatial and chronological spread on the eastern coast of the Adritaic Sea with an indication to some topological confirmation of the cult (Kvarner, Split and Venice). In this sense the late medieval Venetian influence, building structure of Diocletian’s mausoleum, Krk’s originality and symbolism in the mediating of the development of the cult were elaborated upon. At the end, in the conclusion, the author gives some general results of research with an accent on the belonging of votive group of saints which are regulary worshiped in coastal communities of the middle and northern coast of the eastern Adriatic Sea.
The symbolical meaning of the cult of St. Lucy amongst people with maritime tradition has not been not researched enough. Alongside the common Christian-iconographic values, which the church gives to St. Lucy according to legend, her meaning and more often presence on the localities of the eastern Adriatic coast, especially in Kvarner, Split and Venice, indicates a tradition of worship which developed on the maritime basis especially in maritime vocations. Therefore, this research will help to better understand the background of the symbolic space of Lucy’s cult and indicates to the typology of her appearance in strong maritime communities of matriarchal roots and areas of the middle and north-eastern Adriatic, including Venice.Dieser Artikel stellt den Grundkult der hl. Lucija dar, seine Raum- und chronologische Verbreitung an der Ostküste der Adria mit den Zeigen auf die Unmengen topologisch bestätigen Zentren des Verehrens (Kvarner, Split und Venedig). In diesem Sinne bearbeitet man den spätmittelalterlichen Einfluss Venedigs, die Baustruktur des Diokletian Mausoleums, die Ursprünglichkeit von der Insel Krk und die Symbolik der Entwicklungsvermittlung. Am Ende, in der Abschlussfolgerung, sind allgemeine Forschungsresultate mit der Betonung auf die Zugehörigkeit der Votivgruppe Heiliger gegeben, die regelmäßig in Mittel- und Nordküstengebieten der östlichen Adria verehren.
Die symbolische Bedeutung des Kultes der hl. Lucija, bei Völkern mit Küstentraditionen, ist nicht gut erforscht worden. Neben üblich christlich-ikonsgrafischen Werten, die die Kirche Lucija nach der Legende zuschreibt, ihre immer bedeutendere und häufigere Erscheinung an Orten der östlichen Adriaküste, besonders im Kvarner, in Split und in Venedig, weist auf die Tradition des Verehrens hin, die sich im Grundmaritime entwickelte, besonders aktiv in Seeberufen. Folglich wird diese Forschung zu einem besseren Verständnis verhelfen im Bezug auf die Raumsymbolik des Kultes von Lucija und die Erscheinung der Typologie in seestarken Gemeinschaften materieller Abstammung und Gebieten an der mittel- und nordöstlichen Adria zeigen, einschließlich und Venedig
Cultural analysis of the work The Unbearable Lightness of Being of the author Milan Kundera
No full textRad se bavi analizom romana Nepodnošljiva lakoća postojanja Milana Kundere. Polazeći od kulturalne teorije, roman se analizira na uspostavljenim oprekama: lakoća-težina, duša-tijelo, privatno-javno, slučajnost-sudbina, esej o kiču-roman te obuhvaća likove, njihove odnose, postupke i društveno povijesni kontekst, posebice s obzirom na vrijeme i pravac postmodernizma.The subject of this paper is the analysis of Milan Kundera's novel The Unbearable Lightness of Being. Starting from the cultural theory, the novel is analysed on set opposites: easy-difficult, body-soul, private-public, coincidence-fate, essay on papa-novel, and covers the characters, their relationships, actions and social-historical context, especially considering the period and the direction of postmodernism
PRIČE O NAMA
No full textPišući ovaj diplomski rad kao student lutkarstva propitujem prirodni materijal i prirodnu pojavu na sceni te metaforu koju ono može uvesti u čin kazališne predstave. Također iznosim svoja iskustva u radu s vodom na predstavu Priče o nama mlade autorice Jelene Kastaneti te simboliku koju ona kao dio prirode predstavlja na sceni. Autorski tim predstave činimo redateljica Maja Lučić, profesorica i mentorica Tamara Kučinović, kolegica glumica Lucija Subotić i ja, Matko Duvnjak Jović.Writing this master exam as a student of puppetry I try to get to the bottom of natural material on the stage and the metaphor it can introduce to the theatre performance. I also present my expirience working with water and syimbolism of it on a performace called Stories About Us by young author Jelena Kastaneti. Performace is directed by Maja Lučić, mentored by Tamara Kučinović, and performed by Lucija Subotić, and Matko Duvnjak Jović
Die Strafrechtliche verantwortlichkeit der Juristischen personen im lichte des neuen Kroatischen umweltstrafrechts
No full textThe author of this paper investigates the content and dynamics of the change of criminal liability of legal persons for criminal offenses and the characteristics of the regulation of environmental crimes in Chapter XX of the "new" of the Criminal Code. The author refers to the initial coherency and the importance of environmental crimes in regulating the liability of legal persons for criminal offenses and recalls that when defining the scope of legal protection of the environment, two basic features of criminal law - subsidiarity and fragmentation, should not be neglected, criminal law appears as ultima ratio. The author emphasizes the need to invest a lot of effort so that Croatian modern criminal legislation does not remain only a framework, but become a powerful instrument of the struggle for effective protection of the environment. To achieve this goal continuing education, as well as political support is needed.Die Autorin dieses Artikels untersucht den Inhalt und die Dynamik der Änderungen der strafrechtlichen Verantwortlichkeit juristischer Personen für die Straftaten und die Eigentümlichkeiten der Umweltstraftatenregulierung im Kapitel XX. des „neuen“ Strafgesetzbuches. Sie bezieht sich auf die anfängliche Verwicklung und Bedeutung der Umweltstraftaten bei der Regulierung der Verantwortlichkeit der juristischen Personen für die Straftaten und erinnert daran, daβ bei der Festlegung des Umfangs des Strafrechtlichenschutzes der Umwelt – auf zwei Grundeigenheiten des Strafrechts Aufmersamkeit zu lenken ist: Subsidiarität und der fragmentarische Charakter; das Strafrecht erscheint als ultima ratio. Die Autorin betont die Notwendigkeit - es soll noch viel unternommen werden, um nicht nur beim kroatischen modernen Strafrecht im Bezugsrahmen zu bleiben, sondern ein mächtiges Instrument des Kampfes für einen wirksamen Schutz der Umwelt zu schaffen. Um dieses Ziel zu erreichen, ist zuerst ständigkeite Weiterbildung sowie die politische Unterstützung erforderlich
GAVELLA’S THEATRICAL REVIEWS IN GERMAN
No full textThis paper deals with the analysis of theatrical reviews written in German which Branko Gavella wrote in the first few years of the 20th century, for Zagreb’s daily news paper Agramer Tagblatt. Based on the reviews, the author researches the relation of Gavella as a critic in regard to certain components of the play, which means that focused on dramatic plays and finding basic idea behind them, to genre issues, and performance by the cast, especially stage speech, rather than directing, set design, and costumes. The analysis shows that Gavella considered the theatrical topics and issues that would preoccupy him as a director even as the critic of Agramer Tagblatt
Criticism of social reality in animated television adult - oriented series
No full textU prvome, teoretskome dijelu rada ukratko su, uz kontaktiranje uglavnom literature nastale izvan hrvatskoga govornoga područja, pojašnjeni pojam društvene zbilje i njezinih oblika te definicije, značajke i bitne stavke razvoja animiranog filma, s težištem na one koji zanimaju ponajprije odraslu publiku. Slijedi teorijsko-praktično poglavlje gdje je pojašnjeno zašto su za proučavanje izabrani baš domaći i inozemni animirani serijali Gustav (u mađarskom originalu – Gusztav), Simpsoni (The Simpsons), South Park, Zlikavci i Laku noć, Hrvatska koji su prikazivani ili se još prikazuju na hrvatskim nacionalnim televizijskim postajama. Također, izneseni su njihovi opisi i osnovna obilježja, uz poseban osvrt na realizam i vrste humora koje njeguju ili su njegovali. Središnji, praktični dio rada posvećen je predočavanju rezultata kvalitativne analize sadržaja navedenih serijala na temelju odgledanih najmanje 10 % njihovih snimljenih i emitiranih epizoda.In the theoretical part of the thesis the concept of social reality is briefly explained through the interpretation of the literature mainly written by foreign authors. The essential features of animated films, with a focus on those that are interesting to primarily adult audience are also explained. The following theoretical and practical chapter explained why only the following domestic and foreign animated serials have been selected: Gustav (in Hungarian original - Gusztav), Simpsoni (The Simpsons), South Park, Zlikavci and Laku noć, Hrvatska (Good Night, Croatia). The author also presented their descriptions and basic features, with special emphasis on realism and the kind of humor they nurture or cultivate. The central, practical part of the paper presents the results of a qualitative content analysis of those series based on a sample of 10% of their recorded and broadcasted episodes
- …
