3,206 research outputs found
Natalia LL - artystka neoawangardowa
No full textThe paper shows Natalia Lach-Lachowicz (Natalia LL) as a neo avant-garde artist whose works in a specific maximalistic way are very close to the main currents of avant-garde trends: new mediality (photography), minimalism, conceptualism, performance, bodyart, pop-art, and feminist art. The author of the article concentrates mainly on the mutual influences of conceptualism, consumptionism, and feminism in Natalia LL’s works and pays attention to the emancipatory potential of her works of the seventies and the eighties
ACTIVITIES OF THE SONG AND DANCE ENSEMBLE DOINA IN 1942-1944
No full textThe State Academic Chapel ”Doina” is the oldest and most significant performing choir in the Republic of Moldova. An
important stage of development occurred during the Second World War: in 1942, the chapel was reorganized into the Doina
Song and Dance Ensemble, which brought together musicians, singers and dancers from the Moldovan State Philharmonic.
The author considers issues related to the life of the choir collective during the evacuation period and the implementation
of concert activities in military field conditions. The geography of the ensemble’s tours is studied, the selection of the repertoire
and the interaction of the administration with composers, poets, and heads of other organizations are analyzed. Particular
attention is paid to the organization of everyday life and the life of the artists of the Doina Ensemble in wartime conditions.
The author uses all available archival materials from the funds of the National Archives of the Republic of Moldova, memoirs
of the artists of the ensemble, reminiscences of eyewitnesses, biographies of the artistic directors of the ensemble
Author response
No full textDetecting pathogens and mounting immune responses upon infection is crucial for animal health. However, these responses come at a high metabolic price (McKean and Lazzaro, 2011, Kominsky et al., 2010), and avoiding pathogens before infection may be advantageous. The bacterial endotoxins lipopolysaccharides (LPS) are important immune system infection cues (Abbas et al., 2014), but it remains unknown whether animals possess sensory mechanisms to detect them prior to infection. Here we show that Drosophila melanogaster display strong aversive responses to LPS and that gustatory neurons expressing Gr66a bitter receptors mediate avoidance of LPS in feeding and egg laying assays. We found the expression of the chemosensory cation channel dTRPA1 in these cells to be necessary and sufficient for LPS avoidance. Furthermore, LPS stimulates Drosophila neurons in a TRPA1-dependent manner and activates exogenous dTRPA1 channels in human cells. Our findings demonstrate that flies detect bacterial endotoxins via a gustatory pathway through TRPA1 activation as conserved molecular mechanism.sponsorship: Vlaams Instituut voor Biotechnologie Alessia Soldano Luis Franco Guangda Liu Natalia Mora Emre Yaksi Bassem A Hassanr Fonds Wetenschappelijk Onderzoek G.0702.12 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0077.15 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0680.10 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0681.10 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0503.12 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0654.15 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0761.10N Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0596.12 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar Fonds Wetenschappelijk Onderzoek G.0565.07 Alessia Soldano Yeranddy A Alpizar Brett Boonen Alejandro Lopez-Requena Natalia Mora Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar KU Leuven GOA/14/011 Alessia Soldano Yeranddy A Alpizar Brett Boonen Luis Franco Alejandro Lopez-Requena Guangda Liu Natalia Mora Emre Yaksi Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar European Commission IUAP P7/13 Alessia Soldano Yeranddy A Alpizar Brett Boonen Luis Franco Alejandro Lopez-Requena Guangda Liu Natalia Mora Emre Yaksi Thomas Voets Rudi Vennekensr KU Leuven OT/12/091 Alessia Soldano Yeranddy A Alpizar Brett Boonen Luis Franco Alejandro Lopez-Requena Guangda Liu Natalia Mora Emre Yaksi Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talaverar KU Leuven PF-TRPLe Alessia Soldano Yeranddy A Alpizar Brett Boonen Luis Franco Alejandro Lopez-Requena Guangda Liu Natalia Mora Emre Yaksi Thomas Voets Rudi Vennekens Bassem A Hassan Karel Talavera (Vlaams Instituut voor Biotechnologie, Fonds Wetenschappelijk Onderzoek|G.0702.12, Fonds Wetenschappelijk Onderzoek|G.0077.15, Fonds Wetenschappelijk Onderzoek|G.0680.10, Fonds Wetenschappelijk Onderzoek|G.0681.10, Fonds Wetenschappelijk Onderzoek|G.0503.12, Fonds Wetenschappelijk Onderzoek|G.0654.15, Fonds Wetenschappelijk Onderzoek|G.0761.10N, Fonds Wetenschappelijk Onderzoek|G.0596.12, KU Leuven|GOA/14/011, KU Leuven|OT/12/091, European Commission|IUAP P7/13, KU Leuven PF-TRPLe)status: Publishe
SPECIFICS OF THE REPERTOIRE POLICY OF THE DOINA CHORAL CHAPEL IN THE YEARS 1963-1975
No full textThis article examines the volume of the repertoire of the Doina Choral Chapel during the first twelve years when Veronica
Garștea was in charge of this collective. Up to 1975 this repertoire, gradually gathered by the management of the Philharmonic
and the artistic directors, acquired an imposing volume, having a variety of genres and a classification by categories. The article analyzes the correlation of the creations according to the criteria of composition and the language of interpretation. The notions of potential repertoire and current repertoire are introduced in the context of an artistic collective. The characteristic of the current repertoire in different contexts of concert activity of the Chapel during the determined period is outlined. Based on this research, the conclusion is made that determines the mission and role of the Doina Choral Chapel in the cultural life of the RSSM in the years 1963-1975
Рукописные тексты Н. Д. Пыдера на нижнелужском диалекте ижорского языка (р. Россонь) с комментариями
No full textThese are the texts written by a prominent activist and a speaker of the Vanakülä variety of the Lower Luga Ingrian dialect N. D. Põder (his memoirs were published in Russian as Põder 2019). He created an alphabet and was writing down texts, phrases and words in his native variety throughout years . These manuscripts with his original orthography, phonological transcription, morphological glossing, and Russian translation were prepared for publication and enriched with comments on particular aspects of phonetics and phonology, morphology, lexicon and syntax. The readings of the manuscripts by their author have been also recorded and used for this publication
Dynamics of non-pore-lining Orai1 transmembrane domains
No full textAuthor Natalia Kriško, BScMasterarbeit Johannes Kepler Universität Linz 2025Arbeit gesperr
Dynamics of non-pore-lining Orai1 transmembrane domains
No full textAuthor Natalia Kriško, BScMasterarbeit Johannes Kepler Universität Linz 2025Arbeit gesperr
Strategische Analyse in einem globalen, dynamischen Umfeld
No full textAuthor: Natalia BaczykAbweichender Titel laut Übersetzung der Verfasserin/des VerfassersMasterarbeit Universität Linz 201
A Conversation with Natalia Bloch, Author of Encounters Across Difference
No full textIn this installment of Lexington Books\u27 Anthropology of Tourism: Heritage Mobility and Society\u27s Author Conversation Series, editor Michael A. Di Giovine talks with Natalia Bloch, co-chair of the International Union of Anthropological and Ethnological Science\u27s Commission on International Tourism, and Associate Professor of Anthropology at Adam Mickiewicz University in Poznan, Poland, about her book, Encounters Across Difference: Tourism and Overcoming Subalternity in India . They discuss the problematic binary in tourism studies--with hospitality and business disciplines often looking at the benefits of tourism and anthropology and critical tourism studies focusing on the negative--and discuss a midway point between the two, one marked with an ethic of potential and aspiration, rather than only constraints. Using a number of vivid case studies from her book, they discuss issues of tourist-host economic collaboration, empowerment, valorization, companionship, and political mobilization that occur in her fieldsites of Hampi and Dharamshala, India. The conversation ends with a short discussion of the tourism industry\u27s complex engagement with diverse refugees at the Polish border, and how they (and the Polish people) react to different cultural groups of refugees in this pandemic-affected, Russia-Ukraine / US-Afghan geopolitical system
The Attractive Banality of Natalia LL’s "Consumer Art” (1972–1975)
No full textThe article is an analysis of the reception of "Consumer Art" by Natalia LL. The work is a series of photographs and films made in the years 1972-1975 featuring women consuming bananas, sausages, custard and starch jelly.
The work was created in the neo-avant-garde circles and was in those circles perceived as "an exploration of morphological potential of the sign and the capacity of the medium" (Andrzej Lachowicz). Simultaneously it functioned in the sphere of feminist art, into which it was included in the 1970's by feminist researchers from the Western Europe. In the present article the author conducts an analysis of the ambivalence resulting from the inclusion, which is caused by, among other factors, the incompatibility of Western discourse to Polish situation. It is also pointed out that it is only in the second half of the 1990's that the feminist discourse re-appears in the declarations of the artist herself and of some critics, which is related to the shift, observable in their texts, of "Consumer Art" from the area of conceptual art to the area of body art. The author enters a polemic with some elements of those interpretations, e. g. those referring to the critique of consumerism, and proposes to concentrate on the work by Natalia LL as one referring to erotic desire and female pleasure as issues which had no proper place in the mainstream culture (in the case of Natalia LL, the culture of the Polish Republic of Poland). In this context the author recalls the contemporary pastiche of Natalia LL's work, "Try this!" (2006) by Karol Radziszewski
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