2,183 research outputs found
Le Cid chanté par Antoni Rossell
No full textOuvrage de 246 pages + DVD de 100 min.International audienceCe volume réunit 8 études inédites, publiées chacune en français, espagnol et anglais, autour de la Chanson de Mon Cid, chef-d’œuvre de la poésie épique castillane médiévale. Les études abordent les sujets suivants : présentation de la performance d'Antoni Rossell et du film "Le Cid chanté par Antoni Rossell" (C. Heusch); l'épique médiévale et le chant (B. Langenbruch); la démarche musicologique d'Antoni Rossell (A. Rossell); le Cid historique : état de la recherche (F. García Fitz); les premiers textes du corpus cidien (A. Montaner); la "géographie" du Cantar de Mio Cid (S. Luongo); Le Cantar de Mio Cid dans le contexte roman (P. Justel) et la construction du mythe cidien (C. Heusch). Le volume inclut le DVD de 100 min. du film "Le Cid chanté par Antoni Rossell" ainsi que la vidéo de présentation du film par C. Heusch
Le Cid chanté par Antoni Rossell
No full textOuvrage de 246 pages + DVD de 100 min.International audienceCe volume réunit 8 études inédites, publiées chacune en français, espagnol et anglais, autour de la Chanson de Mon Cid, chef-d’œuvre de la poésie épique castillane médiévale. Les études abordent les sujets suivants : présentation de la performance d'Antoni Rossell et du film "Le Cid chanté par Antoni Rossell" (C. Heusch); l'épique médiévale et le chant (B. Langenbruch); la démarche musicologique d'Antoni Rossell (A. Rossell); le Cid historique : état de la recherche (F. García Fitz); les premiers textes du corpus cidien (A. Montaner); la "géographie" du Cantar de Mio Cid (S. Luongo); Le Cantar de Mio Cid dans le contexte roman (P. Justel) et la construction du mythe cidien (C. Heusch). Le volume inclut le DVD de 100 min. du film "Le Cid chanté par Antoni Rossell" ainsi que la vidéo de présentation du film par C. Heusch
Le Cid chanté par Antoni Rossell
No full textOuvrage de 246 pages + DVD de 100 min.International audienceCe volume réunit 8 études inédites, publiées chacune en français, espagnol et anglais, autour de la Chanson de Mon Cid, chef-d’œuvre de la poésie épique castillane médiévale. Les études abordent les sujets suivants : présentation de la performance d'Antoni Rossell et du film "Le Cid chanté par Antoni Rossell" (C. Heusch); l'épique médiévale et le chant (B. Langenbruch); la démarche musicologique d'Antoni Rossell (A. Rossell); le Cid historique : état de la recherche (F. García Fitz); les premiers textes du corpus cidien (A. Montaner); la "géographie" du Cantar de Mio Cid (S. Luongo); Le Cantar de Mio Cid dans le contexte roman (P. Justel) et la construction du mythe cidien (C. Heusch). Le volume inclut le DVD de 100 min. du film "Le Cid chanté par Antoni Rossell" ainsi que la vidéo de présentation du film par C. Heusch
B. Biebuyck, The Arts of Zaire. I : Southwestern Zaire ; II : Eastern Zaire. The Ritual and Artistic Context of Voluntary Associations
No full textHeusch Luc De. B. Biebuyck, The Arts of Zaire. I : Southwestern Zaire ; II : Eastern Zaire. The Ritual and Artistic Context of Voluntary Associations. In: L'Homme, 1988, tome 28 n°105. La fabrication mythique des enfants. pp. 130-132
L’œuvre en double de Luc de Heusch
No full textInternational audienceThe Belgian anthropologist Luc de Heusch is the author of some twenty films. Relatively removed from his research concerns, this wide-ranging filmography (documentaries, fiction, surrealist and ethnographic films) can be considered as a twin work, which complements and clarifies the development of his relationship with anthropology. Fête chez les Hamba, produced during a mission in the Congo (1953-1954), offers an opportunity to look back on his relationship with fieldwork and to better understand some of the reasons that led him to give up the ethnography of remote societies, on which he had projected surrealist-inspired expectations, in favor of structural anthropology.L’anthropologue belge Luc de Heusch est l’auteur d’une vingtaine de films. Relativement détachée de ses préoccupations de recherche, cette filmographie plurielle (documentaires, fictions, films surréalistes et ethnographiques) peut être considérée comme une œuvre en double, qui complète et éclaire l’évolution de son rapport à l’anthropologie. Fête chez les Hamba, réalisé au cours d’une mission au Congo (1953-1954), offre l’occasion de revenir sur sa relation au terrain et de mieux comprendre certaines des raisons qui l’ont conduit à renoncer à l’ethnographie du lointain, dans laquelle il avait projeté un horizon d’attente surréaliste, au profit de l’anthropologie structurale
La literatura según Fernando de Rojas
No full textCarlos Heusch estudia unas líneas del Prólogo de la Tragicomedia de Fernando de Rojas que encierran según él la poética y la estética de la \ud
recepción del autor de La Celestina. Siguiendo a Rojas, lo importante en la \ud
literatura no es la «historia» que cuenta sino las «particularidades», es decir \ud
todos aquellos detalles que dan densidad, amenidad y enseñanza a una obra. De \ud
ahí que surjan las figuras de tres lectores posibles: un pésimo lector que solo se \ud
preocupa por el «cuento de camino»; un mediocre lector «coleccionista» que \ud
desvirtua la obra al limitarse a desglosar citas y, por último, un lector ideal que \ud
corresponde, mutatis mutandis, al muy humanista lector «excelente» definido \ud
por Erasmo.Carlos Heusch studies a few lines from the Prologue of the \ud
Tragicomedy by Fernando de Rojas, which contain according to him the poetics and aesthetic of reception as conceived by the author of La Celestina. \ud
Following Rojas, what matters in literature is not the «story» (historia) told \ud
but its «particularities» (particularidades), that is to say all those details which \ud
give denseness, pleasantness and teachings to a work of arto Thus, the figures \ud
of three possible readers emerge: a lousy reader who only takes interest in the \ud
«cuento de camino»; a mediocre reader, a «collector» who distorts the literary \ud
work by confining himself to pinning down quotations and, at last, an ideal \ud
reader who corresponds, mutatis mutandis, to the very humanistic «excellent» \ud
reader defined by Erasmus
28. Workshop über Komplexitätstheorie, Datenstrukturen und effiziente Algorithmen
No full textProf. Dr. Ewald Speckenmeyer, Dr. Peter Heusch Institut für Informatik Universität zu Köln D-50969 Köln Tel.: +49 221 470-5378 Fax: +49 221 470-5387 Programm des 28. Workshops über Komplexitätstheorie, Datenstrukturen und effiziente Algorithmen am 27.02.96 im Hörsaal des Pohlighauses der Universität zu Köln 09.25 Uhr Begrüßung 09.30-09.55 Uhr U. Hertrampf, Trier: Über many-one lokal-selbstreduzierbare Mengen 09.55-10.20 Uhr A. Kick, Karlsruhe: Erzeugung von Gegenbeispielen beim globalen µ-Kalkül Model checking 10.20-10.45 Uhr M. Kutyowski, K. Lorys, T. Wierzbicki, Paderborn, Wroclaw: Complexity of Boolean functions on QRQW and EREW PRAMs 10.45-11.15 Uhr Pause 11.15-11.40 Uhr J. Rethmann, E. Wanke, Düsseldorf: Storage Controlled Pile-Up Systems 11.40-12.05Uhr K. Jansen, J. Reiter, München, Trier: Approximation Algorithms for Register Allocation 12.05-12.30 Uhr M. Böhm, P. Heusch, F. Meisgen, T. Seifert, E. Speckenmeyer, Köln: Precomputation-based Load Balancing 12.30-14.00 Uhr Mittagspause 14.00-14.25 Uhr K. Kühnle, E. W. Mayr, München: Exponential space computation of G bases 14.25-14.50 Uhr U. Koppenhagen, E. W. Mayr, München: The Complexity of the Equivalence Problem for Commutative Semigroups 14.50-15.15 Uhr O. Kullmann, Frankfurt: Worst case-Analyse und untere Schranken für bessere SAT-Algorithmen 15.15-15.45 Uhr Pause 15.45-16.10 Uhr A. Hett, R. Drechsler, B. Becker, Freiburg: MORE: Alternative Implementation of BDD-Packages by Multi-Operand Synthesis 16.10-16.35 Uhr Ch. Meinel, A. Slobodov, Trier: Ein neuer Reduktionsbegriff für OBDDs 16.35-17.00 Uhr T. Theobald, Ch. Meinel, Trier: Zustandscodierungen und OBDD-Größe
Histoire structurale d'une religion africaine
No full textThe structural analysis of myth, far from being incompatible with historical interpretation, can in fact be a great aid to it. This article is in response to I. Berger's 1981 reproach of L. de Heusch Rwanda et la civilisation interlacustre (1966) for believing “that spirits, myths and rites form a unified system, reaching across time and space”.The cult of possession of the Kubandwa in the interlacustrian region of Central Africa is seen from both synchronic and diachronic points of view as a system of transformation. Despite new information brought to bear by I. Berger, the author here maintains the essential argument which he put forward in 1966: the myth and initiatory cult of Ryangombe in the southern part of the interlacustrian civilization come from the myth of Wamara and from the worship of Cwezi spirits in Nyoro and Nkore (Uganda).History, as practised by I. Berger and others, is a threat to the very foundations of anthropology
Luc de Heusch, descubriendo a los gitanos: Diario de viaje por Europa 1961
No full textIn the production of books about gypsies, it is unusual to find texts that include a direct and close relationship with them, much less that they are written in the form of a diary, as is the case with the recently published book by Luc de Heusch, entitled: Descubriendo a los gitanos. Una expedición de reconocimiento (1961), published for the first time in Spanish by Editorial Universidad de Granada (the first edition in French was published in 1966). This book is the result of a trip made during the summer of 1961, whose objective was to meet the Vlaamse Gemeenschap gypsies (Vlaamse Gemeenschap-Roma, from Belgium) in Europe, to assess the possibility of making a film whose theme was Vlaamse Gemeenschap-Roma. This diary/book is important for getting to know Luc de Heusch, as it introduces us to one of the most personal texts by this author, rarely translated into our language, and essential for understanding the responsibilities associated with otherness, meeting with others, and the colonial and postcolonial implications and responsibilities of Belgium in the African Continent.En la producción de libros sobre gitanos es poco habitual encontrarnos con textos que incluyan un trato directo y cercano con ellos, y mucho menos que estén escritos en forma de diario, como sucede con el recientemente publicado libro de Luc de Heusch, titulado: Descubriendo a los gitanos. Una expedición de reconocimiento (1961), publicado por primera vez en español por la Editorial Universidad de Granada (la primera edición en lengua francesa fue publicada en 1966). Este libro es el resultado de un viaje realizado durante el verano de 1961, que tenía como objetivo encontrar a los gitanos flamencos (flamenco-romá, de Belgica) por Europa, para valorar la posibilidad de realizar una película cuyo tema fuera flamenco-romá. Este diario/libro es importante para conocer a Luc de Heusch, ya que nos introduce en uno de los textos más personales de este autor, poco traducido a nuestra lengua, e imprescindible para comprender las responsabilidades asociadas a la alteridad, al encuentro con los otros, y las implicaciones y responsabilidades coloniales y postcoloniales de Bélgica en el Continente Africano
Integrin-mediated transcriptional activation of inhibitor of apoptosis proteins protects smooth muscle cells against apoptosis induced by degraded collagen
No full textApoptosis of smooth muscle cells (SMC) and degradation of the extracellular matrix (ECM) have both been implicated in atherosclerotic plaque rupture. We have previously reported that degraded type I collagen fragments induce a rapid but transient apoptotic burst initiated by calpains in SMC. The aim of the current study was to identify the pathway responsible for consecutive SMC survival. We show that exposure of SMC to collagen fragments resulted in a sustained activation of nuclear factor (NF)-{kappa}B via phosphorylation and degradation of I{kappa}B{alpha}. Its prevention through retroviral expression of superrepressor I{kappa}B{alpha} or proteasome inhibition potently induced apoptosis. In the presence of blocking antibodies to {alpha}vß3 integrin and RGD peptides, collagen fragments no longer activated NF-{kappa}B and apoptosis was enhanced. The mechanism by which NF-{kappa}B was protecting SMC against collagen fragment-induced apoptosis was a transcriptional activation of several endogenous caspase inhibitors of the inhibitor of apoptosis protein (IAP) family as: (1) the expression of xIAP, c-IAP2, and survivin was potently induced by collagen fragments; (2) IAP expression was abrogated by superrepressor I{kappa}B{alpha}; and (3) knockdown of each of the 3 IAPs by small interfering RNA (siRNA) resulted in enhanced apoptosis after collagen fragment treatment. Our data suggest that SMC exposed to degraded collagen are protected against apoptosis by a mechanism involving {alpha}vß3-dependent NF-{kappa}B activation with consequent activation of IAPs. This may constitute a novel antiapoptotic pathway ensuring SMC survival in settings of enhanced ECM degradation such as cell migration, vascular remodeling, and atherosclerotic plaque rupture
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