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    Joxe Azurmendiren nazioa Nazionalismo Ikerketen argitan. Abertzaletasun kulturalaren defentsa Euskal Herri garaikidean

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    292 p.Joxe Azurmendiren nazio ideia hobekien ulertzeko, hura nazionalismo kulturalaren teoriatik ulertu behar dela dio tesi honek. John Hutchinsonek (1987, 1999) definitutako nazionalismo kulturalean, nazioa kulturgintzaren eta elementu kulturalen bitartez birsortzen eta berregiten den komunitatea da. Azurmendiren kulturgile jardun teoriko eta praktikoaren zentzua horixe dela erakusten da tesian eta, ondorioz, haren jarrerak abertzaletasun kulturalaren izena hartzea proposatzen da. Horretarako, lehenengo Nazionalismo Ikerketen esparruko eztabaidak errepasatzen dira, nazionalismo kulturala kokatzeko. Gero, eztabaida horiek Azurmendiren testuinguru historikoan non aurki daitezkeen erakusten da, bere gaztaroko abertzaletasuna eta sozialismoa uztartzeko saiakeretatik beranduagoko estatuari buruzko eztabaida etiko-politikoetara. Azurmendik testuinguru historiko konkretu horretatik abiatuta garatu dituen nazioaren inguruko ideiak (gizaberearen, kulturaren eta historiaren filosofiak) sistematikoki lantzen dira ondoren, horiek Nazionalismo Ikerketetako teoriekin erkatuz. Horrela erakusten da Azurmendiren posizioa kritikoki urruntzen dela modernismotik (Gellner, Hobsbawm, Kedourie) eta gehiago hurbiltzen dela etnosinbolismora (Smith 2009) eta nazionalismo kulturalera. Dena dela, konstituzio irekidun gizaberearen ideiarekin, kultura izpirituaren metaforaren bitartez ulertzeko proposamenarekin eta historia progresibo linealaren filosofiarekiko kritikarekin Azurmendiren proposamena beregaina da, ez da eskola batera lotzen. Ondorioa, beraz, nazionalismo kulturalaren zentzuarekin bat egiten duen eta teorizazio propioa duen nazioari buruzko filosofia bat da, abertzaletasun kulturala deitu dena, betiere Euskal Herri garaikidean kokatua

    Joxe Azurmendiren nazioa Nazionalismo Ikerketen argitan. Abertzaletasun kulturalaren defentsa Euskal Herri garaikidean

    Get PDF
    292 p.Joxe Azurmendiren nazio ideia hobekien ulertzeko, hura nazionalismo kulturalaren teoriatik ulertu behar dela dio tesi honek. John Hutchinsonek (1987, 1999) definitutako nazionalismo kulturalean, nazioa kulturgintzaren eta elementu kulturalen bitartez birsortzen eta berregiten den komunitatea da. Azurmendiren kulturgile jardun teoriko eta praktikoaren zentzua horixe dela erakusten da tesian eta, ondorioz, haren jarrerak abertzaletasun kulturalaren izena hartzea proposatzen da. Horretarako, lehenengo Nazionalismo Ikerketen esparruko eztabaidak errepasatzen dira, nazionalismo kulturala kokatzeko. Gero, eztabaida horiek Azurmendiren testuinguru historikoan non aurki daitezkeen erakusten da, bere gaztaroko abertzaletasuna eta sozialismoa uztartzeko saiakeretatik beranduagoko estatuari buruzko eztabaida etiko-politikoetara. Azurmendik testuinguru historiko konkretu horretatik abiatuta garatu dituen nazioaren inguruko ideiak (gizaberearen, kulturaren eta historiaren filosofiak) sistematikoki lantzen dira ondoren, horiek Nazionalismo Ikerketetako teoriekin erkatuz. Horrela erakusten da Azurmendiren posizioa kritikoki urruntzen dela modernismotik (Gellner, Hobsbawm, Kedourie) eta gehiago hurbiltzen dela etnosinbolismora (Smith 2009) eta nazionalismo kulturalera. Dena dela, konstituzio irekidun gizaberearen ideiarekin, kultura izpirituaren metaforaren bitartez ulertzeko proposamenarekin eta historia progresibo linealaren filosofiarekiko kritikarekin Azurmendiren proposamena beregaina da, ez da eskola batera lotzen. Ondorioa, beraz, nazionalismo kulturalaren zentzuarekin bat egiten duen eta teorizazio propioa duen nazioari buruzko filosofia bat da, abertzaletasun kulturala deitu dena, betiere Euskal Herri garaikidean kokatua

    Basque '68 in Light of Cultural Nationalism and Critical Utopia

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    In enlightened or utilitarian reasoning, nationalism is considered a reactionary and irrational belief in an invented tradition. Utopian imaginary, for its part, is cast into the background together with escapist fantasy or useless science fiction. This paper will look at alternative theories that challenge these interpretations. In this new light, utopianism serves as a critique of the status quo and an impulse against it - Ernst Bloch's principle of hope and Tom Moylan's critical utopia are our compass in this regard. On the other hand, cultural nationalism is interpreted as a desire to modernise a community through cultural praxis and not subordinated to state-building projects, as argued by John Hutchinson. These theories are the framework for the revision of the Basque '68. As far as nationalism is concerned, this period has been interpreted from a political perspective, with the foundation of ETA and demands for independence as the key features. The new framework, however, allows us to consider cultural praxis as a way to critically recreate the community through new utopian imaginaries. Therefore, the Basque '68 keeps the nation’s imaginary from being subordinated to statist politics and becomes an ambiguous yet open-ended movement in search of the (n)ever true Heimat

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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