1,721,084 research outputs found
No limiar da tradução: paratextos e paratraduções de Le Gone du Chaâba de Azouz Begag
Dissertação(mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Estudos da Tradução, Florianópolis, 2014O presente estudo se direciona aos paratextos e às paratraduções da literatura produzida em língua francesa pelas escritoras e escritores originários da imigração magrebina, em especial os escritos de Azouz Begag que, contendo informações sobre o autor e sobre a história desta literatura, são também responsáveis pela apresentação do tradutor. No primeiro capítulo, Analisando essa literatura ? denominada como literatura Beur, percebeu-se que a ideia de língua materna se torna mutável, pois ela é o que se entende por língua do colonizador: uma língua imposta. A literatura francófona dos autores Beurs busca transformar esta aparente hegemonia da língua francesa e, dessa forma, a utilização dos paratextos é frequente. No segundo capítulo, os paratextos foram classificados segundo Genette e sua obra Seuils, traduzida para o português por Álvaro Faleiros, Paratextos Editoriais (2009); e as paratraduções classificadas segundo o conceito de Yuste Frías e seu estudo Au seuil de la traduction: la paratraduction (2010) e segundo Marie-Hélène C Torres em seu livro Traduzir o Brasil Literário, paratexto e discurso de acompanhamento (2011). Então, no terceiro capítulo, foram analisados os paratextos de duas edições francesas do romance Le Gone du Chaâba de Azouz Begag e as paratraduções apresentadas pela tradução estadunidense, Shantytown Kid (2007), traduzido por Alec G Hargreaves e Naïma Wolf, e pela tradução espanhola, El niño de las chabolas (2011), traduzido por Elena García-Aranda. No final, o espaço destes ?epitextos? e ?peritextos? provou ser necessário para demonstrar que a paratradução é o lugar onde temos a visibilidade do tradutor e do processo da tradução, pois consiste no espaço a partir do qual o tradutor pode por sua voz em evidencia.Abstract: This study analyzes the paratexts and paratranslations of the literature produced in French by one of the writers from the Algerian immigration: Azouz Begag. These paratexts and paratranslations contain information about the author and the history of this sort of literature, and they are also responsible for the translator's presentation. In the first chapter, analyzing the literature - called Beur literature, it's possible to notice that the idea of mother language becomes mutable because it is the "colonizer's language": an imposed language. This francophone literature desires to change this visible hegemony of the French language, and the use of paratexts often takes place for that purpose. In the second chapter, the paratexts were classified according to Genette and his book Seuils, translated into Portuguese by Àlvaro Faleiros, Paratextos Editoriais (2009); and the paratranslations classified according to Yuste Frías and his study Au seuil de la traduction: la paratraduction (2010) and to Marie-Hélène C Torres in her book Traduzir o Brasil Literário, paratexto e discurso de acompanhamento (2011). Afterwards, the paratexts of two French editions of Azouz Begag's Le Gone du Chaâba were analyzed. In the third chapter, Alec G Hargreaves and Naïma Wolf's American translation, Shantytown Kid (2007), and Elena Garcia-Aranda's Spanish translation, El niño de las Chabolas (2011) were analyzed. At the end, my findings demonstrate how these "epitexts" and "peritexts" are the necessary places to show the translator and the translation process' visibility, because it consists in the locale where the translator is allowed to speak
Azouz Begag: un autore beur per l'infanzia
Attraverso la traduzione e l'analisi di due testi per l'infanzia scritti da Azouz Begag, "La leçon de francisse" e "La force du berger suivi de Le temps des villages", affronto un esame di come l'autore declini le caratteristiche tematiche e linguistiche della letteratura beur, in particolare quella dedicata all'infanzia.
Through the translation and analysis of two books for children written by Azouz Begag, "La leçon de francisse" and "La force du berger suivi de Le temps des villages", I examine how the author draws on the thematic and linguistic features of beur literature, in particular when addressing a young readership
Azouz Begag, Le passeport, 2000
Garrigues Maire-Pierre. Azouz Begag, Le passeport, 2000. In: Hommes et Migrations, n°1225, Mai-juin 2000. Santé, le traitement de la différence. pp. 153-154
Le marteau pique-cœur. Azouz Begag, 2004
Harzoune Mustapha. Le marteau pique-cœur. Azouz Begag, 2004. In: Hommes et Migrations, n°1251, Septembre-octobre 2004. Enfants sans frontières. pp. 146-148
Azouz Begag, Béni ou le Paradis privé, 1989
Déjeux Jean. Azouz Begag, Béni ou le Paradis privé, 1989. In: Hommes et Migrations, n°1120, mars 1989. Les nouvelles solidarités. p. 50
Azouz Begag, Béni ou le Paradis privé, 1989
Déjeux Jean. Azouz Begag, Béni ou le Paradis privé, 1989. In: Hommes et Migrations, n°1120, mars 1989. Les nouvelles solidarités. p. 50
Le roman autobiographique Le Gone du Chaâba de Azouz Begag, un roman de formation et d’apprentissage?
La fiction du monde contemporain, selon Charles Newman, s’interroge sur la culture établie, souvent autobiographique, elle relève d’un néo-réalisme qui postule l’existence de nouvelles informations qui sont tues par les médias. Notre perspective s’inscrit sur la problématique suivante: pouvons nous lire le roman de Azouz Begag comme un roman autobiographique et un Bildungsroman beur (roman d’apprentissage)? Pour Azouz Begag, l’écriture représente le topos de l’apprentissage et s’incarne en une force créatrice, essentielle et existentielle
Entre «rouiller» et «s'arracher», réapprendre à flâner
Azouz Begag, Anstatt einrosten oder abhauen -wieder flanieren lernen
Wenn der öffentliche Nahverkehr den Schlafstädten in den Vororten die Segungen des Zentrums zugänglich macht, warum wirkt er auf Jugendliche mit Integrationsschwierigkeiten dann wie ein rotes Tuch ? Geht es eigentlich nur darum, den Vororten das Zentrum zu erschließen ? Sollte nicht auch dieses sich zur Vorstadt hin öffnen und dort Orte des Flanierens entdecken ?Azouz Begag, Learning how to stroll around again
Public transportation has given suburban areas greater access to cities and their opportunities, but they are also a prime target for violence on the part of young people who are finding it difficult to fit in. Though it has been necessary to open up the suburbs, shouldn't we think about opening the cities towards them an turning them into places where people would enjoy spending leisure time ?Si les transports publics facilitent l'accès des cités de banlieue aux biens de la ville, ne sont-ils pas aussi une cible privilégiée de violence pour les jeunes en difficulté d'insertion ? Au-delà du nécessaire désenclavement de la banlieue, ne faut-il pas également penser à ouvrir la ville sur la banlieue ? à transformer la banlieue en lieu de flânerie ?Azouz Begag, Entre «oxidarse» y «arrancarse», volver a aprender a callejear
Si los transportes públicos facilitan el acceso de los barrios populáres de los suburbios a los bienes de la ciudad, ¿no habrfa igualmente que pensar en abrir la ciudad a los suburbios ? ¿en transformar el suburbio en lugar de callejeo ?Begag Azouz. Entre «rouiller» et «s'arracher», réapprendre à flâner. In: Les Annales de la recherche urbaine, N°59-60, 1993. Mobilités. pp. 180-188
Review: Three New Works by Azouz Begag
It is a great paradox that France’s first ever ministers from a family with a background in postcolonial migration were appointed not by the Left, with its universalist rhetoric of internationalism (and for whom most ethnic minority voters actually vote), but by the Right, traditionally associated with xenophobia and exclusion. But while much publicity surrounded Nicolas Sarkozy’s first appointments, before Rachida Dati and Rama Yade, there were Tokia Saïfi, Hamlaoui Mékachéra, and Azouz Begag, who served in Dominique de Villepin’s government from 2005 to 2007. Born the year of the Battle of Algiers, Begag’s life story, from a shantytown in the suburbs of Lyons to minister, via a successful career as the author of more than twenty books, mirrors chronologically that of the Fifth Republic. Now that Begag has celebrated his fiftieth birthday, and the Republic prepares to mark its own, what does the encounter between the two tell us about the recent history of France
Du chaâba à la banlieue : espaces et négation de l’autre chez Azouz Begag et Thomté Ryam
This article concerns itself with the representations of space in the novels of Azouz Begag and Thomté Ryam. The author observes that from the chaâba to the banlieue, one can assert that the distribution of space suggests the exclusion and the negation of France’s postcolonial other. Ultimately, the article contends that if Beur fiction was pivotal in shedding light on injustice, the banlieue novel blends aesthetics and politics to call for a different France, one in which assimilation and difference can be transcended
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