1,356,022 research outputs found
Persepsi Masyarakat Terhadap FTV Azab
No full textAbstrak: Latar belakang penelitian ini adalah banyaknya masyarakat yang menonton tayangan FTV Azab. Tujuan penelitian ini untuk mengidentifikasi bagaimana persepsi masyarakat terhadap nilai regili dan nilai sosial yang ada di tayangan FTV Azab. Jenis penelitian yang digunankan adalah penelitian deskriptif kualitatif. Pengolahan data menggunakan tekhnik yang dikembangkan oleh Mailes dan Husberman. Sumber data yang penulis gunakan adalah sumber data primer yaitu data yang di peroleh dari masyarakat dan sumber data sekunder yaitu youtube streaming dan buku- buku yang terkait dengan persepsi. Hasil penelitian menemukan: (a) Nilai religi yang terkandung di dalam tayangan FTV Azab sudah tersampaikan, karena  nilai religi dalam FTV Azab sesuai dengan realita kehidupan  masyarakat sehari hari, sehingga masyarakat mudah mendapatkan banyak pelajaran dari nilai religi yang terkandung di dalam tayangan FTV Azab.(b) Nilai sosial yang terdapat di dalam tayangan FTV Azab mengingatkan masyarakat agar dapat menjaga silaturahmi antar sesama masyarakat. Nilai-nilai yang terkandung di dalam tayangan FTV azab juga dapat mengingatkan masyarakat akan adanya akibat dari suatu perbuatan, serta mengingatkan masyarakat untuk berbuat kebaikan. Abstract: The background of this study is the large number of people watching FTV Azab. The purpose of this study was to identify how people's perceptions of real and social values exist in FTV Azab. This type of research is a qualitative descriptive study. Data processing uses techniques developed by Mailes and Husberman. The data source that I use is the primary data source that is data obtained from the public and secondary data sources namely YouTube streaming and books related to perception. The results of the study found: (a) The religious values contained in the Azab FTV shows have been conveyed, because the religious values in the Azab FTV are in accordance with the realities of people's daily lives, so that the public easily gets many lessons from the religious values contained in the Azab FTV shows. (b) The social value contained in the FTV Azab program reminds the community to be able to maintain friendship between fellow citizens. The values contained in the FTV show doom can also remind the public of the consequences of an act, as well as remind people to do good
VOLTAMMETRIC BEHAVIOR OF BOVINE ERYTHROCYTE SUPEROXIDE-DISMUTASE
No full textVOLTAMMETRIC BEHAVIOR OF BOVINE ERYTHROCYTE SUPEROXIDE-DISMUTASE WAS INVESTIGATED IN AQUEOUS SOLUTIO
The Block Relocation Problem with Appointment Scheduling (BRPAS)
No full textThis Data set is used from different published papers in container/block relocation problems. The used instances are further processed to fit the research topic of "The Block Relocation Problem with Appointment Scheduling (BRPAS)". In the BRPAS, we introduce a new optimization problem that studies the container relocation in the container terminal under the appointment scheduling for container pickup operations. Since we are introducing a new problem, which is different from the existing work in the literature, we used some data sets from existing published work and modified them to fit our approach. However, the developed instances still can be comparable to the existing original instances. the uploaded files are named with authors' names of the original data set
AL USLUBIYYAH FI AL 'AZAB LI AL SYAIKH AL 'AZAB (DIRASAH WASHFIYYAH)
No full textSyi
ir a l Azab merupakan salah satu karya Syekh Muhammad Al Azab
yang banyak dilantukan oleh masyarakat khususnya Indonesia. Al Azab b erisikan
bait yang berjumlah 138 yang berisi doa dan pujian dan juga pemaparan singkat
kisah Nabi Muhammad SAW. Tentunya, setiap karya sastra memiliki ciri khas
kebahasaan yang digunakannya, begitu juga dengan al Azab. Al Azab memiliki
keunikan yang terdapat pada huruf akhir rawi yakni selalu menggunakan huruf dal
dan berharakat fathah. Penelitian ini menggunakan teori stilistika yang
mengungkap keseluruhan syi ir al Azab baik dari huruf, kata maupun kalimat.
Penelitian ini menggunakan jenis penelitian
library re seacrh . Dengan
menggunakan teori s tilistika dalam bukunya Abdul Salam al Masadi, ditemukan
tingkatan yang terbagi menjadi dua yaitu, pemilihan atau seleksi dan perpindahan.
Ranah pemilihan atau seleksi yang digunakan pengarang terdapat level level yaitu
fonologi, kata dan kal imat. Yang pertama melalui level fonologi yang meliputi
huruf rawi dalam arudhnya terdiri dari bebera pa huruf yang dapat diketahui
penggunaan huruf ha paking banyak, sedangkan huruf rawi dalam dharabnya hanya
satu huruf yaitu dal. L evel fonologi dalam al azab juga terdiri dari jinas, yang
terbagi menjadi jinas tam dan ghairu tam. Kedua dari level kata yang meliputi
makna leksikal dan dari level kalimat yang meliputi uslub al amri, uslub al
isti fham, dan uslub an nida ’’. Sedangkan dal am ranah perpindahan linguistik
mengungkapkan level sintaksis dan semantik. Level sintaksis yang meliputi taqdim
dan ta khir serta iltifat . Adapun level semantik yang meliputi tasybih, isti’arah, al-taraduf dan al-mutado
2° Bâb el-'Azab
No full textOmar Ahmad, Bahgat Ali, Herz Max, Lasciac A., Fahmy Mahmoud. 2° Bâb el-'Azab. In: Comité de Conservation des Monuments de l'Art Arabe. Fascicule 31, exercice 1914, 1916. p. 65
Un’architettura sartoriale | A tailor-made architecture
No full textPer Azab la casa non è solo un artefatto architettonico, ma prima di tutto un artefatto psichico, un luogo sicuro, di docile mediazione, dove l’essere umano, oggi come ieri, impara a misurarsi con il mondo interno – l’io – e con il mondo esterno – l’altro. In questo esercizio di addomesticamento reciproco tra cose e persone, attraverso cui si forgia l’identità individuale, la casa si comporta come un grembo che asseconda lo sviluppo emotivo dei suoi mutevoli abitanti, un serbatoio dove albergano e maturano le emozioni e le sensazioni. Giocata negli spazi dello scarto e realizzata con un campionario di “scampoli” l'architettura sartoriale di azab non prefigura cataclismi estetici, ha piuttosto l’ambizione di definire i nuovi confini dell’estasi, in una doppia prospettiva che consacra l’architetto come soggetto e come intermediario, “agitatore” capace di riscuotere dal torpore un corpo sociale fagocitato dall’inerzia o barricato in spazi indefiniti, insipidi.The house is a psychic even before than an architectural artifact: a safe place of easy mediation where the human being, now as yesterday, learns to negotiate the inner world – the self – and the outer world – the other. In this exercise of mutual domestication between things and people that shapes the in- dividual identity, the house is like a womb that encourages the emotional development of its volatile residents, a reservoir where emotions and feelings are lodged and nurtured. Played in residual spaces and built with a collection of “scraps” the tailor-made architecture of azab does not result in aesthetic cataclysms – its ambition is rather to define new realms for bliss, in a double perspective according to which the architect is both a subject and a middleman, an “agitator”, who can effectively wake up a lethargic social body engulfed in inertia or barricaded within undefined, tasteless spaces
PERWUJUDAN SIMILE OLEH MERARI SIREGAR DALAM NOVEL AZAB DAN SENGSARA
No full textAbstract This study aims to identify the use of simile by Merari Siregar in novel’s Azab dan Sengsara. This research is a qualitative research. The data is collected using the listening method used to obtain data by listening to the use of language. The data were analyzed descriptively andthe data were analyzed based on the Kridalaksana word class manifestation theory and stylistic theory by Keraf. The type of data is written data, that is simile style language in the novel’s Azab dan Sengsara by Merari Siregar.The results showed that the embodiment of simile to Merari Siregar in novel’s Azab dan Sengsara have five, namely (1) embodiment of simile in the noun class with nouns; (2) embodiment of simile in the noun class with adjectives; (3) embodiment of simile in the adjectives class with verb; (4) embodiment of simile in the verb class with verb; (5) embodiment of simile in the verb class with nouns. While, simile markers to Merari Siregar in novel’s Azab dan Sengsara, namely sebagai, ibarat, seperti, tak ubahnya, laksana, dan seolah-olah.
Keywords: simile, novels, Azab dan Sengsar
Woman’s Suppression in Azab dan Sengsara: A Feminist Perspective
No full textAzab dan Sengsara is an Indonesian novel written by Merari Siregar (1921), one of the famous roman novelists in Indonesia in Balai Pustaka era. The novel is a material object of the present study. The study aims at revealing oppression, violence, exploitation of woman and all varieties of injustice to woman, revealing social symptoms ideological forms containing in the novel as a manifestation of a company condition in old era. This research uses a qualitative method and approaches of literary feminist and literary sociology as its support. This research succeeds in answering the problems of woman life, as manifestation of real life which reflects kinds of woman’s life in society of Indonesian, for example: marriage, custom, violence, etc. for the hero “Mariamin” (a woman). She is the manifestation of the authority life, besides talking on oppression of woman images of its community lives. The author succeeded offering solutions with various contradictions, conflicts, handling down the novel as manifestation in real life
Varietas Azab Di Dunia Dalam Al-Qur’an (Penafsiran Tematik QS. Al-Ankabut: 40)
No full textAbstractThe Qur’an not only serves as a guidance for Muslims but also admonition for humans. Through its revelation, God gives rewards to those who obey Him and threatens with punishments to those who disobey Him. Q. al-Ankabut: 40one of Qur’anic verses discussing torment. The type of torment according to the Qur’an is divided into two: torment in the world and torment in the afterlife. The former can be understood in terms of both formal and substantial torment. Understanding the torment in the world, therefore, can encourage Muslims to avoid disobedience to God. Performing God’s commands is the very principle of human creation. Indeed, torment according to the Qur’an is not limited to four categories. But, this article particularly discusses four categories of torment in the world explained in Q. al-Ankabut: 40, namely Hasiba, Ash Shaihah, Khasafa fil Ardhi, and Aghraqa. These four torments are related to God’s speech in the previous verses and other verses in the Qur’an. It is significant, therefore, to study the verse to understand God’s torments to humans. The verse should be read thematically in relation to other verses. AbstrakAl-Qur’an di samping sebagai hukum pedoman bagi umat Islam berfungsi juga sebagai sebuah kitab peringatan untuk manusia. Di dalamnya Allah swt. memberikan janji bagi orang-orang yang taat kepada-Nya dan mengancam dengan azab bagi yang durhaka kepada-Nya. QS. Al-Ankabut: 40 merupakan salah satu contoh ayat yang membicarakan tentang azab dari sekian banyak ayat. Karena pembahasan azab dalam al-Qur’an secara prinsipnya terbagi menjadi dua; yaitu azab di dunia dan azab di akhirat. Azab di dunia terbagi pula kepada azab yang dhahir dan maknawi. Mengetahui azab yang Allah swt. turunkan di dunia mampu mempengaruhi seseorang untuk menjauhi kemaksiatan kepada-Nya. Dan menjauhi azab dengan mewujudkan perintah Allah swt. merupakan perkara asas penciptaan manusia. Azab dalam al-Qur’an tidak terbatas pada 4 jenis saja, akan tetapi pada pembahasan ini dibatasi pada kajian surah Al-Ankabut ayat 40 yang mengkaji 4 jenis azab di dunia. Yaitu Hasiba, Ash Shaihah, Khasafa fi Al Ardhi dan Aghraqa. Keempat azab tersebut memiliki keterkaitan dengan pembicaraan Allah swt. pada ayat-ayat sebelumnya dan ayat-ayat pada surat yang lain. Oleh karenanya sangat perlu mengkaji ayat tersebut agar mendapatkan kesimpulan yang benar terkait azab yang Allah berikan kepada hambanya. Kemudian akan disandingkan dengan beberapa ayat dan penafsiran yang berkaitan dengan tema azab. Kata Kunci: Azab Dunia, Empat Azab, Azab Dhahir
Majas Simile Dalam Novel Azab Dan Sengsara Karya Merari Siregar
No full textAbstract
This study aims to identify the use of simile by Merari Siregar in novel’s Azab dan Sengsara. This research is a qualitative research. The data is collected using the listening method used to obtain data by listening to the use of language. The data were analyzed descriptively and The data were analyzed based on the Kridalaksana word class manifestation theory and stylistic theory by Keraf. The type of data is written data, that is simile style language in the novel’s Azab dan Sengsara by Merari Siregar.
The results showed that the embodiment of simile to Merari Siregar in novel’s Azab dan Sengsara have five, namely (1) embodiment of simile in the noun class with nouns; (2) embodiment of simile in the noun class with adjectives; (3) embodiment of simile in the adjectives class with verb; (4) embodiment of simile in the verb class with verb; (5) embodiment of simile in the verb class with nouns. While, simile markers to Merari Siregar in novel’s Azab dan Sengsara, namely sebagai, ibarat, seperti, tak ubahnya, laksana, dan seolah-olah.
Keywords: simile, novels, azab dan sengsar
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