538 research outputs found
Preservation for Institutional Repositories: practical and invisible
With good prospects for growth in institutional repository (IR) contents, in the UK, due to the proposed RCUK policy on mandating deposit of papers on funded work, and internationally due to the Berlin 3 recommendation, it is timely to investigate preservation solutions for IRs. The paper takes a broad view of preservation issues for IRs - based on practice, experience and visions for the future - from the perspective of Preserv, a JISC-funded project. It considers preservation in the context of IRs. Based on the OAIS preservation model, an architecture is proposed to support distributed preservation services for IRs. Work performed so far involves adapting the IR user deposit interface in a pilot version of EPrints software for building IRs, and determining accurate file format information using Pronom software. The paper looks ahead briefly at the role of preservation service providers, working for the IR, within this architecture. The strategy is to take practical steps that are, as far as possible, invisible to all but those concerned with the preservation process for IRs
Building Quality Assurance into Metadata Creation: an Analysis based on the Learning Objects and e-Prints Communities of Practice
This paper challenges some of the assumptions underlying the metadata creation process in the context of two communities of practice, based around learning object repositories and open e-Print archives. The importance of quality assurance for metadata creation is discussed and evidence from the literature, from the practical experiences of repositories and archives, and from related research and practices within other communities is presented. Issues for debate and further investigation are identified, formulated as a series of key research questions. Although there is much work to be done in the area of quality assurance for metadata creation, this paper represents an important first step towards a fuller understanding of the subject.
A study of figurative language In “flashlight” song lyrics by jessie j
Language is a basic human ability that enables effective communication and thinking. It is a tool to convey thoughts, ideas, concepts, and feelings, and plays an important role in building relationships. Figure language, such as personification, hyperbole, similar, and metaphor, is used to simplify meaning and make sentences more attractive. It's usually used in literary works, like songs, to connect with listeners who experience the same emotions. For example, Jessie J's song "Flashlight" uses figurative language to convey a message about overcoming difficulties and finding someone to support it.
The aim of this research was to find out what types of figurative language is in the lyrics of Jessie J's "Flashlight" and the meaning of the figurative languages contained in Jessie J's “Flashlight” song lyrics.
This research uses qualitative methods. The writer uses a document to collect data. The data used in this research is from a Jessie J song entitled Flashlight. The technique is to reduce data, display data, and verification the data. The data is based on the theoretical analysis of Keraf (1994).
The results of this study found that Jessie J's "Flashlight" song contained two types of figurative language and eight examples of representative language that emerged. Two kinds of graphic language are metaphor, and personification. Metaphor is a very dominant figurative language used in Flashlight songs by Jessie J. There are seven lines consisting of metaphors. In addition to obtaining the results of fictional language analysis, the author also found that the analysis of the meaning of the use of fictitious language in the song Flashlight that Jessie J's song entitled Flashlight has a connotative meaning.
This research reveals that Jessie J's "Flashlight" song uses figurative language in eight sentences, mainly metaphors and personification. These figurative languages provide vivid and engaging images, effectively conveying messages and attracting listeners' attention. Thus, figurative language plays an important role in lyrics
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Investigating orthographic and semantic aspects of word learning in poor comprehenders
This study compared orthographic and semantic aspects of word learning in children who differed in reading comprehension skill. Poor comprehenders and controls matched for age (9–10 years), nonverbal ability and decoding skill were trained to pronounce 20 visually presented nonwords, 10 in a consistent way and 10 in an inconsistent way. They then had an opportunity to infer the meanings of the new words from story context. Orthographic learning was measured in three ways: the number of trials taken to learn to pronounce nonwords correctly, orthographic choice and spelling. Across all measures, consistent items were easier than inconsistent items and poor comprehenders did not differ from control children. Semantic learning was assessed on three occasions, using a nonword–picture matching task. While poor comprehenders showed equivalent semantic learning to controls immediately after exposure to nonword meaning, this knowledge was not well retained over time. Results are discussed in terms of the language and reading skills of poor comprehenders and in relation to current models of reading development
Jessie Hubbell Bancroft
A Portrait Photograph of Jessie Hubbell Bancroft.Jessie Hubbell Bancroft was born in Winona, Minnesota in 1867. Bancroft was an American educator, a pioneer of physical education, and a founder and the president of the American Posture League. Between 1893-1903 she was Director of Physical Training of the Brooklyn Schools and from 1904 until retirement in 1928, she was the Assistant Director of Physical Education of the schools of Greater New York City.
Some of her other accomplishments include being an author, a founder of the American Association for the Advancement of Physical Education, and she was the first living person to receive the Luther Halsey Gulick Award for advances in physical education.
Bancroft passed in 1952 at the age of 85
Selected Novels of Jessie Redmon Fauset: An Analysis of an Influential Harlem Renaissance Author
The student will read and analyze three novels by Jessie Redmon Fauset, a prominent Harlem Renaissance novelist. She will examine her role as a major publishing editor of a Black journal and how this woman artistically presented the life of African Americans during the famous Jazz Age period when, for the first time, Black culture was widely admired by white America
Photograph of a bust of the author Tasma
Photograph of a bust of the author Tasma (Jessie Catherine Couvreur). Pencilled on verso of photo 'Tasma - enlargement of an original lent to H.M. Green? by Mrs Erdos, a neice of Tasma
Oregon Psilocybin Advisory Board rapid evidence review and recommendations
authors: the Oregon Psilocybin Evidence Review Writing Group, Atheir I. Abbas, MD, PhD, Angela Carter, ND, Thomas Jeanne, MD, MPH, Rachel Knox, MD, MBA, P. Todd Korthuis, MD, MPH, Ali Hamade, PhD, Christopher Stauffer, MD, Jessie Uehling, PhD.Title from PDF title page (viewed on July 23, 2021)."June 30, 2021"--Metadata.This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references (pages 33-40).Mode of access: Internet from the Oregon Government Publications Collection.Text in English
There is Heterosexuality: Jessie Fauset, W.E.B. Du Bois, and the Problem of Desire
Presents literary criticism of the novels There is Confusion and Plum Bun by Jessie Fauset focusing on their portrayal of the connections between love and desire, heterosexuality, and race in the 1920s U.S. The impact of Fauset\u27s relationship with sociologist W. E. B. Du Bois on the themes of these works is also evaluated. Broadly, the author is concerned with the works\u27 connection to the country\u27s changing sexual climate during this time
Crafting objects, selves, links: the embodied production of relational exchange in performances of craft in the United States
University of Minnesota Ph.D. dissertation. June 2011. Major: Theatre Arts. Advisors: Dr. Sonja Kuftinec Dr. Margaret Werry. 1 computer file (PDF); v, 262 pages."Crafting Objects, Selves, Links" formulates an ethnographic analysis of craft practice in the contemporary United States. Using performance as an analytic frame, the author examines the ways that crafters use the productive gestures of craft to generate opportunities for relational contact, achievement, learning, buying and selling, and other forms of exchange. The manuscript is divided into four sites: craft in recognizable sites of performance, the performance of leisure craft in craft circles, craft sellng spaces formed by crafter entrepreneurs, and sites on the World Wide Web where crafters take action together.Glover, Jessie. (2011). Crafting objects, selves, links: the embodied production of relational exchange in performances of craft in the United States. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/110161
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