568 research outputs found
Tragedia di un artista di strada. La pratica della cancellazione da eutanasia artistica ad articidio
Get PDFThis article investigates the role and meaning of practices of erasure in contemporary Italian street art culture. Taking Blu's choice of cancelling all his graffiti in the city of Bologna as a case study, I will investigate the limits and possibilities of this artistic performance in both political and social terms. Given the antagonist yet dialogic and dynamic relationship that connects street artists, civic institutions and urban spaces, I will argue that practices of erasure are a key component of the particular form of communication occurring among these actors. Through the analysis of #OccupyMordor, one of Blu's most famous works, I will describe the relationship the author entertained with the city of Bologna highlighting, at the same time, the structural problems raised by institutional museification projects
Il lucchese Francesco Diodati, i suoi pronostici a stampa e il ritrovamento di una nuova edizione di Pesaro
No full textThe recent discovery in the Archivio Storico Diocesano in Lucca of a
16th-century prognostication printed in Pesaro raises a series of historical and
bibliographical questions. After a systematic survey of the biographical information
we have on the author, Francesco Diodati, a physician and astrologer from
Lucca who lived in Bologna and Roma, the article then looks at several of his
unpublished documents and updates the bibliography of his publications. The
history of this specific volume is then examined. It belonged most recently to
the internationally well-known antiquarian bookseller Giuseppe Martini, who
may have acquired it after recognising an unusual Dante woodcut illustration
on the title-page, which had been used in Venice by Pietro Piase for the edition
of the Commedia published in November 1491. The typographical features of
the volume are then analysed, although no certain attribution of its printer can
be made. It could have been the celebrated printer of Jewish origins Gershom
Soncino or, more probably, Pietro Cafa, a type founder from Capodistria, who
collaborated with Aldo Manuzio and subsequently became a printer working in
partnership with Soncino
Pensiero computazionale: una quarta competenza dopo scrivere, leggere e far di conto
Get PDFInternational audienceThe author explains what computational thinking consist of, its importance and evolution and its main results in education university in contemporary society in which Internet allows a continuous exchange of information between things and objects (Internet of things) of everyday life This is important because allows everyone to increase our knowledge of the environment and our ability to react to events On the other hand –the main risk is a global information, non differentiated on indi- vidual need of people For the author, this means learning the linguistic forms with which we can build models of reality, better suited to being responsible citizens in information societyMuovendo da osservazioni su Internet, l’infrastruttura tecno-comunicativa che consente a un numero di persone ogni anno maggiore di restare sempre connessa, ovunque ci si trovi, a poco prezzo, senza interruzioni dovute alla propria mobilità, Martini spiega che cosa sia il pensiero computazionale, per quale ragione sia impor- tante svilupparlo, e quali conseguenze tutto ciò abbia per la formazione, anche universitaria. Infatti la IoT-Internet of things, poiché permette la raccolta e lo scambio di informazioni fra macchine e oggetti d’uso quotidiano in modo diffuso e pervasivo, consente di accrescere la nostra conoscenza dell’ambiente e la nostra capacità di reagire agli eventi Martini però evidenzia un rischio: la diffusione dell’informazione è uniformata al modo dominante di vedere il mondo; si rischia così di perdere la capac- ità di presentare questa moltitudine di informazioni in maniera differente, a seconda delle necessità delle persone Esporsi al pensiero computazionale, conclude Martini, significa apprendere le forme linguistiche con cui si può costruire modelli della realtà, più adatti ad essere cittadini responsabili nella società dell’informazion
The author, a self-confessed martini snob, evaluates Chicky\u27s Fine Diner in We
No full textThe author, a self-confessed martini snob, evaluates Chicky\u27s Fine Diner in Westbrook and nine places in Portland that serve memorable martinis, including: Katahdin Restaurant, Una Wine Bar and Lounge, the Armory Lounge at the Portland Regency, David\u27s Restaurant, Village Cafe, Top of the East, Fore Street, Old Port Sea Grill, and Street & Company
MAKNA RAGAM GERAK TARI HADRAH KUNTULAN KARYA SUMITRO HADI DI DESA GLADAG KECAMATAN ROGOJAMPI KABUPATEN BANYUWANGI
No full textABSTRAK Martini, Asri. 2014. Makna Ragam Gerak Tari Hadrah Kuntulan Karya Sumitro Hadi di Desa Gladag Kecamatan Rogojampi Kabupaten Banyuwangi. Skripsi, Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang. Pembimbing : (I) Dra. Hj. Ida Siti herawati A., M.Pd, (II) Tri Wahyuningtyas, S.Pd., M.Si. Kata kunci : makna, ragam gerak, Hadrah Kuntulan, Banyuwangi. Tari sebagai ekspresi manusia yang bersifat estetis merupakan bagian yang tak terpisahkan dalam kehidupan manusia di masyarakat yang penuh makna. Tari terdiri atas ragam gerak yang tersusun dan memiliki sebuah makna didalamnya. Tari Hadrah Kuntulan karya Sumitro Hadi di Desa Gladag Kecamatan Rogojampi Kabupaten Banyuwangi merupakan hasil akulturasi budaya yang unik. Dalam dunia pendidikan banyak guru tari yang mengajarkan tari hanya sebatas mencontohkan gerak tanpa menyampaikan pesan makna yang terkadung di dalam tarian, hasilnya para murid hanya mampu menari tanpa mendapat sebuah nilai pendidikan yang mendasar. Rumusan masalah yang diambil dalam penelitian ini adalah bagaimana ragam gerak dan makna ragam gerak yang terkandung di dalam tari Hadrah Kuntulan di Desa Gladag Kecamatan Rogojampi Kabupaten Banyuwangi. Penelitian ini menggunakan pendekatan kualitatif dan jenis penelitian deskriptif. Teknik pengumpulan data dilakukan dengan metode observasi, wawancara, dan dokumentasi. Proses analisis data dimulai dari tahap pengumpulan data, tahap reduksi, tahap penyajian data, serta tahap penarikan kesimpulan. Pengecekan keabsahan data dilakukan dengan triangulasi sumber, dan triangulasi metode. Penelitian ini menunjukan hasil tentang ragam gerak dan makna ragam gerak tari Hadrah Kuntulan. Ragam gerak tari Hadrah terbagi menjadi 4 ragam yaitu, ragam gerak I terdiri dari gerak langkah nyiji, langkah nyiji sagah, gebyaran, turun jongkok, hormat I, dan salam. Ragam gerak II terdiri dari gerak slewahan, do’a, gebyaran, langkah mlaku liwungan, gejigan,dan pencakan. Ragam gerak III terdiri dari gerak igelan pundak, lompat ngeber kanan kiri, ngayun ngeber bawah, ukelan liwung atas, gebyaran, dan pencakan, yang terakhir ragam gerak IV terdiri dari gerak jurus, hormat II, dan gebyaran. Makna yang terkandung di dalam ragam gerak dalam tari Hadrah Kuntulan meliputi hubungan manusia dengan Allah SWT (habluminnallah) berupa amalan untuk beriman dan bertaqwa kepada Allah SWT, dan hubungan manusia dengan sesama (habluminnanas) berupa amalan untuk bersikap baik terhadap sesama manusia dan mahluk ciptaan Allah SWT. Berdasarkan hasil penelitian ini, penulis menyarankan kepada seluruh pihak terutama para guru dan generasi muda untuk mengajar tari dan belajar menari disertai pemaknaan yang terkandung di dalamnya seperti yang terdapat pada Tari Hadrah Kuntulan, karena dengan belajar makna tarian selain mendapat pengalaman menari juga dapat menanamkan nilai pendidikan moral dan pendidikan karakter yang bisa diterapkan untuk diri sendiri maupun orang lain. ABSTRACT Martini, Asri. 2014. Meaning Motion Variety Hadrah Kuntulan’s Dance Sumitro Hadi’s Creation in the Rogojampi Gladag Banyuwangi. Essay, Department of Art and Design, Faculty of Letters, State University of Malang. Supervisor: (I) Dra. Hj. Siti herawati Ida A., M. Pd (II) Tri Wahyuningtyas, S.Pd., M.Si. Keywords: meaning, types of motion, Hadrah Kuntulan, Banyuwangi. Dance as human expression that aesthetically is an integral part of human life in society is full of meaning. Dance consists of a variety of motion that composed and has a meaning in it. Hadrah Dance Kuntulan which Sumitro Hadi created in the Gladag Rogojampi Banyuwangi district is a result of acculturation. In the dance education, many teachers who teach dance merely exemplifies the motion without meaning of the dance, the results of the students are only able to dance without getting an education is a fundamental value. The problem was taken in this study is how the meaning of a wide range of motion and motion contained inside Hadrah Kuntulan dance in the Village District of Rogojampi Gladag Banyuwangi. This study used a qualitative approach and descriptive research. Data was collected by observation, interviews, and documentation. The process of data analysis starts from the stage of data collection, reduction stage, stage presentation of data, and drawing conclusions stage. Checking the validity of the data is done by triangulation of sources, and triangulation methods. This study shows the results of a wide range of motion and meaning of dance movement Hadrah Kuntulan. Variety dance Hadrah is divided into 4 wide, range of motion I consists of motion langkah nyiji, langkah nyiji sagah, gebyaran, turun jongkok, hormat I, dan salam. Range of motion II consists of motion slewahan, do’a, gebyaran, langkah mlaku liwungan, gejigan,dan pencakan.. Range of motion III consists of gerak igelan pundak, lompat ngeber kanan kiri, ngayun ngeber bawah, ukelan liwung atas, gebyaran, dan pencakan,, the last is range motion IV, it consisting of gerak jurus, hormat II, and gebyaran. Meaning contained in the range of motion in Hadrah Kuntulan dance is include man's relationship with Allah (habluminnallah) form of practice for the faithful and devoted to God, and man's relationship with others (habluminnanas) in the form of deeds to be kind to fellow humans and creatures of God SWT. Based on these results, the authors suggest to all parties, especially the teachers and young people to teach dance and learn dance with its inherent meaning as contained in Hadrah Kuntulan Dance, because by learning the meaning of dance in addition got dancing experience can instill the value of education moral and character education that can be applied to self or others
Mario Luzi e l'arte: da Simone Martini ai contemporanei
No full textThis contribution deals with Luzi's career as a connoisseur and critic of figurative arts: starting from Luzi's precocious piece of criticism on Raffaello, the author investigates other works by the Italian writer dealing with art history, theayhre and poetry. The works of great artists like Simone Martini, Jacopo Carracci (alias Pontormo) and Giorgio De Chirico werw a source of inspiration for Luzi's Viaggio celeste e terrestre di Simone Martini, Felicità turbate and Avvento notturno
Analisis Pemikiran Nina Ariyani Martini, Ida Farida, dan Toha Nursalam
Get PDFPada tulisan ini penulis berusaha untuk memahami bagaimana pemikiran tokoh dalam bidang psikologi perpustakaan. Adapun pemikiran tokoh yang dikaji dalam hal ini adalah pemikiran dari Nina Ariyani Martini yang akan dibandingkan dengan pemikiran Toha Nursalam yang sama-sama menulis buku tentang psikologi perpustakaan. Nina Ariyani Martini dan Toha Nursalam merupakan tokoh yang mempunyai latar belakang pendidikan psikologi sehingga penulis ingin melihat letak persamaan dan perbedaan dari tulisannya mengenai psikologi perpustakaan. Aspek yang akan dilihat dalam tulisan ini yaitu penulis akan melihat persamaan dan perbedaan pemikiran dari segi pengertian psikologi, teori kepribadian dalam kegiatan perpustakaan, penerapan teori motivasi dalam kegiatan perpustakaan dan penerapan psikologi untuk layanan perpustakaan.
ABSTRACT
In this paper the author tries to understand how the thinking of the character in the field of library psychology. The thinking of the character studied in this case is the thought of Nina Ariyani Martini who will be compared with the thought of Toha Nursalam who both wrote a book about the psychology of the library. Nina Ariyani Martini and Toha Nursalam are characters with background behind the psychology education so the author would like to see the location of similarities and differences from his writing about the psychology of the library. Aspects to be seen in this paper that the authors will see the similarities and differences of thought in terms of understanding of psychology, personality theory in the activities of the library, the application of motivation theory in the activities of libraries and the application of psychology for library services
Joint functional calculi and a sharp multiplier theorem for the Kohn Laplacian on spheres
Get PDFLet b be the Kohn Laplacian acting on (0; j)-forms on the unit sphere in Cn. In a recent paper of Casarino, Cowling, Sikora and the author, aspectral multiplier theorem of Mihlin{Hormander type for b is proved in the case 0 < j < n &#x100000; 1. Here we prove an analogous theorem in the exceptionalcases j = 0 and j = n &#x100000; 1, including a weak type (1; 1) endpoint estimate. We also show that both theorems are sharp. The proof hinges on an abstractmultivariate multiplier theorem for systems of commuting operators.<br/
The Arabic Aristotle in the 10th Century Bagdad. The Case of Yahya ibn ‘Adi's Commentary on the Metaph. Alpha Elatton
No full textIn this study, I aim to show, through the analysis of a Christian author of the 10th century, how commentaries on the works of Aristotle were continuously made, from the Greek commentators until Averroes. Taking as an example some texts of the Metaphysics, we can see that, even without direct contact with the original Greek version, several translations, both from Greek and the Syriac, were compared by the author. In those cases, it was not only a translation, but also a work of commentary on the text of Aristotle
Erratum to: Oculo-auriculo-vertebral spectrum: going beyond the first and second pharyngeal arch involvement (Neuroradiology, (2017), 59, 3, (305-316), 10.1007/s00234-017-1795-1)
No full textIn the article “Oculo-auriculo-vertebral spectrum: going beyond the first and second pharyngeal arch involvement”, the list of author names was incorrect. Author names were inverted with the surname preceding first name. Davide Brotto 1, Renzo Manara 2, Sara Ghiselli 1, Elisa Lovo 1, Rodica Mardari 3, Irene Toldo 4 , Alessandro Castiglione 1, Giovanni Schifano 1, Valentina Stritoni 1, Roberto Bovo 1, Patrizia Trevisi 1, Alessandro Martini 1
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