16,912 research outputs found
In The Spotlight: Arthur H. Patrick Darrow
No full textIt is with great pleasure that we bring you member Patrick Darrow\u27s Jussi story. Imagine if you would what it might be like to have your own private voice lesson with Jussi. Mr. Darrow describes precisely that
Thompson, Patrick Arthur, 2/400511
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/428504Surname: Thompson. Given Name(s) or Initials: Patrick Arthur. Military Service Number or Last Known Location: 2/400511. Prisoner of War Enquiry Card Index Number: K 326 . Division Enquiry: NSW . Rank: LCPL. Unit: 3 RAR327260
Item: [2016.0049.60766] "Thompson, Patrick Arthur, 2/400511
Arthur Wise Papers
No full textArthur Wise (1906-1973) was a music educator, involved as both a public school band director and a community ensemble conductor. He served the public school system for over 35 year, as band director at Lisbon H.S. in Lisbon, Ohio, and Lincoln High School in Philadelphia. In addition to his professional responsibilities, Wise was an avid Civil War scholar, and, with the collaboration of Francis A. Lord, he published two books on the topic, Bands and Drummer Boys of the Civil War and Uniforms of the Civil War. Wise also completed research for and drafts of a text on the Willow Grove Park Concerts by the likes of Arthur Pryor, Patrick Conway, John Philip Sousa, and the Banda Rossa, as well as the orchestras of Wassili Leps, Theodore Thomas, Nahan Franko, Walter Damrosch, and Victor Herbert. The work remains unpublished. The collection consists of both personal and professional papers including correspondence, photographs, musical scores, research materials, programs, newsletters, articles, newspaper clippings, book drafts, and other memorabilia related to Wise's career
Arthur Patrick
No full textArthur Patrick is senior honorary research fellow at Avondale College. He holds a DMin degree from Christian Theological Seminary and a PhD degree from University of Newcastle. He has pastored in New Zealand and the U.S. and taught at Avondale and La Sierra University. He also served as director of the Ellen G. White/ Adventist Research Centre for the South Pacific Division of SDA.https://digitalcommons.andrews.edu/qod-images/1013/thumbnail.jp
Junior Recital: Patrick Arthur, jazz guitar
No full textThis recital is presented in partial fulfillment of requirements for the degree Bachelor of Music in Performance. Mr. Arthur studies jazz guitar with Trey Wright.https://digitalcommons.kennesaw.edu/musicprograms/1055/thumbnail.jp
Shelton-Palmer, Patrick Arthur Lucas, [No Service Number]
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/416503Surname: SHELTON-PALMER. Given Name(s) or Initials: PATRICK ARTHUR LUCAS. Military Service Number or Last Known Location: [No Registration Number]. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 55251(B).238656
Item: [2016.0049.48764] "Shelton-Palmer, Patrick Arthur Lucas, [No Service Number]
Georges-Arthur Goldschmidt à la frontière
No full textLa frontière est un espace fondamental de l'oeuvre de Georges-Arthur Goldschmidt. Elle est étudiée ici dans ses dimensions tant spatiales qu'antrhopologiques dans la plus grande partie de sa production tant littéraire que scientifique
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
Recommended from our members
Patrick F. Flores invites Arthur S. Flemming to participate in the reveal of study regarding civil rights
No full textPatrick F. Flores, Chairman of the Texas Advisory Committee, writes to Arthur S. Flemming, Chairman of the U.S. Commission on Civil Rights, regarding a 10 year study to examine the civil rights problems facing Mexican Americans and to determine any changes. He requests the participation of the National Commission
Senior Recital: Patrick Arthur, jazz guitar
No full textThis recital is presented in partial fulfillment of requirements for the degree Bachelor of Music in Performance. Mr. Arthur studies jazz guitar with Trey Wright.https://digitalcommons.kennesaw.edu/musicprograms/1929/thumbnail.jp
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