1,724,836 research outputs found
Keanekaragaman Visualisasi Tokoh Arjuna dalam Media
Get PDFTokoh Arjuna dalam wayang kulit purwa dan wayang orang divisualisasikan sesuai penokohannya dalam cerita Mahabharata sebagai laki-laki yang memiliki tubuh ramping, tampan, lembut, dan pandai berdandan, namun tetap dianggap maskulin. Sementara, saat ini visualisasi Arjuna dalam media modern seperti komik web, game, ilustrasi, poster, dan sebagainya tampak bervariasi. Studi ini dilakukan melalui observasi dan studi literatur terhadap visual tokoh Arjuna yang muncul dalam wayang dan karya-karya yang ditampilkan dalam media modern. Hasil dari studi ini diperoleh bahwa sebagian besar tokoh Arjuna divisualkan memiliki tubuh yang lebih berotot dan ekspresi wajah yang lebih agresif daripada seharusnya. Hal ini menunjukkan bahwa telah terdapat pembauran mengenai maskulinitas Arjuna yang khas dengan maskulinitas yang saat ini popular
Authorship attribution and text clustering in contemporary Italian novels
No full textThe aim of authorship attribution methods is to exploit observable textual features to identify the distinctive traits of an author’s writing style. In quantitative approaches, the problem of authorship attribution is often tackled in terms of the search for a reliable procedure to measure the similarity between texts and for a consistent text clustering method. Among several proposals available in the scientific literature, this new study explores a large corpus of contemporary Italian novels and focusses on a famous case of disputed authorship. The object of the research is Elena Ferrante's work, with a specific focus on the presumed similarity with other novels written by Italian authors from Naples and its surroundings. Although we expected that the authors' geographical origin should play a role in terms of topic selection and linguistic features, results show that regional traits are not particularly relevant: of all the 10 candidates taken into consideration, the only author who can be considered “textually close” to Elena Ferrante is Domenico Starnone
Influence of Terminalia arjuna on the riparian landscapes of the River Cauvery of South India
Get PDFMature and large isolated trees act as keystone structures in various ecosystems by supporting the populations of dependent organisms. Terminalia
arjuna is one such species that is dominant in the riparian landscapes along
the River Cauvery in Cauvery Wildlife Sanctuary. We tested the hypothesis
that T. arjuna influences plant community composition in riparian landscapes and supports a distinct local riparian community. We showed plant
species richness, diversity, similarity in community composition, and soil
quality varied between riparian landscapes under canopy of T. arjuna and
areas devoid of T. arjuna. Higher species richness, diversity, dominance, and
evenness were noted in areas under canopy of T. arjuna. The non-metric
multi-dimensional scaling ordination space analysis identifies the native
riparian species assemblages in areas under canopy of T. arjuna with
improved soil nutrient conditions. Overall, the study concludes T. arjuna
has potential positive effects on riparian landscapes by showing the remarkable differences in biological diversity and it can be considered as keystone
species in riparian ecosystems of South India
Drawing Elena Ferrante's Profile. Workshop Proceedings, Padova, 7 September 2017
Get PDFElena Ferrante is an internationally acclaimed Italian novelist whose real identity has been kept secret by E/O publishing house for more than 25 years. Owing to her popularity, major Italian and foreign newspapers have long tried to discover her real identity. However, only a few attempts have been made to foster a scientific debate on her work.
In 2016, Arjuna Tuzzi and Michele Cortelazzo led an Italian research team that conducted a preliminary study and collected a well-founded, large corpus of Italian novels comprising 150 works published in the last 30 years by 40 different authors. Moreover, they shared their data with a select group of international experts on authorship attribution, profiling, and analysis of textual data: Maciej Eder and Jan Rybicki (Poland), Patrick Juola (United States), Vittorio Loreto and his research team, Margherita Lalli and Francesca Tria (Italy), George Mikros (Greece), Pierre Ratinaud (France), and Jacques Savoy (Switzerland).
The chapters of this volume report the results of this endeavour that were first presented during the international workshop Drawing Elena Ferrante's Profile in Padua on 7 September 2017 as part of the 3rd IQLA-GIAT Summer School in Quantitative Analysis of Textual Data. The fascinating research findings suggest that Elena Ferrante’s work definitely deserves “many hands” as well as an extensive effort to understand her distinct writing style and the reasons for her worldwide success
Authorship Attribution and Text Clustering in Contemporary Italian Novels: Does Elena Ferrante’s and Domenico Starnone's regional origin play a role?
No full textThe aim of authorship attribution methods is to exploit observable textual features to identify the distinctive traits of an author’s writing style. In quantitative approaches, the problem of authorship attribution is often tackled in terms of the search for a reliable procedure to measure the similarity between texts and for a consistent text clustering method. Among several proposals available in the scientific literature, this new study explores a large corpus of contemporary Italian novels and focusses on a famous case of disputed authorship. The object of the research is Elena Ferrante's work, with a specific focus on the presumed similarity with other novels written by Italian authors from Naples and its surroundings. Although we expected that the authors' geographical origin should play a role in terms of topic selection and linguistic features, results show that regional traits are not particularly relevant: of all the 10 candidates taken into consideration, the only author who can be considered “textually close” to Elena Ferrante is Domenico Starnone
TARI ARJUNA SASRABAHU X SOMANTRI
Get PDFABSTRAKTari Arjuna Sasrabahu X Somantri merupakan salah satu jenis tari Wayang yang memiliki karakter dua tokoh yang berbeda yaitu; satria lungguh untuk tokoh Arjuna Sasrabahu dan satria ladak untuk tokoh Somantri. Tujuan penulis memilih tari Arjuna Sasrabahu karena memiliki keunikan yang terkandung di dalamnya, sehingga dapat membuka peluang untuk bisa menggali kreativitas untuk menggubah tarian sesuai dengan konsep garap. Untuk melakukan proses menggubah tarian ini, penulis menggunakan teori gegubahan, sedangkan metode yang digunakan ialah gubahan tari, yaitu; pengembangan atau menambahkan gerak-gerak atau unsur baru, dengan tidak menghilangkan unsur-unsur pokok yang terkandung dalam tarian ini. Proses garap penyajian Tari Arjuna Sasrabahu X Somantri ini telah melalui beberapa tahapan, yaitu: tahapan eksplorasi, evaluasi dan komposisi. Dengan demikian, melalui gubahan ini yang meliputi daya kreativitas; penambahan variasi dalam segi koreografi, khususnya penambahan maupun pemadatan gerak, pengembangan dalam segi pola lantai, arah hadap, dan arah gerak dengan tetap memperhatikan unsur gerak pokok, hasil akhir nya adalah suatu bentuk dan gaya penyajian baru yang berbeda tetapi tentunya tidak menghilangkan esensi dari tarian sumber nya.Kata Kunci: Penyajian Tari, Tari Wayang, Arjuna Sasrabahu X Somantri, Gubahan Tari.ABSTRACTDance Arjuna Sasrabahu X Somantri, June 2021. Arjuna Sasrabahu X Somantri dance is a type of Wayang dance that has two different characters, namely; satria lungguh for the character of Arjuna Sasrabahu and satria ladak for the character of Somantri. The author\u27s goal is to choose the Arjuna Sasrabahu dance because it has the uniqueness contained in it, so that it can open up opportunities to explore creativity to compose dances according to the concept of working. To perform the process of composing this dance, the author uses the theory of composition, while the method used is dance composition, namely; development or adding new movements or elements, without eliminating the main elements contained in this dance. he process of working on the presentation of the Arjuna Sasrabahu X Somantri Dance has gone through several stages, namely: exploration, evaluation and composition. Thus, through this composition which includes the power of creativity; the addition of variations in terms of choreography, especially the addition and compaction of motion, development in terms of floor patterns, facing directions, and motion directions while still paying attention to the basic motion elements, the end result is a new form and presentation style that is different but certainly does not eliminate the essence of the dance. its source.Keywords: Dance Presentation, Wayang Dance, Arjuna Sasrabahu X Somantri Dance, Gubahan Tari
Le parole di Antonio. Statisticamente parlando
No full textA corpus composed of ten documents written by Antonio Capelo in Padua during the period 1996-1999 has been analysed to recognize the characteristic features of the different pseudonyms used by the author. By means of a lexicon-textual coding approach and correspondence analysis this work attempts to understand something more about his personality and inner magic world
Karakter Tokoh Arjuna dalam Buku Ilustrasi Lakon Wayang Arjuna Wiwaha
Get PDFLakon Wayang Arjuna Wiwaha adalah lakon kakawin pertama yang berasal dari Jawa Timur. Wiwaha sendiri berarti wisuda atau pengangkatan. Karya sastra ini ditulis oleh Mpu Kanwa, seorang ahli syair dan filsafat pada masa pemerintahan Prabu Airlangga, yang memerintah di Jawa Timur pada abad XI. Arjuna dikenal sebagai karakter wayang yang gagah berani dan hebat dalam memanah. Selain itu, mempunyai wajah yang tampan dan hati yang lembut sehingga banyak wanita jatuh cinta kepadanya. Untuk membuat agar lakon wayang Arjuna, tetap dalam eksistensi budaya, kepribadian dan karakteristiknya harus diperkenalkan kembali dengan cara yang segar serta sesuai dengan selera dan trend masa kini. Tulisan ini bertujuan untuk memperkenalkan sosok visual karakter Arjuna ketika bertapa. Langkah-langkah yang diambil dalam pembuatan tokoh pewayangan Arjuna adalah eksplorasi, improvisasi, dan reinterprestasi, sehingga dapat dibentuk menjadi Manga-Style
PHYSICO-CHEMICAL AND MICROSCOPIC STUDY OF ARJUNA (TERMINALIA ARJUNA) BARK
Get PDFIn present study plant of Arjuna has been taken for physical and chemical analysis in terms of microtome of bark, powder study, loss on drying, ash values, extractive values, bulk density, Acid insoluble ash, Water-soluble Ash, Water-soluble extractive value, Alcohol-soluble extractive, pH range, TLC, Tapped density, Compressibility index, Hauser ratio, Angle of repose, Ultra violet fluorescence analysis of drug, etc. Physical and chemical analysis an important place in standardization of Ayurvedic drugs in order to make its global acceptability. The plant of Arjuna botanically named as Terminalia arjuna linn.; family Combretaceae, has traditionally been used to treat many diseases especially heart disease for centuries, thats why it is called as “Guardian of the heartâ€. Transverse sections of Arjuna bark shows the calcium oxalate crystal, starch grains and lignified cells respectively shows that Xylem Vessels, Sclerenchymatous Fibers, Cork Cells, Tracheids, Sclereids, LOD value of the sample of Arjuna is 5.63%. According to result the Arjuna has three Rf vaule0.70, 0.42, 0.28 table1.4. Angle of repose of powder sample shows the flow of powder. The extractive value of Arjuna have different solvent like water, ethanol, isopropanol, acetone, chloroform, benzene, toluene, petroleum ether, hexsene are respectively 50.80, 41.07,30.37, 8.95, 0.96, 0.67, 0.52, 0.51, 0.46
Arjuna
Get PDFMerupakan karya seni rupa berupa karya Seni lukis, dengan judul Arjuna karya dari Much. Sofwan Zarkasi, S.Sn., M.Sn. dan Bening Tri Suwasono, S.Sn.,M.Sn
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