1,720,954 research outputs found

    La configuración de la experiencia manicomial en textos autobiográficos de Alda Merini: lengua, espacio y cuerpo en La Terra Santa y L’altra verità. Diario di una diversa

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    Fil: Arienza, Soledad. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentina.El interés de esta investigación se centra en la manera en que se configura la experiencia manicomial en dos textos de la autora italiana Alda Merini (1931-2009): La Terra Santa (1984) y L’altra verità. Diario di una diversa (1986). Se abordan los textos partiendo de las teorizaciones en torno a las escrituras del yo y al testimonio, ya que esta zona de la producción de Merini se basa en su experiencia de internación en el manicomio Paolo Pini de Milán durante los años sesenta. En este sentido, se busca explorar cómo el paso por esta institución somete a quienes lo atraviesan a un proceso de desubjetivación que repercute en el cuerpo y la lengua. Se propone una metodología cualitativa que, desde una perspectiva crítico-literaria, contemple dos enfoques. Por un lado, uno socio-histórico que tenga en cuenta ciertos aspectos de la dimensión contextual del corpus, tales como las características de los manicomios en el siglo XX o la consideración de la locura femenina como rótulo utilizado a lo largo de los siglos para justificar, encubrir o perpetuar situaciones de dominación patriarcal. Por el otro lado, un enfoque textual que se centre en el análisis del corpus. Así, mediante la identificación y el examen de los procedimientos puestos en juego en los géneros del diario y del testimonio, y a través del análisis de la configuración de la lengua, del espacio y del cuerpo, se buscará sistematizar cómo se configura la experiencia manicomial en los textos elegidos

    La configuración de la experiencia manicomial en textos autobiográficos de Alda Merini: lengua, espacio y cuerpo en La Terra Santa y L’altra verità. Diario di una diversa

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    Fil: Arienza, Soledad. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentina.El interés de esta investigación se centra en la manera en que se configura la experiencia manicomial en dos textos de la autora italiana Alda Merini (1931-2009): La Terra Santa (1984) y L’altra verità. Diario di una diversa (1986). Se abordan los textos partiendo de las teorizaciones en torno a las escrituras del yo y al testimonio, ya que esta zona de la producción de Merini se basa en su experiencia de internación en el manicomio Paolo Pini de Milán durante los años sesenta. En este sentido, se busca explorar cómo el paso por esta institución somete a quienes lo atraviesan a un proceso de desubjetivación que repercute en el cuerpo y la lengua. Se propone una metodología cualitativa que, desde una perspectiva crítico-literaria, contemple dos enfoques. Por un lado, uno socio-histórico que tenga en cuenta ciertos aspectos de la dimensión contextual del corpus, tales como las características de los manicomios en el siglo XX o la consideración de la locura femenina como rótulo utilizado a lo largo de los siglos para justificar, encubrir o perpetuar situaciones de dominación patriarcal. Por el otro lado, un enfoque textual que se centre en el análisis del corpus. Así, mediante la identificación y el examen de los procedimientos puestos en juego en los géneros del diario y del testimonio, y a través del análisis de la configuración de la lengua, del espacio y del cuerpo, se buscará sistematizar cómo se configura la experiencia manicomial en los textos elegidos

    Subjetivación y desubjetivación poética: Autor, testimonio y escritura en Alda Merini y Sarah Kane

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    In literary texts that present a poetic speaker whose psychic apparatus suffers, writing becomes the site for the oscillation between subjectivity and desubjectivity. This paper poses the question on how to approach texts rooted in the experience of psychic suffering in relation to the concepts of “testimony”, “author” and “writing”. The selected literary texts are: a group of poems written by the Italian poet Alda Merini and 4.48 Psychosis, a play written by the English playwright Sarah Kane. In these texts, the poetic speaker experiences a desubjectivation produced by highly invasive psychiatric procedures. These texts account for this experience (Benjamin) and establish themselves as healthy practices (Deleuze). By doing so, they do not function as instances of resubjectivation; instead, they retain the oscillation between resubjectivation and desubjectivation.En textos literarios que presentan un yo poético constituido por un aparato psíquico sufriente, la escritura se presenta como escenario de la oscilación entre la subjetivación y la desubjetivación. Se parte de la pregunta de cómo abordar textos anclados en la experiencia del sufrimiento psíquico en relación con los conceptos de “testimonio”, “autor” y “escritura”. Los textos literarios seleccionados son: un corpus de poemas de la poeta italiana Alda Merini y la obra de teatro 4.48 Psychosis, de la dramaturga inglesa Sarah Kane. En estos textos, el yo poético experimenta una desubjetivación producto de la experiencia con tratamientos psiquiátricos altamente invasivos. Los textos literarios analizados dan cuenta de esta experiencia [Benjamin] y se instauran como lugar de salud [Deleuze]; al hacerlo, no funcionan como instancia de resubjetivación, sino que mantienen presente la oscilación entre aquella y la desubjetivación

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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