25 research outputs found
Re-igniting the radical legacy in Theatre for Young Audiences (TYA): How the work of David Johnston and Theatre Centre in the 1980s can inform current practice
Full text linkIn this article Danny Braverman considers the legacy of his late mentor David Johnston, the pioneering producer of Theatre for Young Audiences (TYA). Prompted by a symposium at Derby Theatre in February 2018, he reflects on how Johnston’s innovations as Artistic Director of the TYA company Theatre Centre (1977-1986) can inform current debates about professional theatre in schools. Through analysis of a re-discovered 1986 documentary film about Theatre Centre and a re-examination of David Holman’s influential play Peacemaker (1982), Braverman argues that the TYA theatre-makers of the ‘80s were part of a radical, democratic movement that can inform the creation of an alternative to current neoliberal practices. Finally, in recognition that Johnston’s central talent was to apply democratic principles to fluctuating contexts, the author proposes some recommendations for current UK TYA in his spirit
PERLAKUAN UANG MUKA NASABAH PADA PEMBIAYAAN KPR GRIYA iB HASANAH DI PT. BANK BNI SYARIAH KANTOR CABANG BANJARMASIN
Full text linkPenelitian ini dilatarbelakangi oleh meningkatnya pembiayaan kepemilikan rumah di kalangan masyarakat kota Banjarmasin terhadap LKS. Pembiayaan tersebut dilakukan hanya dengan menyetorkan uang muka terlebih dahulu serta uang muka yang dibayarkan nasabah akan berbeda prosentasinya jika nasabah datang ke pihak bank dan jika nasabah yang datang ke pihak developer.
Penelitian ini bertujuan untuk mengetahui mekanisme perlakuan uang muka, alasan terjadinya perbedaan perlakuan uang muka, dan kesesuaian perlakuan prosentasi uang muka nasabah pada pembiayaan KPR Griya iB Hasanah di PT. Bank BNI Syariah Kantor Cabang Banjarmasin dengan aturan BI.
Penelitian ini melakukan penelitian lapangan(field research), dan teknik pengumpulan data dilakukan dengan metode wawancara, dan dokumentasi. Teknik analisis data menggunakan analisis deskritif normatif. Lokasi penelitian ini bertempat di PT. Bank BNI Syariah Kantor Cabang A. Yani Banjarmasin.
Hasil penelitian: Pertama, mekanisme perlakuan uang muka nasabah pada pembiayaan KPR Griya iB Hasanah di PT. Bank BNI Syariah Kantor Cabang Banjarmasin melalui 2 cara. Cara 1, nasabah langsung datang ke bank dan membayar uang muka terlebih dahulu sebelum akad dilakukan. Cara 2, nasabah datang ke developer dan membayar melalui transfer. Kedua, mekanisme perlakuan uang muka memiliki perbedaan karena bank ingin lebih mempermudah nasabah dan dari segi ongkos tentunya akan lebih menguntungkan kedua belah pihak. Ketiga, dalam hal penentuan porsentasi perlakuan uang muka nasabah, pihak bank sudah mengikuti peraturan BI Nomor 20/8/PBI, yang menyebutkan bahwa prosentasi uang muka yang dibayarkan nasabah ialah dari 10-20%. Tetapi ada pengecualian untuk nasabah yang langsung membayar ke developer yaitu minimal sebesar 5%, karena bank memiliki kebijakan tersendiri untuk nasabah yang ingin mencari langsung pihak developer tersebut dan adanya prinsip kemaslahatan pada peraturan ini
PENYELESAIAN KLAIM ASURANSI NASABAH KREDIT PENSIUN PADA PT. BANK TABUNGAN PENSIUNAN NASIONAL Tbk (BTPN) PURNA BAKTI KANTOR CABANG PEMBANTU KARANGANYAR
Full text linkABSTRACT THE SETTLEMENT OF PENSION LOAN CUSTOMERS’ INSURANCE CLAIM IN KARANGANYAR SUBSIDIARY OFFICE OF PT. BANK TABUNGAN PENSIUNAN NASIONAL Tbk (BTPN) PURNA BAKTI TYA NADIA INGRIDHA F3613071 This research aimed: (1) to find out the procedure of insurance claim and preconditions the beneficiary of Pension Loan product customers should meet in Karanganyar Subsidiary Office of PT. Bank Tabungan Pensiunan Nasional Tbk (BTPN) Purna Bakti, (2) to find out the obstacles with the process of applying for insurance claim in Karanganyar Subsidiary Office of PT. Bank Tabungan Pensiunan Nasional Tbk (BTPN) Purna Bakti, (3) and to find out the problem solving in applying for insurance claim by beneficiary of customer in Karanganyar Subsidiary Office of PT. Bank Tabungan Pensiunan Nasional Tbk (BTPN) Purna Bakti. In this research, the author conducted direct observation on Karanganyar Subsidiary Office of PT. Bank Tabungan Pensiunan Nasional Tbk (BTPN) Purna Bakti. The data was obtained through interviewing the selected respondents. In addition to data obtained from Karanganyar Subsidiary Office of PT. Bank Tabungan Pensiunan Nasional Tbk (BTPN) Purna Bakti, the author also searched for various articles in both printed and electronic media to support the research. The result of research showed that (1) the procedure and preconditions of insurance claim application by beneficiary of Pension Loan customer in Karanganyar Subsidiary Office of PT. Bank Tabungan Pensiunan Nasional Tbk (BTPN) Purna Bakti, (2) the obstacles with insurance claim application included: the competition for inheritance right in customer family, authenticity of customer’s chronological death document and document falsification by beneficiary, and (3) the problems in applying for customer’s insurance claim were solved by: making a consensus on claim application when the beneficiary was consistent with what included in customer’s Pension Decree, the completeness of claim preconditions was submitted to Customer Service and Back Office, and the calling of beneficiary committing document falsification in applying for insurance claim application. Keywords: Insurance claim, Karanganyar Subsidiary Office of PT. Bank Tabungan Pensiunan Nasional Tbk (BTPN) Purna Bakti, Beneficiary
TINJAUAN FIQH MUAMALAH TERHADAP KERJASAMA ANTARA PEMILIK SAWAH DAN PETANI (Studi Kasus di Desa Alastuwo, Kecamatan Kebakkramat, Kabupaten Karanganyar)
Full text linkThe Nightingale revisited : adapting H.C. Andersen\u27s fairy tale the Nightingale for theatre for young audiences
Full text linkHans Christian Andersen has been intriguing audiences with his works for ages. These tales are enduring and being reimagined in many different ways today. To explore not only the power of these tales, but the power of theater as a visual storytelling medium, the author has adapted Andersen’s The Nightingale as a play for theatre for young audiences (TYA). This work incorporates not only adaptation theory, but the history of fairy tales, current culture, and trends in TYA in the United States
Translanguaging in the Borderlands: Language Function in Theatre for Young Audiences Written in Spanish and English in the United States
Full text linkabstract: In the United States, we tend to understand linguistic systems as separate and autonomous, and by this understanding, bilinguals are people who speak two different languages and switch between them. This understanding of bilingualism, however, does not reflect the reality of the way many bilinguals use language. Rather than “code-switch” between two languages, sociolinguists posit that many bilinguals understand their language as a single linguistic system, and choose different elements of that system in different situations, a process termed, “translanguaging.” Translanguaging provides an alternative framework for examining bilingual language as an ideological system in plays, particularly plays which use translanguaged dialogue to describe the experiences of young people who dwell on and cross borders, a category of plays I term, “Border Theatre for Young Audiences (TYA).” This descriptive study utilizes grounded theory and close reading theoretically grounded in border studies and sociolinguistic theory to determine what roles Spanish and English play in Border TYA as autonomous systems, and as pieces of a new, translanguaged system. Playwrights of Border TYA u translanguaging as a structural metaphor for cultural negotiation to examine identity, belonging, and borders. Translanguaging provides subaltern characters a process for communicating their experiences, examining their identities, and describing encounters with borders in their own unique linguistic system. Border TYA, however, does not exclusively translanguage. Border TYA also incorporates monolingual dialogue and translation, and in these instances the languages, Spanish and English, function autonomously as tools for teaching audience members to recognize vocabulary and cultural experience.Dissertation/ThesisDoctoral Dissertation Theatre 201
THE MEANINGS OF PHYSICAL JOURNEY AS SEEN IN RABBIT-PROOF FENCE MOVIE DIRECTED BY PHILIP NOYCE (POSTCOLONIAL APPROACH)
No full textTHE MEANINGS OF PHYSICAL JOURNEY AS SEEN IN RABBIT-PROOF FENCE MOVIE DIRECTED BY PHILIP NOYCE (POSTCOLONIAL APPROACH) - Traditional Aborigine s culture, half-carte chiIh4 post-colonial theory,
racism, Physcal Journey, Resistance, M m River Notive Settlemen
Pemanfaatan Retorika Dalam Film Kehormatan di Balik Kerudung Karya Tya Subiakto Satrio
Full text linkAbstrak:
Tujuan penelitian ini ingin memperoleh deskripsi yang objektif tentang retorika apa saja yang terdapat pada film kehormatan di balik kerudung karya Tya Subiakto satrio Penerbitkan PT. Kharisma Starvision Plus. Jenis penelitian ini yaitu penelitian kualitatif sebab data yang diteliti berupa film yang ditranskrip menjadi teks, Metode yang digunakan dalam penelitian ini adalah metode observasi yaitu berupa pengamatan langsung kepada suatu objek yang akan diteliti, Teknik pengumpulan data dalam penelitian ini menggunakan teknik dokumentasi. Adapun teknik analisis data yang digunakan dalam penelitian ini yaitu ada tiga tahapan, (1) identifikasi dan klasifikasi data, (2) analisis data, dan (3) deskripsi kualitatif. Dari analisis data yang dilakukan pada jurnal ini ditemukan retorika yang terdapat dalam film kehormatan di balik kerudung meliputi: (1) bahasa, berupa menata materi bahasa (2) pemilihan topik tutur berupa ungkapan diri tokoh, dengan memberi sebuah topik yang diangkatnya, (3) pemilihan tindak tutur berupa tindak tutur dalam tokoh-tokoh yang digunakan agar penonton bisa menikmati ceritanya yang terdapat komponen dasar, yaitu: Tindakan, sehingga dasar ini lebih banyak digunakan pengarang dalam film kehormatan di balik kerudung tersebut.
Kata Kunci: Retorika Film Kehormatan Di balik Kerudung
Abstract:
The purpose of this study is to obtain an objective description of any rhetoric contained in the Tya Subiakto Satrio’s film “Kehormatan di Balik Kerudung†by published by PT. Kharisma Starvision Plus. This type of research was qualitative research because the data examined in the form of film was transcribed into text. The method used in this study was the method of observation that was a direct observation to an object to be researched. Data collection of this study used documentation techniques. The data analysis technique used of this research was three stages; (1) data identification and classification, (2) data analysis, and (3) qualitative description. From the data analysis done in the jurnal , the rhetoric found in the film “Kehormatan di Balik Kerudung†includes: (1) the language, which is organizing language materials (2) selection of topics in the form of characters’ self-expression by giving a topic that raised, (3) election of characters’ speech acts used so that the audience can enjoy the story that has basic components, namely: action, so this base is more widely used by the author in the honor film ‘Kehormatan di Balik Kerudung.
Keywords: Rhetoric of Film “Kehormatan di Balik Kerudungâ
Leveraging Personal Extreme Programming for Developing an Online Registration System
Full text linkThe development of an online admission system in schools is expected to make new student admissions more transparent, effective, and efficient. With the adoption of this technology, schools can be more efficient in managing admission lists, providing information to prospective students and parents, and speeding up the admission selection process. SMA MANBAUL ULUM is a private school that still uses a manual new student registration and admission system, where prospective students must come directly to the school to register themselves causing errors in student data and the loss of important student registration documents. The author examines the new student registration system running at Sma Manbaul Ulum Gayau Sakti Seputih Agung and proposes a web-based new student admission system that is expected to solve these problems. The author uses the Personal Extreme Programming method to design the system in this research
Once Upon A Time: Making Fairy Tales Relevant In Contemporary Theatre For Young Audiences
Full text linkAs a theatre for young audiences (TYA) practitioner and artist, I have noticed the prevalence of edited fairy tales on TYA stages. Artists tend to present versions of traditional tales that do not explore the dark places found in the original forms, the very same parts of humanity that young people often yearn to understand. Within TYA, fairy tales have become a safe option because many are well-known titles that generate audiences and income. Theatre practitioners and producers frequently present selections from the canon of fairy tales without exploring its many layers of meaning; failing to recognize the message that is being communicated to the audience. This thesis will explore how and why theatres continue to present these tales to contemporary young audiences. How do TYA companies create productions of fairy tales that capture the attention of a contemporary audience and still remain true to the traditional psychological framework? The staying power of fairy tales points toward a common human connection. Parents pass the stories down to their children, generation after generation. There must be a reason for this and I would like to examine it. Research on the long-term effects fairy tales have on young people focuses on the psychological values and ramifications of exposure to these classic stories. This thesis will explore the use of fairy tale structures in theatre for young audiences and where this author feels we can produce fairy tale shows in a manner that considers the developing psyche. I will consider the underlying significations in fairy tales and how theatre artists can provide young people a means to explore and understand these meanings, while avoiding metanarratives that reinforce submission and oppression. Guided by an understanding of research in psychology, productions already performed, and the definition of a contemporary young audience, I will look beyond the simple tale and find ways to create fairy tales onstage responsibly. I will analyze the works of Bruno Bettelheim, Jack Zipes, and Maria Tatar, compare and contrast their differing views on the place of fairy tales in a young person\u27s psychological life, and define what a child gains from hearing these stories. Finally, I will interview three directors from around the world about their approach to directing fairy tales, then synthesize the information to create a view of how some companies currently present fully-actualized fairy tales. The prevailing presentation of fairy tales follows an edited and lighthearted way of looking at these classic tales. However, a growing movement exists to re-imagine our view of fairy tales. The work of three of these innovative directors--Kevin Ehrhart, Dougie Irvine and Andy Packer--inspired this thesis with their fearless approaches to teaching young people through the lessons created in fairy tales
