1,720,958 research outputs found
Estetika Rhein II (Praxis, Wacana, dan Pasca Praxis)
Full text linkFotografi adalah sebuah seni melihat. Dengan kata lain, fotografi mengajarkan kepada kita cara yang unik dalam melihat dunia dan sekaligus memberikan penyadaran baru akan segala keindahan yang ada di sekitar kita. Fotografi juga mengajarkan kepada kita untuk melihat lebih dalam, menggali makna, dan memahaminya sehingga menumbuhkan rasa cinta yang dapat menciptakan inspirasi. Lalu dari situlah berbagai karya fotografi dari fotografer-fotografer dunia bermunculan. Salah satunya adalah Andreas Gursky, seorang seniman foto kelahiran Jerman, dengan karyanya yang berjudul Rhein II. Karya tersebut sangatlah berlawanan dengan apa yang dilihat banyak orang. Kedalaman makna serta kehadirannya mampu membuka mata akan suatu kehadiran fiksi sebuah keberadaaan nyata. Photography is an art of seeing. In other words, photography taught us a unique way of seeing the world and provide a new awareness of the beauty in all around us. Photography also teaches us to look deeper, dig meaning, and understand that foster a sense of love that can create inspiration. And that's where a variety of photographic works of world photographers popping. One of them is Andreas Gursky, a German-born artist photo, with his work entitled Rhein II. The work contrasts sharply with what is seen by many people. The depth of meaning and its presence will be able to open the eyes of a fictional presence of a real existence
Human and Time : Penciptaan Fotografi Berlandaskan Pada Keniscayaan Waktu
No full textWaktu adalah sebuah konsep yang sepenuhnya terkait pada persepsi manusia. Waktu adalah sebuah konsep yang tergantung pada kejadian-kejadian yang dapat diperbandingkan dengan apa yang dialami. Seseorang, bahkan setiap manusia tidak bisa terlepas dari entitas waktu ini. Sekuat apa pun ingin melepaskan diri, manusia tidak akan pernah lepas dari “sang” waktu, bahkan saat mati pun masih dilingkupi oleh waktu.Berlandaskan pada konsep tentang waktu, maka terbesit sebuah ide mengenai penciptaan fotografi dengan tema waktu yang bergaya surealis dengan judul Human and Time yang merupakan sebuah ungkapan ekspresi pribadi dalam menanggapi kehidupan. Dalam konsep ini, manusia akan bersanding dengan waktu. Namun tidak hanya objek manusia saja, tetapi benda-benda yang memiliki simbolisasi juga akan ditampilkan, sehingga karya fotografi ini akan memiliki makna metafora yang dapat diinterpetasikan secara berbeda oleh penikmat foto. Karya foto ini menggunakan teknik long exposure, multiple exposure, serta teknik strobe yang divisualisasikan dengan tampilan yang berkesan surealis. Nantinya karya foto yang akan dihasilkan berformat hitam putih. Selain mendapatkan tampilan visual yang menarik, karya foto ini juga memberikan warna dan corak baru dalam dunia seni fotografi. Diharapkan nantinya akan timbul pemaknaan serta intepretasi baru dalam karya yang akan ditampilkan
Penciptaan Fotografi Surealisme Human and Time
Full text linkAbstrakWaktu adalah sebuah konsep yang sepenuhnya tergantung pada persepsi manusia. Waktuadalah sebuah konsep yang tergantung pada kejadian-kejadian yang dapat diperbandingkandengan apa yang dialami. Seseorang, bahkan setiap manusia tidak bisa terlepas dari entitaswaktu ini. Sekuat apa pun ingin melepaskan diri, manusia tidak akan pernah lepas dari“sang” waktu, bahkan saat mati pun masih dilingkupi oleh waktu. Berlandaskan pada konseptentang waktu, maka terbesit sebuah ide mengenai penciptaan fotografi dengan tema waktuyang bergaya surealis. Karakteristik karya fotografi ini lebih menekankan pemotretan subjekmanusia dibalut dengan kain putih sebagai representasi waktu. Unsur pencahayaan menjadihal yang sangat diperhatikan agar ekpresi dari subjek dapat terekam dengan baik. Sementaraitu, sifat momen, pilihan arah cahaya, dan eksplorasi dengan menggunakan teknik multipleexposure, menjadi bagian yang juga ditekankan pada karya ini. AbstractThe Creation of Surrealism Photography: Human and Time. Time is a concept that isentirely dependent on human perception. Time is a concept that depends on events that canbe compared with what happened. Someone, even every man cannot be separated from theentity of time. No matter how someone wants to get away, he would never be separated from“his” time, even death is still surrounded by time. Based on the concept of time, then an ideaabout the creation of photography with the theme of time and surrealist styles popped up. Thecharacteristis of this photography project emphasizes on shooting human subjects wrappedin a white cloth as a representation of time. Lighting element is very highly considered toshow the expressions of the subject that it could be recorded properly. In the meanwhile, themoment, the choice of light direction, and exploration using multiple exposure technique, areessential parts of this work
Peran AI dalam Perspektif Fotografi Seni
Full text linkThe Role of AI from the Perspective of Art Photography. Art photography is a medium of visual expression that emphasizes aesthetics, concepts, and subjectivity. With the advancement of technology, Artificial Intelligence (AI) has begun to play a significant role in the creation of artistic photographic works. This research aims to examine how AI influences the practices and values within contemporary art photography. Using a literature review and visual analysis approach, this study explores the application of AI in generating artistic images, processing visual aesthetics, and fostering creative collaboration between photographers and machines. The findings indicate that AI is not merely a technical tool, but also an opener of new opportunities for experimenting with form, visual narratives, and the creation of imaginative realities. However, critical challenges also arise concerning originality, ownership of work, and the artist's identity in the era of visual automation. Therefore, a deep understanding of AI's role in art photography is essential to maintain a balance between technological innovation and the artistic values that underpin the practice of photography itself
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Implementation of the 3-O Approach As an Innovation in Radio Program Production
No full textRadio is one of the mass media that evolves along with the development of technology. Innovations are made not only in techniques, but also in broadcast program production. In the past, radio focused more on producing programs for On-Air and Off-Air, now radio has added a platform for producing its programs, that is Online. This innovation was carried out not only to be able to expand opportunities for advertising as a source of income, but also to meet the needs of listeners whose ways of consuming media have also changed along with the development of digital technology. This prompted the current research. The problem raised is how the implementation of On-air, Off-air, and also online approaches can be carried out in a broadcast radio program production. The purpose of this research is to find out and understand the implementation and its influence on the quality of programs on radio media. By using a qualitative approach and descriptive interview and observation methods, it is hoped that this research can describe the process of applying the On-Air, Off-Air, and Online approaches to radio broadcast programs. The results of this study are expected to provide solutions in improving the quality of radio broadcast programs which can provide great opportunities for advertising.
Keywords: radio program, 3-O, On Air – Off Air Online, radio visio
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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