1,721,007 research outputs found
Éticas en confrontación en un campo de machos (sobre Machos de campo, de Cristián Molina)
Full text linkFil: Alves, Wanderlan. Universidade Estadual da Paraíba; Brasil
Poema corpo: o corpo poema
Full text linkResumo Neste artigo, analisamos a exposição fotográfica Corpo-poema, a partir das noções de campo expandido, pós-autonomia e inespecificidade, visando a compreender os processos criativos e vivenciais da arte, no projeto em questão, e os modos pelos quais o trabalho potencializa a liberação dos corpos femininos, assim como a restituição da literatura e do corpo aos espaços públicos. Num processo em que corpo e palavra são refuncionalizados, ambos desestabilizam a instituição literária e colaboram para um sentido de ampliação do campo da literatura contemporânea brasileira
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Canção popular e cultura de massa em La importancia de llamarse Daniel Santos, de Luis Rafael Sánchez
Full text linkThis article aims at analyzing the structural hybridization found in the configuration of La importancia de llamarse Daniel Santos, a novel by Luis Rafael Sánchez, focusing on the dialogic processes established with the Latin American romantic popular music, specially the bolero, and also emphasizing the fictional recreation of factual elements taken from the author experiences as an appraiser of Mass Culture products, which, however, are transposed to the structure of this novel without taking the shape of autobiographical elements. So, the narrative presents a critical reading of the general context of the mass cultural products in Latin America in the 1980’s, while Sánchez claims the critical and expressive potential of those products for the literary narrative.Este artigo procura analisar a configuração estrutural híbrida do romance La importancia de llamarse Daniel Santos (1988), do porto-riquenho Luis Rafael Sánchez, centrando-se nos processos dialógicos que a narrativa desse romance estabelece com a canção popular de feição romântica latino-americana, especialmente o bolero, e na reelaboração ficcional de elementos potencialmente factuais da experiência do autor como apreciador de produtos culturais de massa que, no entanto, são transpostos para a estrutura desse romance sem que se configurem como dados autobiográficos. Desse modo, a narrativa faz uma leitura crítica do contexto mais amplo dos produtos culturais massivos na América Latina dos anos 1980, ao mesmo tempo em que reivindica sua potência crítica e expressiva para a narrativa literária
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Tentaciones del diarista. Ambigüedad, simulación y lectura en los diarios de Alberto Giordano
No full textEn el ensayo se leen las autofiguraciones del crítico-diarista, las simulaciones de la forma y las inflexiones discursivas de los diarios de Alberto Giordano, teniendo en cuenta los interrogantes que estas escrituras le aportan al debate en torno a la crítica y la literatura, pues no se trata sólo de la mezcla de los géneros o del recurso a la hibridez, sino de una deriva que tanto singulariza a sus diarios como atraviesa al pensamiento contemporáneo sobre lo literario. Se discuten, además, las implicancias de dichos atravesamientos puestos en juego en la escritura, así como cierta recolocación en escena de la lectura y del lector como elementos esenciales de la experiencia literaria
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