968 research outputs found
Limitations and possibilities in painting: tracing the unrepresentable
No full textM.F.A.Includes bibliographical references (p. 13)by Viktor Lukas Witkowsk
Acting in socialist realist theatre: theoretical – Ideological contexts and the analysis of Lithuanian theatre
No full textDarbe nagrinėjami socialistinio realizmo doktrinos principai vaidyboje ir jos pedagogikoje ir siekiama identifikuoti šiuolaikinės vaidybos problemų sąsajas su sovietinės okupacijos metu vykusiais pokyčiais ir procesais Lietuvos teatre. Darbe bandoma rekonstruoti socialistinio realizmo vaidybos teorija, kuri buvo sukurta remiantis Konstantino Stanislavskio vaidybos sistemos pagrindu. Sovietmečio vaidybos estetika ir pedagogika darbe analizuojama per politinės doktrinos tvirtinimo ir siekio skleisti ideologiją prizmę suvokiant socrealizmą ne tik kaip represinę ar kontrolės funkciją vykdančią jėgą, bet ir kaip galios principus diktuojančią ir naujos raiškos formų atsiradimo terpę.
Šio darbo objektas yra teoriniai tekstai, pedagogika ir kūrybinės praktikos Lietuvos teatre.
Šio darbo tikslas yra išanalizuoti socialistinio realizmo vaidybos teorinę ir ideologinę sampratas bei jų reikšmes ir atspindžius vaidybos pedagoginėse praktikose ir teatro spektaklių vaidmenyse.
Kad šis tikslas būtų pasiektas, keliami šie uždaviniai:
1. Tirti šaltinius, šaltinių grupes ir juos kritiškai vertinti;
2. Tirti šiuolaikinių autorių studijų rezultatus, nagrinėjančius socialistinį realizmą;
3. Tirti ir aprašyti socialistinio realizmo poveikį teatrinėms institucijoms;
4. Tirti ir aprašyti socialistinio realizmo poveikį kitoms meno sritims;
5. Tirti ir aprašyti socialistinio realizmo vaidybos teorijos gaires;
6. Tirti ir aprašyti socialistinio realizmo vaidybos pedagogikos metodologijos gaires;
7. Išanalizuoti socrealistinės vaidybos atvejus praktikoje.
Pirmoje darbo dalyje apžvelgiama ir analizuojama socialistinio realizmo samprata, teorinės prielaidos ir raida. Antroje - gilinamasi į socialistinį realizmą Lietuvos dramaturgijoje ir teatre. Trečioje darbo dalyje tiriama socialistinio realizmo vaidybos teorija ir pedagogika. Ketvirtoje- bandoma rekonstruoti ir atskleisti socrealistinės vaidybos bruožus nagrinėjant konkrečius praktikos atvejus Lietuvos teatre.The thesis analyses social realism doctrine principles in acting and acting pedagogy and seeks to identify modern acting problem interfaces with the soviet ocupation timeline changes and processes in Lithuanian theatre. The study tries to reconstruct the acting theory of socialist realism, which was created based on the basis of Konstantin Stanislavsky's acting system. The soviet ocupation timeline acting esthetic and pedagogy are analysed in the study through the prism of the political doctrine fastening and the goal to spread ideology, understanding social realism not only as a represive or control type function executing power, but also as a power principle dictating and the emergence of a new form of expression medium .
The object of this thesis is theoretical texts, pedagogy and artistic practices in Lithuanian theatre.
The goal of this thesis is to analyse the theoretical and ideological acting concepts in social realism, furthermore their meanings and reflections in the pedagogy practices of acting and in the roles of theatre plays.
For this goal to be achieved, these objectives are set:
1. Study sources, source groups and critically rate them;
2. Research modern authors' study results of their analysis of social realism ;
3. Study and describe the effect of social realism in theatrical institutions;
4. Study and describe the effect of social realism to other fields of art;
5. Study and describe the guidelines of the social realism acting theory;
6. Study and describe the guidelines of the social realism acting pedagogy methodology;
7. Analyse social realism acting cases in practice.
It the first part of tthis thesis author reviews and analyses the concept, theoretical assumptions and development of social realism. The second part focuses on social realism in Lithuanian dramaturgy and theatre. The third part studies the acting theory and pedagogy in social realism. The fourth part tries to reconstruct and reveal features of social realism by studying specific cases in practice in Lithuanian theatre.Vytauto Didžiojo universitetas / Vytautas Magnus UniversityMenų fakultetas / Faculty of ArtsTeatrologijos katedra / Department of Theater Studie
Economics of credence goods : the effect of monitoring and its costs in the health care market
No full textauthor: Lukas SchönerMasterarbeit University of Innsbruck 201
Economics of credence goods : the effect of monitoring and its costs in the health care market
No full textauthor: Lukas SchönerMasterarbeit University of Innsbruck 201
Tailoring comonomer incorporation in Ziegler-Natta based Linear Low Density Polyethylene
No full textAuthor DI Lukas GöpperlDissertation Johannes Kepler Universität Linz 202
Time-bin entangled photons from a quantum dot embedded in a nanowire
No full textauthor: Lukas Kirchner, BSc.Zusammenfassung in deutscher SpracheMasterarbeit University of Innsbruck 201
Time-bin entangled photons from a quantum dot embedded in a nanowire
No full textauthor: Lukas Kirchner, BSc.Zusammenfassung in deutscher SpracheMasterarbeit University of Innsbruck 201
Non-tax revenue and subnational democracy: evidence from Colombia
No full textAn influential group of political economists posits a negative relationship between the relative size of non-tax revenues in public balance sheets and the level of democracy in a given county. While empirical evidence for this proposition is largely based on cross-national studies, scholars have largely neglected subnational contexts as important domains of research. Addressing this disjuncture, the author studies the electoral impact of two important subnational non-tax revenues - natural resource royalties and central-government fiscal transfers - at the municipal level in Colombia. Employing a propensity score matching approach to attenuate problems of omitted variable bias, a quantitative analysis of Colombia's 1119 municipalities shows that higher levels of fiscal transfers and petroleum royalties had no discernible impact on the average level of competitiveness in the 2007 and 2011 municipal elections. If anything, there seems to be a positive impact of non-tax revenues on electoral contestation. Supported by qualitative evidence from theoretical outliers in the set of observations, the results suggest that non-tax revenue promotes electoral competition by raising the stakes of attaining political office. At the same time, abundance in fiscal transfers and resource royalties may undermine democratic governance through means that are not reflected in electoral margins.M.A.Includes bibliographical referencesIncludes vitaby Lukas Konstantin Kelle
Time-bin entangled photons from a quantum dot embedded in a nanowire
No full textauthor: Lukas Kirchner, BSc.Zusammenfassung in deutscher SpracheMasterarbeit University of Innsbruck 201
Acting goals and aims under influence of socialist realism
No full textStraipsnyje pateikiamos naujos įžvalgos dėl Konstantino Stanislavskio plėtotos aktorių rengimo metodologijos principų sąsajos su socialistinio realizmo kryptimi, egzistavusia Sovietų sąjungoje. Straipsnyje tiriama, ko buvo reikalaujama iš aktorių jiems kuriant vaidmenis; analizuojama, kodėl K. Stanislavskio sistema buvo pasirinkta kaip pagrindinė metodologinė prieiga, o socrealistinės vaidybos bruožai atskleidžiami analizuojant ankstyvojo sovietmečio vaidmenis, sukurtus Lietuvos teatrų scenose.The article provides new insights into the principles of the methodology of actor training developed by Konstantin Stanislavsky compared with new official wave of art in the Soviet Union – socialist realism. The article explores what was required of actors as they created roles. Why K. Stanislavskis’ system was chosen as the main methodological approach is analyzed, and the features of socialist realism acting are revealed by analyzing the roles of the early Soviet era created on the stages of Lithuanian theatres
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