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TRES PERSONAJES DE CASTILLO-PUCHE EN BUSCA DE UN CAMINO
No full text(…)This is a study of the characters, Enrique. Julio, and Luis, protagonists of «Sin Camino», «Con la muerte al Hombro», y «El Vengador» respectively, and how their life-adventures show the similarities of their aims as well as their different reactions towards the events which guide them on their search (…)(…)Al considerar las tres primeras novelas de José Luis Castillo-Puche, los críticos, generalmente, las han estudiado en el orden de su publicación; primero Con la muerte al hombro de 1954, seguida de Sin camino de 1956 y después El vengador de este mismo año l. El autor inclusive lo hace así apoyándose en la cronología de su vida que le sirve de base para sus novelas (…
Cecilia Belchi Arévalo y María Martínez del Portal, eds: Estudios sobre José Luis Castillo-Puche
Full text linkReview of: Cecilia Belchi Arévalo y María Martínez del Portal. eds. Estudios sobre José Luis Castillo-Puche, Murcia, Academia Alfonso X El Sabio, 1988, 165 pp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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