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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Garap Rebab Gending Jatipurno Laras Pelog Pathet Lima Kendhangan Sarayuda

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    Skripsi dengan judul “Garap Rebab Gending Jatipurno Laras Pelog Pathet Lima Kendhangan Sarayuda” membahas mengenai tafsir garap rebab pada gending yang terkait. Dalam hal ini penulis melakukan penelitian untuk mencari kemungkinan pengembangan dengan gending yang tadinya disajikan dengan garap soran menjadi sajian gending dengan garap lirihan. Kemudian penulis menggunakan pola garap kendhangan ciblon yang sebelumnya gending berlaras pelog pathet lima belum pernah ditemukan dengan garap kendhangan ciblon pada bagian dhawah. Sebelum proses penggarapan penulis mencari referensi melalui jurnal “Garap Rebab Gending Laras Pelog Pathet Lima”. Proses penggarapan yang dilakukan adalah menafsir ambah-ambahan balungan gending, menafsir pathet, menafsir rebaban. Penulis juga berperan sebagai penyaji memainkan ricikan rebab sebagai pamurba lagu pada gending ini. Setelah dilakukan penelitian, ambah-ambahan, pathet Gending Jatipurno sangat bervariasi, Gending Jatipurno merupakan gending berlaras pelog pathet lima

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Garap Ricikan Rebab Gending Jatipurno Laras Pelog Pathet Lima Kendhangan Sarayuda

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    Skripsi dengan judul “Garap Rebab Gending Jatipurno Laras Pelog Pathet Lima Kendhangan Sarayuda” membahas mengenai tafsir garap rebab pada gending yang terkait. Dalam hal ini penulis melakukan penelitian untuk mencari kemungkinan pengembangan dengan gending yang tadinya disajikan dengan garap soran menjadi sajian gending dengan garap lirihan. Kemudian penulis menggunakan pola garap kendhangan ciblon yang sebelumnya gending berlaras pelog pathet lima belum pernah ditemukan dengan garap kendhangan ciblon pada bagian dhawah.Sebelum proses penggarapan penulis mencari referensi melalui jurnal “Garap Rebab Gending Laras Pelog Pathet Lima”. Proses penggarapan yang dilakukan adalah menafsir ambah-ambahan balungan gending, menafsir pathet, menafsir rebaban. Penulis juga berperan sebagai penyaji memainkan ricikan rebab sebagai pamurba lagu pada gending ini.Setelah dilakukan penelitian, ambah-ambahan, pathet Gending Jatipurno sangat bervariasi, Gending Jatipurno merupakan gending berlaras pelog pathet lima.Terdapat banyak gending dalam karawitan gaya Yogyakarta, salah satunya Gending Jatipurno Laras Pelog PathetLimaKendhanganSarayuda yang penulis tarik kesimpulan dari beberapa pendapat narasumber Gending Jatipurno bukan termasuk gending srambahan atau tidak populer dikalangan masyarakat. Proses Penggarapan yang dilakukan tidak lepas dari teori-teori karawitan dari peneliti terdahulu. gending merupakan bahan atau sarana garap dan penggarap merupakan penentu garap. Dalam buku Bothekan Karawitan II: Garap, tulisan Rahayu Supanggah dijelaskan bahwa “garap adalah kreativitas dalam (kesenian) tradisi. Terwujudnya naskah skripsi ini menandakan bahwa penulis telah berhasil menafsir rebaban Gending Jatipurno Laras PelogPathetLimaKendhanganSarayuda berdasarkan hasil tafsir ambah-ambahan, tafsir padhang ulihan dan tafsir pathet. Tafsir garap rebab yang ada pada penelitian ini merupakan salah satu hasil tafsir, sehingga dapat terjadi tafsir lain dari penggarap lainnya.(Working on the Rebab Gending Jatipurno Laras Pelog Pathet Lima Kendhangan Sarayuda)The thesis with the title "Working on the Rebab Gending Jatipurno Laras Pelog Pathet Lima Kendhangan Sarayuda" discusses the interpretation of working on the fiddle on related pieces. In this case the author conducted research to look for the possibility of developing a piece of music that was previously presented by working on soran to become a piece of music by working on songs. Then the author uses the pattern of working on the ciblon kendhangan, which previously had never been found with pelog pathet five-barreled gending by working on the ciblon kendhangan in the dhawah section. Prior to the cultivation process the author looked for references through the journal "Working on Rebab Gending Laras Pelog Pathet Lima". The process of cultivation that is carried out is interpreting the balungan musical additions, interpreting pathet, interpreting rebaban. The author also plays the role of presenter playing the fiddle ricikan as pamurba of the song in this piece. After doing research, the pathet of Gending Jatipurno is very varied, Gending Jatipurno is a five-barreled pelog song. There are many pieces in Yogyakarta style karawitan, one of which is Gending Jatipurno Laras Pelog Pathet Lima Kendhangan Sarayuda, which the author draws conclusions from several sources' opinions. Gending Jatipurno is not a srambahan piece or is not popular among the public. The cultivation process carried out cannot be separated from karawitan theories from previous researchers. music is the material or means of cultivation and the cultivator is the determinant of the work. In the book Bothekan Karawitan II: Garap, written by Rahayu Supanggah, it is explained that "working is creativity in (art) traditions. The realization of this thesis manuscript indicates that the author has succeeded in interpreting the Gending Jatipurno Laras Pelog Pathet Lima Kendhangan Sarayuda rebaban based on the results of the ambah-ambahan interpretations, the padhang ulihan interpretations and the pathet interpretations. The interpretation of working on the rebab in this study is one of the results of the interpretation, so that other interpretations can occur from other cultivators
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