1,720,956 research outputs found

    SITI MANGGOPOH: MOTION COMIC PAHLAWAN PEREMPUAN MINANGKABAU

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    Siti Manggopoh merupakan pahlawan perempuan Minangkabau, beliau berani melawan penjajah Belanda terlepas dari statusnya sebagai seorang perempuan. Sejarah tentang Siti tidak banyak dibahas dalam catatan sejarah Indonesia, walaupun ada itu sangat sedikit sekali. Untuk menggali sejarah dari Siti Manggopoh dan juga pembaharuan dari teks sejarah ke media sejarah digital, media motion comic dipilih sebagai media penyampai pesan dari perjuangan Siti Manggopoh kepada generasi muda sekarang. Media motion comic diharapkan bisa menjadi media yang efektif dalam menceritakan sejarah dari Siti Manggopoh. Metode Penelitian Artistik diadaptasi sebagai main method untuk merangkum beberapa metode atau pendekatan dalam penciptaan karya seni motion comic Siti Manggopoh. Untuk mengungkap aspek sosial dan budaya masyarakat yang terhubung dengan Siti Manggopoh dilakukan riset etnografi visual sebagai aset visual untuk menciptakan motion comic. Selain kebaharuan dalam mengungkap Siti Manggopoh dalam motion comic, cara penyampain narasi yang berbeda dengan motion comic yang lainnya menjadi sebuah diferensiasi dan pergerakan kamera yang jarang digunakan pada motion comic dielaborasikan dengan kebudayaan Minangkabau dalam narasi dan musik seperti dendang, hal ini diadapatasikan sehingga menjadi distinction dari karya-karya sebelumnya. Hasil dari penelitian atau disertasi karya seni berupa media motion comic Siti Manggopoh, karya motion comic ini merupakan karya orisinalitas dari penelitian ini, tanpa merubah subtansi dari media motion sebagai media penyampai pesan yang harus memperhatikan client brief dan imajinasi dalam menginterpretasikannya. Proses kreatif dari motion comic dinilai secara kontemplasi maka menghasilkan model Interpretasi Desain Artistik. Interpretasi Desain Artistik dari perspektif pencipta menjadi sebuah sumbangsih atau temuan untuk disiplin ilmu desain komunikasi visual dalam penciptaan media komunikasi visual yang berbasis naratif

    The Branding of Kampung Adat Rimbo Tarok Gunung Sariak Village as a Cultural Tourism Attraction

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    Branding is the process of building a brand to form an image or brand image. One of the thematic villages is Kampung Adat Rimbo Tarok, Gunung Sariak. This village has the potential to develop as an area that can become a thematic village in Padang City. Kampung Adat Rimbo Tarok exhibits unique characteristics, which include traditional house buildings and traditional cultural arts activities. The area of  Kampung Adat Rimbo Tarok has not been significantly branded as no promotional media and information are found, and the area has not been properly managed. As a result, not many people know about the existence of this thematic village. These problems inspired the authors to conduct community service activities in this village. The community service aims to brand the village as a thematic village, a program of the local government of Padang City. The local government turns the village into a cultural tourism area. Departing from the facts described, the author intended to brand the area, starting from forming the regional brand or logo to other supporting branding media, such as an information board and other relevant media for branding design. The design stages use the 4D (four D), which is used in designing a design idea and follows stages from defining to dissemination. The expected result of these community service activities is to achieve a cultural tourism identity attached to the community, ranging from the visual identity, corporate media, and sign systems that partners or the local government can implement in local villages

    Kajian Ikonografis Senjata Tradisional Kurambiak Minangkabau Cakar Harimau Sumatera

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    Dalam pengkajian sebuah karya seni, kajian pertama yang dilakukan adalah kajian pra-ikonografis. Kajian ini adalah kajian yang mengambil teori Erwin Panofsky, dimana kajian ini merupakan kajian primer yang melihat bentuk asli dari objek seni yang sifatnya faktual dan ekspresif. Di daerah Minangkabau salah satu senjata yang memiliki nilai sejarah ialah kurambiak /karambiak atau biasa disebut kerambit. Kurambiak memiliki banyak filosofi atau makna bagi masyarakat Minangkabau. Dimulai dari bentuk hingga pemakaian kurambiak yang masih dalam penelitian kualitatif dalam informasi dari kaba (kabar) oleh pemangku adat. Dalam penelitian ini penulis akan memakai suatu metode pengkajian tiga tahapan yang di kemukakan oleh Erwin Panofsky dalam bukunya “Meaning in The Visual Art”. Tiga tahapan tersebut adalah Pra-Ikonografis, konografi dan Ikonologi. Pada tahapan Pra-Ikonografis terbagi menjadi dua bagian yaitu elemen desain dan prinsip desain. Penelitian ini berfungsi untuk menjaga atau melestarikan warisan budaya Minangkabau dan menjadi acuan untuk membahas warisan benda seni secara visual

    Analisis Desain Komunikasi Visual sebagai Subjek Pelestarian Seni Budaya dan Kearifan Lokal Minangkabau

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    This research stems from the analysis and review process of the field of Visual Communication Design (VCD) as one of the disciplines that contribute to the preservation of Minangkabau culture and local wisdom. From several research findings, it is evident that VCD can be considered as an academic discipline, and more narrowly, visual communication design media can be employed as a subject in preserving Minangkabau culture and local wisdom. One of the objectives of this research is to underscore that the field of visual communication design, as a subject, can be utilized to promote efforts to preserve and enhance the existence of this discipline in conserving the culture. The research methodology adopted for this study is qualitative (literature review and content analysis). Data were collected through the process of analyzing and reviewing books, journals, articles, and works produced through visual communication media. The research results manifest in descriptive statements that emphasize visual communication design\u27s potential as a medium for preserving Minangkabau culture and local wisdom. Furthermore, this research can be used as a reference and can contribute to the development of the curriculum in the case study area, namely the Visual Communication Design program located in West Sumatr

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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