833 research outputs found
Résultats oncologiques et incidence des complications à long terme chez les patients opérées de laryngectomie partielle avec CHP ou CHEP: expérience fondée sur 50 cas
No full textFine morphology of the myrmecophilous larva of Paussus kannegieteri (Coleoptera: Carabidae: Paussinae: Paussini). Corresponding author
No full textFIGURES 13–18. Paussus kannegieteri third instar larva: 13, thorax, left lateral view; 14, thorax, dorsal view; 15, mesothoracic spiracle; 16, metathoracic spiracle-like structure; 17, mesothoracic leg, anterolateral view; 18, apex of metathoracic leg with lanceolate setae, posterolateral view. CO = coxa, ls = lanceolate setae, m = membrane, ME = mesonotum, MT = metanotum, pe = peritreme, PR = pronotum, un = claw. Scale bars: Figs. 13–14 = 500 µm; Fig. 15 = 10 µm; Fig. 16 = 20 µm; Fig. 17 = 200 µm; Fig. 18 = 50 µm.Published as part of Giulio, Andrea Di, 2008, Fine morphology of the myrmecophilous larva of Paussus kannegieteri (Coleoptera: Carabidae: Paussinae: Paussini), pp. 37-50 in Zootaxa 1741 on page 44, DOI: 10.5281/zenodo.18152
GIULIO TARRA TRADUTTORE DAL FRANCESE
No full textCon Il Libro pel bambino, Don Giulio Tarra risultò il vincitore di due concorsi indetti dal Congresso Pedagogico Italiano nel 1861: quello per un libro di lettura destinato ai bambini sordomuti e l’altro per un libro destinato alle scuole rurali. Fra le opere del Tarra pubblicate da Paolo Carrara è menzionato il volumetto “Lezioni in famiglia, versione da M. Carraud”. Questo contributo intende offrire alcuni elementi d’informazione su Zulma Carraud, autrice delle Historiettes véritables pour les enfants de quatre à huit ans, titolo originale della raccolta di racconti tradotta da Don Giulio. Il libro era uscito a Parigi nel 1864 per i tipi di Hachette. In precedenza lo stesso editore aveva accolto le prime opere di Zulma nelle collane destinate alla scuola primaria. A pochi anni di distanza l’uno dall’altra, la Carraud nella Francia del II Impero e il Tarra nell’Italia postunitaria, entrambi hanno contribuito con i loro “libri di lettura” allo sviluppo dell’editoria per la scuola e per l’infanzia.
Giulio Tarra translator from French
With the volume entitled Il Libro pel bambino, Don Giulio Tarra won two literary competitions held in 1861 by the Congresso Pedagogico Italiano: the first was dedicated to books for deaf-mute chidren, the second to books for rural schools. Among Tarra’s works published by Paolo Carrara we find “Lezioni in famiglia, versione da M. Carraud”. This article provides some information about Zulma Carraud, the author of the collection of novels entitled: Historiettes véritables pour les enfants de quatre à huit ans published by Hachette in 1864 and translated into Italian by Don Giulio. Previously the same publisher had collected Zulma’s first works in a series to be used in primary schools. Carraud, during the Second Empire period in France, and Tarra, in post-Unity Italy, both contributed to the development of the publishing industry for schools and children with their educational and entertaining books
Barocco italiano; Giovan Battista Basile
No full textSi tratta di due capitoli del volume Letteratura curato da Giulio Ferroni, in cui si definiscono le coordinate del Barocco in una chiave originale e si rivede l'opera del Basile, considerando non soltanto il Cunto de li Cunti, ma anche le opere volgari.These are two chapters of the volume titled Letteratura, ed. by Giulio Ferroni; the first is dedicated to a reassessment of the concept of Baroque in a new perspective; the second is a little monograph about the author of Lo Cunto de li Cunti, considering also his literary production in italian language
Mehrnoush Soroush. “Urban Resilience and Hydraulic Continuity Against a Backdrop of Wars and Conquests, the Susiana Plain of Iran in the First Millennium CE”
No full textThe paper is part of a volume collecting the proceedings of an international conference held in Yazd on September 2018, focused on the relationship between hydraulic infrastructures and urbanism in ancient and modern times. In her contribution, the Author, relying on four case-studies (Shushtar, Jundishapur, Iwan-i Karkheh and Susa), stresses the interdependence of urban growth and irrigation practices in the riverine plain of Susiana during the 1st Millennium CE. Based on data from remote se..
Il barocco a Roma nell'architettura e nella scultura decorativa
No full textSanta Maria Maggiore, vestibule; Published Torino: C. Crudo, 1911-1913. Physical description: 3 v. illus. (includes plans and photographs) 319 plates. In portfolios; pt.1 Chiese; pt.2 Palazzi; pt.3 Fontane e ville. In Italian and French. Source: University of Toronto Libraries; http://main.library.utoronto.ca/ (accessed 12/22/2007
Una mirada desde la memoria a dos experiencias de teatros políticos locales. : En torno de los escritos dramáticos libertarios de Enrico Giulio
No full textAfter considering the political background of Argentina during the three first decades of the xxth century, the author analyzes a very interesting example of anarchist theatre: Falsas promesas, one of the dramatic texts of Enrico Giulio, ceramist worker and libertarian poet.Después de considerar el trasfondo político argentino de las tres primeras décadas del siglo XX, el autor analiza una interesante ejemplo del teatro anarquista: Falsas promesas, uno de los textos dramáticos de Enrico Giulio, obrero ceramista y poeta libertario
Turin Shroud: Medical Impossibility for a Medieval Work of Art
No full textThis article considers the impossible hypothesis, frequently cited among non-experts, that the TS (Turin Shroud or Holy
Shroud) is the result of a work of art produced by a Medieval artist.
Before going into the merits of this hypothesis, the author thought it appropriate to bring to mind the recent publications -
regarding the characteristics of TS blood, such as radioactivity, and to reconstruct the facts that preceded and occurred
after the death of Jesus Christ on the cross. The guiding motivation for this article consists of the fact that the author is
certain that the TS is authentic, and there is so much evidence for this that it does not seem necessary to list all the evidences
supporting this. He then reports and comments on some of the main hypotheses for and against the authenticity of the TS
which are frequently discussed, and he shows how fallacious the most important claims against authenticity are.
The author highlights in this article the extremely complicated and absurd operations that a hypothetical artist, perhaps
even a Medieval one, would have had to perform. Instead, he does not consider here in detail another scientifically
insurmountable problem, not only for the hypothetical artist, but also for any scientist today because it is outside of medical
interest, and that is to explain how the "impossible" body image was formed.
In fact, the paper highlights the practical impossibility that the artist would have had in obtaining the very particular results
that we have on the TS, if it had been a mere human work of art capable of reproducing all the very particular bloodstains
of the King of Redeeming Sorrows
La fabbrica del criminale. Alexandre Dumas e le rappresentazioni del brigantaggio meridionale tra letteratura e politica
No full textIl saggio ha l'obiettivo di analizzare la costruzione discorsiva della figura del brigante meridionale nel corso dell'Ottocento. L'autore pone in costante dialogo la produzione di Alexandre Dumas padre e le molteplici rappresentazioni culturali che ne hanno informato stilemi e prospettive interpretative, o che lo stesso scrittore ha contribuito a modificare. Il saggio prende avvio dall'analisi del processo di tipizzazione del brigante dal cappello a punta, ritenendo che esso scaturisca dall'incrocio tra immaginario letterario e conflitto politico.
In seguito l'autore studia l'identificazione dei briganti come classe criminale, ipotizzando che tanto la dimensione folkloristica del criminale, quanto la sua eroizzazione in senso romantico, siano da connettere all'immaginario della delinquenza metropolitana della prima metà dell'Ottocento. Infine, l'autore evidenzia come il profilo ideologico attribuibile alle rappresentazioni del brigantaggio muti in funzione della congiuntura politica relativa al conflitto risorgimentale italiano, determinando processi di idealizzazione in età preunitaria e di criminalizzazione durante gli anni postunitari.The essay aims at analyzing the discursive identity of brigandage in Southern Italy during the XIX century. The author establishes a constant dialogue between Alexandre Dumas' masterpieces and many cultural representations which have deeply inspired his stylistic and interpretive perspectives, or, on the contrary, that the writer has helped to change. The essay begins with the analysis of the stereotyped representation of the brigand with the "pointed hat", which derives from the overlap of literature and politics.
The author also studies the identification of robbers as a criminal class. Therefore, the folkloristic dimension of the brigand, as well as its idealization as a romantic hero, are both connected to the imagery of metropolitan crime in the first half of the XIX century. Lastly, the author demonstrates how brigand's representations are reshaped by political conflict during the Italian Risorgimento, leading to a process of idealisation in the pre-Unitarian era and of criminalization in post-Unitarian years
Social Network Analysis with Python
No full textThis set of tutorials provides an introduction to Social Network Analysis in Python with networkx.
Topics covered:
* Introduction to NetworkX
* NDlib: Network Diffusion library
* NDlib-REST: remote network diffusion experiments
* Community Discovery
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