2,660 research outputs found
A critical assessment of the theology of Camilo Torres in the light of Latin American theology : a theological paradigm for peace with justice for Colombia
No full textThe thesis aims to provide a critical assessment of Camilo Torres’ concept of efficacious love in the light of a hermeneutics and ethics of liberation, to contribute theoretically to theological reflection upon the mission of the Protestant and Roman Catholic churches in Colombia, and generally in Latin America. It proposes the thesis that the theology of Camilo Torres, viewed from the perspective of a hermeneutics and an ethics of liberation, can be foundational for seeking, constructing, and sustaining peace with justice in a context of oppression and violence.
Based on the theological analysis, the academic and spiritual motivation should respond to two fundamental questions in our academic inquiry: what foundation exists in Camilo Torres’ theology for the construction of a just, peaceful, liberative society and to enable proximity to the excluded, victimized, and poor population in Colombia to be achieved? And how can we as Christians respond to the grace of God in living efficaciously the values of the Kingdom of God, in order to bring structural changes in Colombia? The implications of the answers to those questions would result in the possibility to execute an integrating theological proposal for peace with justice for the church in Colombia.
In an interpretative mode, we consider critically the multidisciplinary interaction of some of the theological foundations of liberation theology. Our task consists in clarifying and constructing theological presuppositions for a dialectical examination of the historical and current situation in Colombia, viewed in the light of the internal problems and realities. Thus, it is our intention in order to attempt a significant interdisciplinary juncture, to examine and interpret such relevant concepts as efficacious love, faith with works, kenosis, hypostatic union, hermeneutics and ethics of liberation, social justice, personal and collective socio-political conversion, and a praxis of faith as the church’s mission in response to the Colombian context of poverty and violence
Camilo Pardo Umaña, special for El Tiempo
No full textLa imagen contiene una noticia acerca de un personaje singular en la historia de Colombia: Judas Tadeo Landínez. A través de una pluma crítica, el autor, Camilo Pardo Umaña, nos pinta un retrato detallado de este hombre de negocios, describiéndolo como un astuto y ambicioso personaje que supo aprovechar las oportunidades de su época para amasar una gran fortuna. Narra cómo Landínez, junto a su socio José María Plata, crea una especie de bolsa de valores llamada "La Ballena". Esta entidad financiera permitía a los inversores dejar su dinero a cambio de pagarés respaldados por las firmas de ambos socios. Sin embargo, esta actividad pronto se convierte en un foco de especulación y riesgo.
Noticia publicada en El Tiempo. Bogotá ( 13222). P. 18 col 3-4-5-6-7-8.The image contains news about a unique character in the history of Colombia: Judas Tadeo Landínez. Through a critical pen, the author, Camilo Pardo Umaña, paints a detailed portrait of this businessman, describing him as an astute and ambitious character who knew how to take advantage of the opportunities of his time to amass a great fortune. It tells how Landínez, together with his partner José María Plata, creates a kind of stock exchange called "La Ballena". This financial institution allowed investors to leave their money in exchange for promissory notes backed by the signatures of both partners. However, this activity soon becomes a focus of speculation and risk.
News published in El Tiempo. Bogotá (13222). P. 18 col 3-4-5-6-7-8
San Camilo, 1936: cuando la censura volvió a ser un problema para Camilo José Cela
No full textEn este artículo se informa de los problemas que Camilo José Cela tuvo con la censura franquista cuando se editó en 1969 su novela San Camilo, 1936, que tiene como tema el comienzo de la guerra civil española en Madrid. El cese en 1969 de su amigo Manuel Fraga Iribarne como ministro de Franco significó el fin de su posición privilegiada como escritor en la España de los años 60. La reacción contra Cela por parte de los elementos más retrógrados del Régimen, enemigos del ex ministro, no se hizo esperar. Finalmente, la novela circuló con recortes que se sumaron a los que el autor realizó por la autocensura habitual en la época. ************************************************************************************************************************************************************************************************************ San Camilo, 1936: quando a censura foi novamente um problema para Camilo José Cela Resumo: Este traballo relata os problemas que Camilo José Cela teve com a censura franquista quando publicou em 1969 seu romance San Camilo, 1936, cujo tema é o início da Guerra Civil Espanhola, em Madri. O fato de Manuel Fraga Iribarne, amigo de Cela, deixar de ser ministro de Franco significou o fim de sua posição privilegiada como escritor na Espanha dos anos 60. A reação contra Cela pelos elementos mais retrógrados do regime, inimigos do ex ministro, foi rápida. Finalmente, o romance circulou com cortes que foram adicionados aos que o autor realizou por causa da auto-censura de costume na época. Palavras-chave: Camilo José Cela; San Camilo, 1936; Literatura da Guerra Civil Española ************************************************************************************************************************************************************************************************************ San Camilo, 1936: when censorship was again a problem for Camilo José Cela Abstract: This paper reports on the problems that Camilo Jose Cela had with Franco’s censorship when he published in 1969 his novel San Camilo, 1936, whose plot concerns the beginning of the Spanish Civil War in Madrid. The cessation in 1969 of his friend Manuel Fraga Iribarne as a Minister in Franco’s regime meant the end of Cela’s privileged position as a writer in the Spain of the 60’s. The reaction was swift against Cela by the most retrograde elements of the regime and enemies of the ex-minister. Finally, the novel circulated with cuts added to those the author already performed following the usual self censorship at the time Keywords: Camilo José Cela; San Camilo, 1936; Literature of the Spanish Civil Wa
[Conto] Diáspora
No full textA short story by Angolan writer Carmo Neto, published under the author\u27s permissionCuento del escritor angoleño Carmo Neto, aquí publicado con su autorización.Conto do escritor angolano Carmo Neto, aqui publicado com sua autorização
Correction: Dermal Exposure Assessment to Pesticides in Farming Systems in Developing Countries: Comparison of Models. Int. J. Environ. Res. Public Health 2015, 12, 4670–4696
No full textWe wish to make the following changes to the published article [1], agreed upon by all authors. Claudia R. Binder has withdrawn her co-authorship. The corrected author list should therefore read: Camilo Lesmes-Fabian.[...
“Where enters the author”: figurations of the author in the fiction by Camilo Castelo Branco
No full textÉ sabido como uma das peculiaridades da ficção de Camilo Castelo Branco consiste numa narração marcada pela constante presença do narrador. Mesmo quando ausente da diegese, é uma presença sempre visível no discurso narrativo. É nosso objetivo descrever as formas dessa presença, quer na diegese, quer no discurso, refletindo sobre os sentidos literários e metaliterários explorados pelo autor.It is known that one of the peculiarities of Camilo Castelo Branco's fiction consists of a narration marked by the constant presence of the narrator. Even when absent from diegesis, it is an always visible presence in narrative discourse. It is our objective to describe the forms of this presence, both in diegesis and in discourse, reflecting on the literary and metaliterary meanings explored by the author.info:eu-repo/semantics/publishedVersio
Camilo Henríquez: Teatro, republicanismo y modernidad
No full textThis article approaches the work of Friar Camilo Henríquez, specifically the play The Camila or the Patriot of South America, from the assumption that aesthetic principles are subordinate to the illustrated modern and republican ideas, who Fray Camilo devoted most of his life to defend and disseminate. From the analysis of La Camila, the article unveils the different textual marks through which the author disseminated republican ideas and established, in an assimilation fashion, a modern Indian subject. This happens in a reception context in which colonialism and modernity appear to be simultaneous, and therefore republican thought becomes utopianEl artículo examina la obra teatral de fray Camilo Henríquez, específicamente La Camila o la Patriota de Sudamérica, a partir del supuesto de que en esta los principios estéticos quedan subordinados al ideario ilustrado y republicano, a cuya defensa y difusión fray Camilo dedicó su vida. A partir del análisis de la obra se develan las diferentes marcas textuales por las que el autor publicita las ideas republicanas e instala –en un modelo de asimilación– a un sujeto indio moderno. Operación que se da en un contexto de recepción en que colonialidad y modernidad son fenómenos simultáneos, lo que deviene a la postre en un pensamiento republicano utópico
Camilo Henríquez: teatro, republicanismo y modernidad
No full textThis article approaches the work of Friar Camilo Henríquez, specifically the play The Camila or the Patriot of South America, from the assumption that aesthetic principles are subordinate to the illustrated modern and republican ideas, who Fray Camilo devoted most of his life to defend and disseminate. From the analysis of La Camila, the article unveils the different textual marks through which the author disseminated republican ideas and established, in an assimilation fashion, a modern Indian subject. This happens in a reception context in which colonialism and modernity appear to be simultaneous, and therefore republican thought becomes utopian.
Palabras clave : Modern subject; Republican thought; Modernity; Sociability; Asynchrony.El artículo examina la obra teatral de fray Camilo Henríquez, específicamente La Camila o la Patriota de Sudamérica, a partir del supuesto de que en esta los principios estéticos quedan subordinados al ideario ilustrado y republicano, a cuya defensa y difusión fray Camilo dedicó su vida. A partir del análisis de la obra se develan las diferentes marcas textuales por las que el autor publicita las ideas republicanas e instala -en un modelo de asimilación- a un sujeto indio moderno. Operación que se da en un contexto de recepción en que colonialidad y modernidad son fenómenos simultáneos, lo que deviene a la postre en un pensamiento republicano utópico.
Palabras clave : Sujeto moderno; Pensamiento republicano; Modernidad; Sociabilidad; Asincronía
Perfil de Prudente de Moraes, Neto
No full textO trabalho de mestrado Perfil de Prudente de Moraes, neto, buscou recuperar parte dos artigos publicados pelo autor em diferentes periódicos. Dessa forma, esse trabalho será composto por uma introdução bibliográfica e intelectual de Prudente de Moraes, neto, apresentado por meio de alguns de seus amigos; logo após segue o corpo do trabalho, que é uma reprodução de parte dos artigos encontrados. Quanto à organização do trabalho, este contará, de início, com o prefácio introdutório, composto pelos dados biográficos do autor, de maneira mais ampla, em suas características intelectuais de crítico e estudioso da literatura brasileira, seguido do corpus central, ou seja, a reprodução parcial dos artigos encontrados.The master degree project Perfil de Prudente de Moraes, neto, tried to recover part of the articles published by the author in different newspapers. This way, this project will be composed by a biographical and intellectual introduction of Prudente de Moraes, neto, presented through some oh his friends; right after the project itself will follow, wich is a reproduction of a part of the articles found. As for the organization of the project, this will coutain, in its beginning, the introductionary preface, composed by biographical data from the author, on a wider view, about his intelectual characteristics as a critic and studious man of the Brazilian literature, followed by the central corpus what means, a partial reproduction of the articles found.Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP
Perfil de Prudente de Moraes, Neto
No full textO trabalho de mestrado Perfil de Prudente de Moraes, neto, buscou recuperar parte dos artigos publicados pelo autor em diferentes periódicos. Dessa forma, esse trabalho será composto por uma introdução bibliográfica e intelectual de Prudente de Moraes, neto, apresentado por meio de alguns de seus amigos; logo após segue o corpo do trabalho, que é uma reprodução de parte dos artigos encontrados. Quanto à organização do trabalho, este contará, de início, com o prefácio introdutório, composto pelos dados biográficos do autor, de maneira mais ampla, em suas características intelectuais de crítico e estudioso da literatura brasileira, seguido do corpus central, ou seja, a reprodução parcial dos artigos encontrados.The master degree project Perfil de Prudente de Moraes, neto, tried to recover part of the articles published by the author in different newspapers. This way, this project will be composed by a biographical and intellectual introduction of Prudente de Moraes, neto, presented through some oh his friends; right after the project itself will follow, wich is a reproduction of a part of the articles found. As for the organization of the project, this will coutain, in its beginning, the introductionary preface, composed by biographical data from the author, on a wider view, about his intelectual characteristics as a critic and studious man of the Brazilian literature, followed by the central corpus what means, a partial reproduction of the articles found.Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP
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