1,720,996 research outputs found
Book review: the end of ownership: personal property in the digital economy by Aaron Perzanowski and Jason Schultz
How has the digital era changed notions of ownership? In The End of Ownership: Personal Property in the Digital Economy, Aaron Perzanowski and Jason Schultz explore how digital products are typically licensed rather than owned and defend the continued importance of personal property in the digital economy. While Christopher May is somewhat frustrated by the exclusive focus on US law and the lack of engagement with political economy, there are interesting details in this book for those looking to reflect on how digital content delivery has transformed notions of ownership
The End of Ownership
If you buy a book at the bookstore, you own it. You can take it home, scribble in the margins, put in on the shelf, lend it to a friend, sell it at a garage sale. But is the same thing true for the ebooks or other digital goods you buy? Retailers and copyright holders argue that you don't own those purchases, you merely license them. That means your ebook vendor can delete the book from your device without warning or explanation—as Amazon deleted Orwell's 1984 from the Kindles of surprised readers several years ago. These readers thought they owned their copies of 1984. Until, it turned out, they didn't. In The End of Ownership, Aaron Perzanowski and Jason Schultz explore how notions of ownership have shifted in the digital marketplace, and make an argument for the benefits of personal property.
Of course, ebooks, cloud storage, streaming, and other digital goods offer users convenience and flexibility. But, Perzanowski and Schultz warn, consumers should be aware of the tradeoffs involving user constraints, permanence, and privacy. The rights of private property are clear, but few people manage to read their end user agreements. Perzanowski and Schultz argue that introducing aspects of private property and ownership into the digital marketplace would offer both legal and economic benefits. But, most important, it would affirm our sense of self-direction and autonomy. If we own our purchases, we are free to make whatever lawful use of them we please. Technology need not constrain our freedom; it can also empower us
Consumerist Waste: Looking Beyond Repair
A review of The Right to Repair: Reclaiming the Things We Own. By Aaron Perzanowski
The End of Ownership
Case Downtown
Aaron Perzanowski, Associate Professor of Law at Case Western Reserve University, discusses copyright law and intellectual property in the 21st century
Recommended from our members
The End of Ownership
Case Downtown
Aaron Perzanowski, Associate Professor of Law at Case Western Reserve University, discusses copyright law and intellectual property in the 21st century
Conferring about the Conference (Recalibrating Copyright: Continuity, Contemporary Culture, and Change)
Professor Marketa Trimble and her colleagues Professors Jessica Silbey and Aaron Perzanowski reflect on papers presented at the University of Houston Law Center\u27s Institute for Intellectual Property & Information Law\u27s annual conference held in Spring of 2014
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Book Reviews
Christine Greenhalgh of St. Peter's College, Oxford, reviews “Creativity without Law: Challenging the Assumptions of Intellectual Property,” edited by Kate Darling and Aaron Perzanowski. The Econlit abstract of this book begins: “Ten papers explore how some creators thrive outside of traditional intellectual property (IP) law and considers what some creators' stories mean for the IP system and the innovation economy more generally.” </jats:p
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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