212 research outputs found
Paradoxes of Existence in Yevhen Malanyuk’s Diaries
No full textThe article discusses the paradoxes of existence as represented in Diaries of Yevhen Malanyuk (1897–1968), one of the most influential Ukrainian poets and intellectuals of the twentieth century. Taking into account Malanyuk’s biography and poetic heritage, three types of the image of “the author” have been distinguished: the internal author (Malanyuk’s voice presented in his personal papers and writings not meant for publication), the external author (Malanyuk’s perception by his contemporaries), and the reflected author (Malanyuk’s voice revealed in his publications). Malanyuk’s Diaries present the image of the internal author, which differs from the image readers are accustomed to encounter in his published works. In Diaries paradoxes are revealed in Malanyuk’s attitude towards his contemporaries, friends, political and historical events
Yevhen Sverstyuk: Spirit and Word
No full textУ статті зосереджено увагу на творчості, а також на філософських та літературно-мистецьких поглядах одного з найвидатніших митців слова в українській літературі ХХ ст. Євгена Сверстюка. У своїх працях він відстоював необхідність формування національної системи цінностей, на якій би «виростали» віра народу, поривання до свободи й незалежності. Його слово несло правду та свідчило про внутрішню потребу літератора домагатися свободи творчого самовираження. До цього митця зобов’язував його вільний дух, його національний світогляд. Підкреслюємо важливість ролі Євгена Сверстюка в осмисленні проблеми духовної свободи в серії досліджень творчості Миколи Гоголя. Євген Сверстюк особливу увагу приділяв Шевченкові, бо поділяв його переконання, що слово – це і реальна духовна сила, і символ національного духу.In the article the creative work, and also philosophical, literary and art views of one of the most prominent artists of word in Ukrainian literature of XX century Yevhen Sverstyuk are considered. In his works he defended the necessity of forming the national system of values, on which the faith of people, striving for freedom and independence would «grow up». His word was concentrated on bringing the truth and proved the internal necessity of the writer to reach freedom of creative self-expression. His free spirit, his national world view obliged him to do it. The author underlines the importance of Yevhen Sverstyuk’s role in the comprehension of problem of spiritual freedom in the series of researches of Mykola Gogol’s works. The studied artist paid special attention to Shevchenko, because he had the same opinion about a word as a real spiritual force and a symbol of national spirit
Sociological Knowledge: Specific Features, Science Criteria, and Prospects of Development
No full textThe author of this article discusses characteristic features of changes in sociological knowledge according to its development under conditions of the present-day social transformations
The Correspondence between Fedir Vovk and Yevhen Chykalenko
No full textУ листуванні висвітлюються взаємин двох видатних діячів української культури Федора Вовка та Євгена Чикаленка в умовах тогочасної української дійсності. Багато уваги приділено подіям у родині Чикаленків, оскільки Федір Вовк був університетським керівником сина Євгена Чикаленка – Лева.В письмах отражены взаимоотношения двух выдающихся деятелей украинской культуры в условиях современной им украинской действительности. Много внимания уделено событиям в семье Чикаленко, поскольку Федор Вовк был университетским руководителем сына Евгения Чикаленко – Льва.The relations between these two famous Ukrainian cultural figures are reflected in Ukrainian reality. The author focuses attention on events in the Chykalenko’s family, because Fedir Vovk was a supervisor at the University of Levko, Yevhen Chykalenko’s son
The Correspondence between Fedir Vovk and Yevhen Chykalenko
No full textУ листуванні висвітлюються взаємин двох видатних діячів української культури Федора Вовка та Євгена Чикаленка в умовах тогочасної української дійсності. Багато уваги приділено подіям у родині Чикаленків, оскільки Федір Вовк був університетським керівником сина Євгена Чикаленка – Лева.В письмах отражены взаимоотношения двух выдающихся деятелей украинской культуры в условиях современной им украинской действительности. Много внимания уделено событиям в семье Чикаленко, поскольку Федор Вовк был университетским руководителем сына Евгения Чикаленко – Льва.The relations between these two famous Ukrainian cultural figures are reflected in Ukrainian reality. The author focuses attention on events in the Chykalenko’s family, because Fedir Vovk was a supervisor at the University of Levko, Yevhen Chykalenko’s son
Yevhen Malaniuk on the motive of dualism in Ivan Franko’s works: psychopoetical dimension
No full text(uk) Розглянуто Маланюкову рецепцію мотиву двійництва в художньому дискурсі Івана Франка. Залучення психопоетикального інструментарію сприяло увиразненню внутрішнього конфлікту митця і його естетичної репрезентації.(ru) Рассмотрена рецепция Евгением Маланюком мотива двойственности в художественном дискурсе Ивана Франко. Привлечение психопоетикального инструментария способствовало выразительности рассмотрения внутреннего конфликта художника и его эстетической репрезентации.(en) The paper focuses on Yevhen Malaniuk’s reception of the duality motive in Ivan Franko’s literary artistic discourse. Resorting to the psycho-poetical means enabled the author to expressly outline the inner conflict of the writer and its aesthetic representation
Yevhen Malanyuk’s poetry in Józef Łobodowski’s pre-war translations
No full textJózef Łobodowski’s pre-war translations were published in the weekly “Wołyń” which he was the editor of in the years 1937–1938, and in “Biuletyn Polsko-Ukraiński”. Among them, the translations of poems by Yuriy Kosach, Natalya Lyvitska-Kholodna, Oleh Olzhych and Yevhen Malanyuk can be found. Łobodowski had personal contacts with was Malanyuk as he was his long-time acquaintance. They both published their works in “Biuletyn Polsko-Ukraiński” and in “Kultura” based in Paris. Łobodowski translated in total over 20 works of the Ukrainian poet, the majority of which were published in “Kultura” after the war, together with a number of literary critical articles, such as Scylle i Charybdy poezji ukraińskiej (The Scyllas And Charybdas of the Ukrainian Poetry), Poezja Jewhena Małaniuka (Yevhen Malanyuk’s Poetry), Ostatnia wiosna (The Last Spring), or a memoir note Po śmierci Małaniuka (After Malanyuk’s Death). In the 1930s, Łobodowski became interested in the poetry from the collection Земля й залізо (Earth and Iron). In the interwar period, three translations were published: An Inscription on a Book of Poems (Напис на книзі віршів), 13 November 1920 (13 листопада 1920 р.) and fragments of the Epiphanies (Прозріння) cycle. In his translations, the author for Lublin was guided mainly by the principle of the hierarchy of values and equivalence. His works include Malanyuk’s poems close to his own poetry. Moreover, in his translation work he tended to avoid texts speaking against Poles and dividing the two nations. Łobodowski is characterised by his interpretational talents and the ability to preserve the main meanings of the original versions. In spite of the fact that his translations are characterised by dynamic equivalence, they are not spontaneous, they do not stem from emotions, but they have
a solid theoretical foundation and are based on his excellent knowledge of the Ukrainian poet’s works
Yevhen Stankovych’ works – inspirations in the age of globalism
No full textNiniejszy artykuł, o charakterze popularnonaukowym, przedstawia w zarysie meandry współczesnej muzyki ukraińskiej oraz charakteryzuje twórczość ukraińskiego kompozytora Eugeniusza Stankowicza [Євген Станкович, ur. 1942 w Swaliawie na Zakarpaciu – Ukraina]. W opracowaniu zagadnienia autorka wykorzystuje jedynie ukraińską literaturę przedmiotu. W omówieniu twórczości Stankowicza koncentruje się na charakterystyce warsztatu kompozytorskiego, języku muzycznym oraz związkach jego utworów z dziełami innych twórców.This popular science article outlines the meanders of the contemporary Ukrainian music and features the work of Ukrainian composer Yevhen Stankovych [Євген Станкович, born 1942 in Svaliava in the Transcarpathians – Ukraine]. The study is based solely on the relevant Ukrainian literature. The author focuses on the composing technique, musical language and relations between Stankovych’ work and the works of other composers
Problems of the realisation Yevhen Malaniuk and Josef Svatopluk Machar's selfidentity in their writings
No full textThe main goal of the bachelor thesis is a question of self-identity in the works of Yevhen Malaniuk and Josef Svatopluk Machar. The author paid her attention to the search of the patriotic motives in the poetic writings of J. S. Machar and Y. Malaniuk and the common ideological elements of both writers. The source for the analysis and comparison of national motives is focused on Malaniuk's collections of poems of the interwar period and Machar's selected collections of poems. Key words: national motives - patriotic lyrics - new conception of patriotism - Czech-Ukrainian relation
Problems of the realisation Yevhen Malaniuk and Josef Svatopluk Machar's selfidentity in their writings
No full textThe main goal of the bachelor thesis is a question of self-identity in the works of Yevhen Malaniuk and Josef Svatopluk Machar. The author paid her attention to the search of the patriotic motives in the poetic writings of J. S. Machar and Y. Malaniuk and the common ideological elements of both writers. The source for the analysis and comparison of national motives is focused on Malaniuk's collections of poems of the interwar period and Machar's selected collections of poems. Key words: national motives - patriotic lyrics - new conception of patriotism - Czech-Ukrainian relation
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