1,721,124 research outputs found
Andrea Torre, Scritture ferite. Innesti, doppiaggi e correzioni nella letteratura rinascimentale
Il volume di Andrea Torre intreccia due solidi percorsi critici intorno a una pluralità di esperienze cinquecentesche di riscrittura letteraria, offrendo un’indagine metodologicamente articolata e complessa in grado di cogliere – anche in opere in apparenza minori e marginali – emergenze condivise della temperie culturale italiana del xvi secolo. Mirato sulle molteplici dinamiche di sopravvivenza dell’antico entro un corpo testuale moderno, il nucleo dello studio si condensa nella suggestiva ..
«Per sfuggir sbigottito»: Adone e Giuseppe, in Fragilità di Adone. Parole, immagini e corpi di un mito, a cura di A. Grilli, S. Tomassini, A. Torre, ETS, Pisa, 2018, pp. 17-44
Visibilmente invisibili:i venditori di fiori ambulanti marocchini a Genova
Presentazione dei risultati di una ricerca sui venditori ambulanti maghrebin
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
L’enciclopedismo iconologico come fonte poetica e artistica
Il saggio analizza il ruolo della letteratura simbolica nella produzione artistica cinquecentesc
"Il gesto era un fatto pensoso”. Emilio Villa, l'arte, la scrittura
Attraverso l'analisi della critica d'arte di Emilio Villa - in particolare degli scritti per Burri e Fontana - della sua opera poetica e di documenti inediti provenienti dal Fondo Villa (Biblioteca Panizzi - Reggio Emilia), l'articolo individua alcune convergenze tra il pensiero del poeta milanese sull'arte informale e le recenti acquisizioni, in ambito di estetica sperimentale, derivate dalla scoperta dei neuroni specchio
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