1,724,266 research outputs found
Santa Fe (ATSF) 5033
No full textA photograph postcard showing Santa Fe (ATSF) 5033, 2-10-4, on 102 car mixed freight , 20 mph
Santa Fe (ATSF) 5033
No full textA photograph postcard showing Santa Fe (ATSF) 5033, 2-10-4, eastbound freight coming down siding at Belva, OK, to let No. 2 "Scout" pass by Curtis Hill, 102 cars, 20 mph
Chicago, Rock Island & Pacific (RI) 5033
No full textA photograph print showing the Chicago, Rock Island & Pacific (CRIP, RI, or ROCK) 5033, 4-8-4, Kansas City, KS
Block Card 5033 Golden Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Ranch houses | 5033 Golden Road (Toledo, Ohio) | Dwelling | Westhaven First Addition (Toledo, Ohio) | Reynolds Corners Area (Toledo, Ohio
De aansprakelijkheid van de staat voor schade voortvloeiende uit rechterlijke uitspraken
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5033.pdf (Publisher’s version ) (Open Access
Extreme X-Ray Reflection in the Nucleus of the Seyfert Galaxy NGC 5033
Get PDFNGC 5033 is an intriguing Seyfert galaxy because its subclassification may change with time, and because optical and submillimeter observations find that the massive black hole does not sit at the dynamical center of the galaxy, pointing to a past merger. We obtained a new optical spectrum of NGC 5033 using the 200″ Hale telescope at Palomar that clearly reveals a broad Hβ line (FWHM = 5400 ± 300 km s−1). This signals a clear view of the optical broad line region and requires Seyfert-1.5 designation. Some spectra obtained in the past suggest a Seyfert-1.9 classification, potentially signaling a variable or “changing-look” geometry. Our analysis of a 2019 Chandra spectrum of the massive black hole reveals very little obscuration, also suggesting a clean view of the central engine. However, the narrow Fe Kα emission line is measured to have an equivalent width of EW =460−90+100 eV. This value is extremely high compared to typical values in unobscured active galactic nuclei . Indeed, the line is persistently strong in NGC 5033: the line equivalent width in a 2002 XMM-Newton snapshot is EW =250−40+40 eV, similar to the EW =290−100+100 eV equivalent width measured using ASCA in 1999. These results can likely be explained through a combination of an unusually high covering factor for reflection, and fluxes that are seen out of phase owing to light travel times. We examine the possibility that NGC 5033 may strengthen evidence for the X-ray Baldwin effect
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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