1,767,695 research outputs found

    452 F : revista de teoría de la literatura y literatura comparada

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    A partir del número 11 l'Associació passa a estar vinculada a la Universitat de Barcelona enlloc de a la Universitat Autònoma de Barcelona; es deixa de recollir en aquest dipòsit, per a consultar la resta de números us heu d'adreçar a RACO o a la web de la revista

    Participant 452 Community Conversations Interview

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    In this interview, Participant 452 shares that the pandemic has been hard on their children, because they have not been able to go outside. They explain that the pandemic has also been difficult for their parents, who are normally very involved in their grandchildren�s lives. The participant expresses their disappointment that so many people were reluctant to follow safety precautions, including social distancing and wearing masks. The participant also shares their perspective on the COVID-19 vaccines.New Jersey Department of Healt

    Commento agli artt. 452-nonies - 452- duodecies c.p.

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    Commento dottrinale e giurisprudenziale agli artt. 452-nonies - 452-duodecies c.p

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Verlustliste Nr. 452. (Nr. 452. /1916)

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    VERLUSTLISTE NR. 452. Verlustliste (-) Verlustliste Nr. 452. (Nr. 452. /1916) ([1]) Belehrung. (2) Offiziere. (3) A, B, C, D, E, F, G, H, J, K, L (3) M (3) N, O, P, R, S, T, U, V (4) W (4) Z (5) Mannschaft. (5) A (5) B (6) C (11) D (13) E (15) F (15) G (17) H (20) I (23) J (24) K (25) L (32) M (34) N (38) O (39) P (40) R (43) S (45) T (53) U (55) V (56) W (57) Z (58) Ergänzungen zu den Verlustlisten: (59) P. Nr. 1. (59) Berichtigungen zu den Verlustlisten: (59) Nr. 25. Nr. 46. Nr. 48. Nr. 168. Nr. 172. Nr. 231. Nr. 233. Nr. 268. Nr. 308. Nr. 318. Nr. 328. Nr. 330. Nr. 393. Nr. 401. (59) Nr. 439. Nr. 444-446. (60) Ergänzungen und Berichtigungen zu den Verlustlisten: (60) P. 2. Nr. 20. Nr. 31. Nr. 39. Nr. 138. Nr. 150. Nr. 401. (60

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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