1,724,704 research outputs found
Conpes 3950
No full textEsta semana en “Esto no es una frontera, esto es un río” analizaremos el documento Conpes 3950: Estrategia para la atención de la migración desde Venezuela del 23 de noviembre de 2018, con el cual el gobierno de Iván Duque busca establecer e implementar la política pública para la crisis migratoria
Conpes 3950 Segunda Parte: Diagnóstico
No full textEsta semana en “Esto no es una frontera, esto es un río” continuamos analizando el Conpes 3950 profundizando en el diagnóstico que sobre el fenómeno migratorio contiene el documento
Personale del pittore Ciampi Lucio
No full textPieghevole di invito della mostra personale del pittore Lucio Ciampi, tenuta presso la Galleria "3950", Venezia, inaugurata il giorno 1 settembre 1960. Comprende un elenco delle opere e un testo introduttivo. Sul retro sono presenti alcuni schizzi fatti con penna biro
Block Card 3950 Woodhaven Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling | 3950 Woodhaven Drive (Toledo, Ohio) | Cross gabled | North Toledo Area (Toledo, Ohio) | Willys Park Area (Toledo, Ohio) | Morris and Phillips Addition (Toledo, Ohio) | Folk House Styl
Informe bibliométrico - Revista Relaciones Internacionales (ISSN 1699-3950)
Get PDFFormato de caracterización de la Revista Relaciones Internacionales (ISSN 1699-3950) en el marco internacional y el Sistema Nacional De Ciencia, Tecnología e Innovación de Colciencias. Este es un insumo para la comunidad académica USTA cuyo objetivo es publicar en revistas que garanticen una correcta gestión editorial, visibilidad y reconocimiento.Characterization of the Journal Relaciones Internacionales (ISSN 1699-3950) in the international framework and the Sistema Nacional De Ciencia, Tecnología e Innovación de Colciencias. This is an input for the USTA academic community whose goal is to publish in journals that guarantee proper editorial management, visibility and recognition.http://unidadinvestigacion.usta.edu.c
Taalkunde in F-groot en F-klein
Get PDFContains fulltext :
3950.pdf (Publisher’s version ) (Open Access
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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