1,726,856 research outputs found
Daniel Senise, 2892: entre o ser e o nada, o espectador / Daniel Senise, 2892: Between Being and Nothingness, The Spectator
No full textEste ensaio investiga e especula sobre alguns contextos possíveis da instalação 2892 de Daniel Senise. Ele investiga a relação entre 2892 e certas pinturas do artista através de uma breve historiografia de sua trajetória, e especula sobre aspectos ontológicos ao qual conceitos oriundos de 2892 podem se referir. Ele termina por discutir 2892 como um possível início da preocupação do artista com a arquitetura e sua simbologia.
This essay investigates a work by the artist Daniel Senise entitled 2892, which at first appears to be atypical within the oeuvre. It traces the production of compositional characteristics as well as the repetition of themes and figures within other more overtly painterly works produced at the moment of conception of 2892 arguing that there is a contextual coherence within the group as a whole. Whilst almost two decades separate the conception of 2892 and its first public showing, the essay then speculates on some interesting co-relations that exist between the site in which it was shown and the trajectory that the other painterly work concurrently took
Medication in the 2892 analysed DIACORE patients.
No full textMedication in the 2892 analysed DIACORE patients.</p
Daniel Senise, "2892": between being and nothingness, the spectator
No full textThis essay investigates a work by the artist Daniel Senise entitled "2892", which at first appears to be atypical within the oeuvre. It traces the production of compositional characteristics as well as the repetition of themes and figures within other more overtly painterly works produced at the moment of conception of "2892" arguing that there is a contextual coherence within the group as a whole. Whilst almost two decades separate the conception of "2892" and its first public showing, the essay then speculates on some interesting co-relations that exist between the site in which it was shown and the trajectory that the other painterly work concurrently took
2892. Jean de Hocsem, historien liégeois
No full text2892. Jean de Hocsem, historien liégeois. In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). III. Les Capétiens, 1180-1328. Paris : A. Picard et fils, 1903. pp. 203-204
Daniel Senise, "2892": entre o ser e o nada, o espectador
No full textEste ensaio investiga e especula sobre alguns contextos possíveis da instalação "2892" de Daniel Senise. Ele investiga a relação entre "2892" e certas pinturas do artista através de uma breve historiografia de sua trajetória, e especula sobre aspectos ontológicos ao qual conceitos oriundos de "2892" podem se referir. Ele termina por discutir "2892" como um possível início da preocupação do artista com a arquitetura e sua simbologia
Block Card 2892 Broadway Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Modern Colonial Style | 2892 Broadway (Toledo, Ohio) | Dwelling | Harvard Terrace Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Potter, Thomas Corwin, 1841-1863 (SC 2892)
No full textFinding aid and typescript (Click on Additional Files below) for Manuscripts Small Collection 2892. Letter, 7 January 1862, of Private Thomas C. Corwin, Battery B, 1st Ohio Light Artillery, to his sister in Michigan. Writing from camp at Somerset, Kentucky, he reflects on the war’s duration and describes camp life, troop positions around Somerset, and local citizens’ fear of a coming battle. He also describes skirmishes with Confederate pickets and his hopes for an advance though Kentucky
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Clinical characteristics and cardiovascular risk factors of the analysed 2892 DIACORE participants.
No full textClinical characteristics and cardiovascular risk factors of the analysed 2892 DIACORE participants.</p
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