1,729,228 research outputs found

    UMNH:Mamm:2773

    No full text
    UMNH:Mamm:2773 Voucher specimen study ski

    [IO Islamic 2773] Kalimât-alshu'arâ

    No full text
    Kalimât-alshu’arâ. This manuscript is now IO Islamic 672 in the India Office collections. [metadata: Hermann Ethé, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 2773 here with notations and hyperlinks]. 672 A fragment of the same. This fragment of the Kalimât-alshu’arâ breaks off on fol. 36b in the specimens of a poet with the takhalluṣ Sayyid, i.e. Mîr Sayyid ‘Alî (beginning on fol. 36a= fol. 51b in the preceding copy). The last words, گيسو مسلسل را ... , correspond to fol. 52b , l.4 in the same copy . Ff. 37b and 38a contain (in a different handwriting) a few Rekhta ghazals. Bibliotheca Leydeniana. No. 2773, ff. 1-38, ll. 16; Nasta’lîḳ; size, 81/4 in. by 55/8 in

    The radioactive Substances (Electronic Valves) Exemption (Scotland)Order 1962

    Get PDF
    ERAF: A6.SI.1962.2773(S.133 )STATUTORY INSTRUMENTS 1962 No. 2773 (S. 133) ATOMIC ENERGY AND RADIOACTIVE SUBSTANCES The Radioactive Substances (Electronic Valves) Exemption (Scotland) Order 196

    2773. Lu ribellamentu di Sicilia contra re Carlu

    No full text
    2773. Lu ribellamentu di Sicilia contra re Carlu. In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). III. Les Capétiens, 1180-1328. Paris : A. Picard et fils, 1903. p. 168

    2773 bakal bergraduasi dalam Konvokesyen UMP

    Get PDF
    Kuantan, 2 November- Universiti Malaysia Pahang (UMP) bakal meraikan seramai 2773 graduan bersempena dalam Majlis Konvokesyen UMP kali ke-13 yang akan berlangsung selama dua hari iaitu pada 10 dan 11 November depan di Dewan Kompleks Sukan UMP Kampus Gambang. Majlis menyaksikan Kebawah Duli Yang Maha Mulia Pemangku Raja, Tengku Abdullah Al-Haj Ibni Sultan Haji Ahmad Shah Al-Musta’in Billah yang merupakan Canselor UMP mencemar duli mengurniakan ijazah dan anugerah kecemerlangan kepada graduan pada sidang pertama konvokesyen

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Get PDF
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Spannungsrisskorrosion von Polyethylen-Huellrohren fuer Spannstaehle Abschlussbericht

    No full text
    SIGLEAvailable from TIB Hannover: RN 5905(2773) / FIZ - Fachinformationszzentrum Karlsruhe / TIB - Technische InformationsbibliothekDeutsches Inst. fuer Bautechnik (DIBt), Berlin (Germany)DEGerman

    Variations on the Author

    Get PDF
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore