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    Music of Guillaume de Machaut (c. 1300-1377) Wednesday, April 21, 1993 8:00 p.m. Lillian H. Duncan Recital Hall

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    Presented as part of Schola Pastoris, the early music ensemblePlaylist: Douce dame jolie -- Guillaume de Machaut (1300-1377) / Quant je sui mis au retour -- Guillaume de Machaut (1300-1377) / Quant j'ay l'espart -- Guillaume de Machaut (1300-1377) / Je sui aussi com cilz qui est ravis -- Guillaume de Machaut (1300-1377) / Se je souspir parfondement -- Guillaume de Machaut (1300-1377) / Ma fin est mon commencement -- Guillaume de Machaut (1300-1377) / Foy porter -- Guillaume de Machaut (1300-1377) / Bone pastor Guillerme-Bone pastor, qui pastores (motet) -- Guillaume de Machaut (1300-1377) / Messe de Notre Dame. -- Guillaume de Machaut (1300-1377)

    Bulgarien 1300

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    Vom 9.-17. Mai 1981 führten in Hamburg die Clemens-von-Ohrid Universität Sofia und die Universität Hamburg aus Anlaß des 1300. Jahrestags der Gründung des 1. Bulgarischen Staates eine "bulgarische Woche" durch. In der Sektion "Sprache und Literatur" sprachen vier Wissenschaftler der Clemens-von-Ohrid-Universität und drei von der Universität Hamburg. Die Texte der Referate legen hier vor, auch um sie über Hamburg hinaus bekannt zu machen

    1300

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    IlluminierteUrkunden 1300-02-22_Cortona

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    Silvester, ein kurialer Schreiber (?), kündigt das Heilige Jahr 1300 an; anschliessend Abschrift der entsprechenden Urkunde von Papst Bonifazʼ VIII (Antiquorum habet)

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    IlluminierteUrkunden 1300-99-99_Magdeburg_2

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    Bischofsammelablass für die Kirche des großen Siechenhofes vor Halberstadt:Die Erzbischöfe Basilini von Jerusalem , Ranucius von Cagliari , Adanulphus von Conza und Bischöfe Nikolaus von Tortiboli , Jakob von Chalcedon , Antonini von Csanad (Chanadionsis), Manfred von St. Marco , Nikolaus von Nicastro , Rogerius von Ascoli und Puglia verleihen der Kirche des großen Siechenhofes vor Halberstadt einen 40-tägigen Ablass.Am Schluss bestätigt Bischof Herrmann von Halberstadt den Ablassbrief, 28. Januar 1300 (aus Archivdatenbank)

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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