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Filippo Briguglio, Il Codice veronese in trasparenza. Genesi e formazione del testo delle Istituzioni di Gaio - Filippo Briguglio, La prima trascrizione delle Istituzioni di Gaio. Il Codex DCCCIX (DCCCXIII) Gaii Istitutionum
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L'Hirpinia fra III e I sec. a.C.: agro pubblico, assegnatari viritani, giurisdizione delegata, assetto istituzionale
Get PDFEnThe ager publicus populi Romani in Hirpinia was established after the Hannibal's war, as a punishment of the rebel communities. Lands were distributed among veterans of Scipio, Gracchan assignees, veterans of Sulla and beneficiaries of the lex Iulia agraria (59 BC.). The praefecti of the praetor urbanus administered the justice for them. Around mid- I century BC., the land assignees located in the upper valley of the Calore and of the Ofanto were confered to Compsa, while those in the valley of the Ansanto were organized into an autonomous local community whose identity is still unknown.DeIn Hirpinia wurde der ager publicus populi Romani nach dem hannibalischen Krieg als Bestrafung für die aufständischen Gemeinden gegründet. Hauptsächlich diente er, in verschiedenen Zeiten, der Ansiedlung der Veteranen von Scipios, Ti. Gracchus, Sullas, sowie von Begünstigten nach der lex Iulia agraria (59 v. Chr.). Zugunsten dieser Assignataren beauftragte der Prätor einen oder mehrere Präfekten zur Ausübung der Rechtspflege. Um die Hälfte des 1. Jahrhunderts v. Ch. wurden die Assignataren im oberen Tal des Calore und des Ofanto zu dem municipium von Compsa zugeschrieben. Die Assignataren im Tal des Ansanto wurden dagegen zum Rang eines municipium erh oben. Die Identität dieses municipium bleibt noch unbekannt
Translating into Italian Charlotte Perkins Gilman’s Herland (1915)
No full textCharlotte Perkins Gilman’s Herland (1915) setting is considered the first feminist literary utopia centred on a land inhabited and governed by women. During the geographical and metaphorical journey of three male characters through fictional locations in South America, they gradually question the working mechanism of the patriarchal order, discussing the hegemonic discourse, binary opposition, and the culturally embedded assumptions about gender. In the following essay I will analyse some passages from the Italian translation Terradilei (1980) by Angela Campana and Terra di lei (2011) by Anna Scacchi, with a short reference to Franco Venturi’s version, published in 2015, in order to discuss the complex concepts of the active presence and creativity of the translator in the text, a self-sufficient node in a dynamic web, connected with the principle of fidelity in translation
Biopolíticas del trabajo en Rafael Arévalo Martínez
No full textThis paper reflects on the relationship between the power of life and the regulation of work in the short story by Guatemalan author Rafael Arévalo Martínez, “Por cuatrocientos dólares (Un guatemalteco en Alaska)”, published in the seventh edition (1951) of the collection El hombre que parecía un caballo (The Man Who Looked Like a Horse) (1915). Drawing on the studies of Foucault, Deleuze, Gabriel Giorgi, and others on biopolitics, this paper seeks to investigate the fictionalization of the rationalization of life in the productive world—or, in other words, the narrative tension between the power of life and governmentality, the counterpoint between irreverent feasting and the organization of bodily consumption in industrial production. The aim of this work is to define the role of queer aesthetics and baroque style, both in terms of form and content, in the definition of a subalternity (from the point of view of work and social role) as one of the key tensions that characterizes modernity