REKAM: Jurnal Fotografi, Televisi, dan Animasi
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Bahasa Indonesia dalam Animasi Lagu Anak Indonesia Bersama Diva Produksi Kastari Animation
Get PDFIndonesian Language in Lagu Anak Indonesia Bersama Diva Animation Production by Kastari Animation. Indonesian children’s songs are numerous and have their own peculiarities. One of the uniqueness of it is the utilization of verbal aspects of Indonesian language in the lyrics of the song. However, not everyone, including parents is aware of it. In the Lagu Anak Indonesia Bersama Diva with the production division of Kastari Animation, found a number of verbal aspects that are used by the songwriter. The purpose of this study is to describe the verbal aspects of Indonesian language in the lyrics of Indonesian children’s songs, especially in Lagu Anak Indonesia Bersama Diva animation. The research method used is qualitative method. The results of this study are descriptions of verbal aspects of Indonesian language including (1) rhyme, (2) onomatopoeia, and (3) toponimi used by children’s songwriters. As for the Indonesian children’s songs being researched are Naik Becak, Menanam Jagung, Tik Tik Bunyi Hujan, Burung Kakak Tua, Halo-Halo Bandung, Satu Nusa Satu Bangsa, and Bendera Merah Putih
Rekonstruksi Identitas Ke-“Tionghoa”-an dalam Film Indie Pasca-Suharto
Get PDFAbstrakKe-“tionghoa”-an senantiasa menjadi hal yang dipermasalahkan di Indonesia. Hal ini mengacu pada identitas ke-“tionghoa”-an yang selalu diformulasikan oleh masyarakat Indonesia, baik oleh masyarakat Tionghoa itu sendiri maupun masyarakat non-Tionghoa. Upaya formulasi tersebut dimunculkan melalui berbagai wacana yang muncul baik perdebatan publik maupun berbagai karya mengenai kehidupan masyarakat Tionghoa di Indonesia seperti dalam film. Metode yang dipakai mempergunakan pendekatan konstruktivisme sosial. Dalam hal ini, makna-makna subjektif dikaji atas pengalaman-pengalaman kehidupan masyarakat Tionghoa di Indonesia melalui representasi film indie. Representasi tersebut dikaji tidak hanya melalui makna karya semata, tetapi juga mempertimbangkan unsur sejarah sebagai salah satu penentu alat produksi dan reproduksi. Hal ini dilakukan dengan tujuan agar diperoleh gambaran latar belakang yang kompleks mengenai kondisi historikal dan kultural kehidupan masyarakat Tionghoa di Indonesia. Gambaran yang kompleks tersebut akan membantu dalam menafsirkan makna-makna yang terkandung dalam karya film indie sebagai suatu hasil produksi dan reproduksi dari gambaran kehidupan masyarakat Tionghoa sebenarnya. Identitas masyarakat Tionghoa di Indonesia terbentuk baik dari pandangan eksternal maupun internal, sudut pandang formal maupun informal. Sudut pandang eksternal dilihat dari sisi luar masyarakat Tionghoa, sedangkan sudut pandang internal merupakan sudut pandang masyarakat Tionghoa membentuk jati dirinya sendiri. Identitas yang dibentuk secara formal terkait dengan peraturan perundangan yang diberlakukan di Indonesia sedangkan secara informal merupakan identitas yang dikembangkan melalui kolaborasi budaya bersifat mana suka (arbitrerness) yang pada akhirnya membentuk identitas baru yang tumbuh dari konteks ruang-antara masyarakat Tionghoa di Indonesia. Abstract The Reconstruction of Tionghoaness Identity in Indonesian Indie Movies in the Era of Post-Suharto. ‘Being a Chinese’ has always been an issue in Indonesia. It refers to the identities of ‘being a Chinese’ that were formulated by Indonesian people, both by the half-Chinese Indonesians and non half-Chinese Indonesians. The efforts in formulating those identities were mediated by various discourses found in public debates and works of arts represented the Chinese society life in Indonesia, such as in films. In this research, the social constructivism approach was applied. The experiences in life traversed by the Chinese society in Indonesia depicted in indie movies were studied to get the subjective meanings. The representations were not scrutinized merely from the meaning, but also by considering the historical aspects as, among others, the determinant factor of the means of production and reproduction. It was carried out to get the full picture of complicated background about the historical and cultural conditions of the Chinese people in Indonesia. The complicated depiction will be very beneficial in interpreting the meanings of the indie movies as a result of production and reproduction of the real life experienced by the Chinese society. The identity of Chinese people in Indonesia was shaped by the internal and external perspectives, by the formal and non formal point of views. The external point of view was the one given by the non Chinese people, whereas the internal was how the Chinese view themselves. The formally built identity was related to the laws applied in Indonesia. Arbitrary cultural collaborations informally developed the new Chinese identity that grew from the spatial contexts between the Chinese people in Indonesia.
Eksplorasi Teknis Fotografi Udara Poros Imajiner Daerah Istimewa Yogyakarta
Get PDFYogyakarta adalah kota yang unik dan istimewa, salah satunya karena adanya filosofi tentang garis imajiner. Garis imajiner itu sudah menjadi wacana lama, tetapi tetap menarik untuk menjadi pembahasan. Kota ini terbelah sebuah oleh sumbu imajiner yang menghubungkan Gunung Merapi – Tugu Pal Putih – Keraton – Panggung Krapyak – Parangtritis. Dilihat dari peta, juga bisa dilihat jika Merapi, Keraton, dan Pantai Selatan ini memang berada di satu garis lurus secara imajiner. Filosofi garis lurus imajiner dari Merapi hingga Laut Selatan ini sarat makna. Untuk masyarakat di Yogyakarta, Gunung Merapi, Laut Selatan, dan Keraton Yogyakarta mengandung makna penting. Kehidupan di dunia merupakan sebuah harmoni antara mikrokosmos (jagat cilik) dan makrokosmos (jagat gede). Keharmonisan itu harus dijaga satu sama lain, tidak boleh terjadi ketimpangan. Tujuan dari penelitian ini adalah bagaimana melakukan eksplorasi pemotretan udara atas poros imajiner dikaitkan dengan teknis kreatif dan aspek estetis yang dapat mengungkap kekhasan wilayah Daerah Istimewa Yogyakarta. Pemotretan yang akan dilakukan adalah pemotretan melalui udara menggunakan drone, sebuah peralatan dan teknologi baru yang sedang berkembang dalam dunia fotografi saat ini. Lokasi yang akan direkam dan didokumentasikan adalah lima titik yang ada dalam poros imajiner tersebut, yaitu Gunung Merapi, Tugu Pal Putih, Keraton, Panggung Krapyak, dan Parangtritis. Salah satu kekuatan dalam fotografi udara dengan menggunakan drone adalah keleluasaan dalam menempatkan kamera. Keleluasaan penempatan kamera tersebut membuka ruang eksplorasi dalam mengambil gambar dari berbagai sudut yang berbeda. Gambar dari sudut yang berbeda tersebut dapat memberikan cara pandang yang berbeda pula. Hal ini berarti ruang hampir tidak terbatas untuk mengekplorasi berbagai sudut yang mungkin sulit dijangkau ketika menggunakan medium fotografi lainnya. ABSTRACTAerial Photography Technical Exploration of the Special Region of Yogyakarta’s Imaginary Axis. Yogyakarta is a unique and special city, one of them is because of the philosophy of the Imaginary Line. Although the imaginary line has become an old discourse, it is still interesting to be discussed. The city is split by an imaginary axis connecting Mount Merapi - Tugu Pal Putih - Keraton - Panggung Krapyak –Parangtritis. Explored from the map, it can also be seen that Merapi, Keraton and South Coast are indeed in one imaginary straight line. The philosophy of imaginary straight lines from Merapi to the South Sea is full of meaning. For people in Yogyakarta, Mount Merapi, the South Sea, and Yogyakarta Palace, they have their own important meaninga. Life in the world is a harmony between the microcosm (the universe) and the macrocosm (big universe). The harmony must be maintained with each other, inequality must not occur. The purpose of this study is to explore aerial photography of an imaginary axis associated with creative technical and aesthetic aspects that can reveal the peculiarities of the Special Region of Yogyakarta. The photos taken are aerial photography using Drones, a new equipment and technology that is developing in the world of photography today. The locations that were recorded and documented were the five points in the imaginary axis, namely Mount Merapi, Tugu Pal Putih, Keraton, Panggung Krapyak, and Parangtritis. One of the strengths in aerial photography using drones is the flexibility in placing the camera. The flexibility of placing the camera opens an exploration of space in taking pictures from different angles, because images from different angles can provide a different perspective. This means there is an unlimited space to explore various angles that may be difficult to reach when using other photography mediums
Supers Sebagai Media Persuasi dalam Iklan Layanan Masyarakat “Untuk Bumi yang Lebih Hijau”
Get PDFAbstrakPenumpukan sampah di seluruh penjuru dunia makin mengkhawatirkan dan berdampakburuk dalam kehidupan manusia. Iklan Layanan Masyarakat (ILM) tentang lingkungan yangmemberikan solusi sederhana dapat dilakukan untuk menyelamatkan lingkungan dibutuhkanoleh masyarakat. Supers atau teks yang muncul pada frame merupakan kekuatan. Hal inikemudian dimanfaatkan dengan memunculkan kalimat-kalimat persuasi untuk ditampilkandalam ILM “Untuk Bumi yang Lebih Hijau”. Pengaplikasian supers dalam ILM ini selainsebagai media persuasi ternyata juga berperan sebagai pendukung visualisasi. Supers as the Medium of Persuassive on a Public Service Announcement “For a GreenerEarth”. Stacking garbages in all over the world are increasingly worrying and have negativeimpact on human life. Public Service Announcements (PSAs) on the environment provides asimple solution that can be done to save the environment needed by the community. Supers ortext that appears on the frame is a power. This is then used to bring the words of persuasion tobe displayed in the PSA “For a Greener Earth “. The Application of supers in this PSA tha
Perlindungan Hukum dalam Perjanjian Kerja antara Rumah Produksi dan Kru Film pada Produksi Film Televisi
No full textThis article discusses about the contract between a poduct house and a freelance film worker on a television film production locates in Yogykarta. This article is the result of the research that aims to know about wanprestatie done in a contract. The research is included into an Empiricaljuridical research category. The research is done at Yogyakarta, by selecting the purposive sample. The data used in this research is secondary data of literature references through document study and primary data, which is the data that gained directly by doing interviews. The collected data will be analized qualitatively and will be reported as a descriptive research. The result of this research showed that in dealing with a contract between a production house and freelancer of television film which located in Yogyakarta, may cause wanprestatie possibly happen, such as the fee payment’s pending and inappropriate health supporting. A wanprestatie which might be done by a freelancer is doing resignment before the end term of the contract, a sudden employee’s replacement, and the lateness of a freelancer to go for her/his work, so it causes less profit for a production house. The protection of law for this kind of contract are job contract, working hour, resting hour, salary payment, and technically protection.Keywords: job contract, wanprestatie, law protectio
Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni
No full textAccountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, image
‘Langen Katresnan’ Video Animasi dengan Tema Ramayana Episode Penculikan Shinta
No full textRamayana story has been widely known in Indonesian society since centuries ago. This story has been disseminated from generation to generation. The story is familiar to the public in the form of this kakawin often staged in the form of performing arts, dramatari, puppet performances, as well as in the form of puppet or sculpture. Ramayana story has a lot of episodes, but in the creation of this animated video work taking Shinta kidnapping episode. This animated video works explored the form of characters and stories, as well as collaborate with dance, heater and musical arts. Kidnapping of Shinta’s story became the basis of the principal narrative in the creation of animated video with the theme of Ramayana episode kidnapping Shinta ‘Langen Katresnan’ which then developed in accordance with the ideas and concepts. It also supports the creation of new work that promotes originality of the work. This animated video works using two-dimensional techniques. This is actually a reference to that puppet animation that was first recognized by earlier ancestors.Keywords: puppet, Ramayana, animatio
Penggunaan Metafora Visual Dalam Video Iklan Layanan Masyarakat Kick It Out
No full textFootball fans riot in Indonesia are common and many lives. Excessive negative and tends to be one of the causes frequent riots between football fans in Indonesia. Anarchism is likely to lead to vandalism attitude is very detrimental to yourself or others. Lack of sportsmanship spirit football fans in Indonesia are still frequently encountered, it is necessary for an awareness to change it all. Public service ads are ads that criticize noncommercial purposes, satirical, or invited to do the positive nature of social problems. A public service announcements that are invited will be more easily accepted by the community by giving exposure to social phenomena. Metaphor is a delicate metaphor used to describe something as non-verbal. An advertisement that contains a message and visualized through metaphor will be more impressed solicitation and not patronize them head on. Metaphorical approach used to convey a message, video public service announcements Kick It Out will convey a subtle message.Keywords: supporter, advertising, metaphor, directin
Pengaruh Media Penyiaran Pada Sistem Kognitif dan Sistem Afektif Khalayak
No full textThe broadcasting media through radio and television broadcasts have influenced significantly on people’s views of its function as a medium toboost the popularity, propaganda, and image of a specific community. The broadcasting media have been able to bring a significant impact on its success in conveying the message to the audience. A two-way communication process between the communicant and communicatorshas been underlying such success as stated in the SR theory in which the media present great stimuli that are uniformly observed by the masses, and give more encouragement. This paper focuses on affective and cognitive aspects of the public affected by the broadcasting media. Radio and television audiences have known and understood certain information of which broadcasting media have already instilled that sense of understanding. Then, by knowing this tendency, they may arouse cognitive aspects to the audiences. In addition, the affective aspects caused by the broadcasting media have created the impression of empathy towardssomeone, and care about the launched programs. Therefore, it is expected that the broadcasting media really emphasize on educating function in which they are also able to educateand encourage audiences to be intelligent and critical audiences.Keywords: broadcasting media, communication, cognitive aspects, and affective aspects
Gerak Tari Baris Tunggal dalam Fotografi Ekspresi Menggunakan Teknik Strobo Light
No full textDance photography is a photo shoot on a dance movement which has a characteristic as it shows on a particular movement with unique costumes. The arts of dance photography specifically describes through a specific thematic effect with an aesthetic and creative oncoming. Based on the photographer experience to capture the light together with his aesthetic expression on movement photography, he finally presented the visual arts on Baris Tunggal Dance in art photography expressions using strobe light. Basically, the creative works focused on the dancer movements and transformed into photography expression which blended with aesthetic and creative idea (ideational) also the technical photo shoot capability (technical) of the photographer. The photo shoots technique chosen through a variety of consideration which oriented on practical implementations possibilities, resulting photographs in freeze, blurred, and multiple-images as art photography. The art photograph includes extrinsic and intrinsic aesthetic values through photo presentation. With the presence of this photography art works it was not only present Gerak Tari Baris Tunggal dalam Fotografi Ekspresi Menggunakan Teknik Strobo Light in the form of mere documentation but it was the art photography expression on creative and aesthetic level. Keywords: movements, Baris Tunggal Dance, photography expression, strobo-light * Dosen ISI Denpasa