198 research outputs found

    "Joe Biden is a corrupt politician!": Impoliteness in Donald Trump’s Tweets

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    This study aims at investigating impoliteness strategies in 351 tweets taken from Donald Trump’s personal Twitter account (@realDonaldTrump) from the first presidential debate to the Election Day of the 2020 United States presidential election. The current study employed Bousfield’s (2008) taxonomy of impoliteness strategies to analyze the data. There are 368 occurrences of eleven impoliteness strategies across 351 tweets. The most common impoliteness strategy is use inappropriate identity markers (23.59%), followed by threaten/frighten (21.13%) and condescend, scorn, and ridicule (20.59%). These strategies were employed to attack and discredit Trump’s political opponents as well as attracting prospective voters. On the other hand, two impoliteness strategies, namely hinder/block and enforce role shift, were not identified in the tweets. The results indicate that Donald Trump’s tweets exhibited impoliteness and that it played quite a significant role as a means of political campaign during the 2020 United States Presidential Election

    The Patterns of Blends Found in Food and Beverage Names in Instagram

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    The present study discusses the patterns of blends found in the data collected which are food and beverage names found in Instagram and describe the possible new meaning of the blends. The researcher uses Mattiello’s classification of blends as the approach to analyze the data. From the findings, there are fiftythree data that can be considered as blends. The data are classified into three perspectives: the first is morphotactic, the second is morphonological (and graphic), and the third is morphosemantic. The result shows that morphotactically the most productive pattern of the blends is total blend more specifically the blend which the beginning of the first source word is followed by the end of the second source word with 19 data or 34.5 percent. Second, Morphonologically and orthographically, the most productive blend is non-overlapping blends with 31 data or 58.5 percent. Last, morphosemantically, the coordinate blend is more frequent than attributive blends with 30 data or 56.6 percent

    Violations of Gricean Maxims in the TV Series You

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    This research investigates the violations of Gricean maxims committed by the main characters in the TV series You Season 1, especially Joe Goldberg and Guinevere Beck. It focuses on how the two characters violate the maxims and the possible purposes behind each violation. Quantitative and qualitative methods were applied to the data analysis. The results show that 100 maxim violations were found in the first season of the series. The most frequently occurring violation is the violation of the quality maxim with 56 occurrences (56%), followed by the relation maxim (28%) and the manner maxim with (10%). The least occurring violation is the violation of the quantity maxim (6%). Joe Goldberg and Guinevere Beck tend to violate the maxims by being dishonest, saying irrelevant things, giving vague or obscure responses, and providing insufficient or unnecessary information. Several purposes of violations can be identified throughout the data, namely to avoid unwanted responses, avoid suspicion, make certain impressions, deceive, divert, persuade others, and relieve worries

    Request Strategies as Seen in the Movie Silver Linings Playbook

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    This research aimed to investigate the types of request strategies used by the characters in the movie Silver Linings Playbook (2012). It also identified the types of request goals made by the characters. The data were taken from dialogues in the movie, which contained request utterances. The data were then classified into nine strategy types of request according to Blum-Kulka and Olshtain (1984), followed by the classification of the data into four types of request goals according to the theory proposed by Blum-Kulka et al. (1985, as cited in Forgas, 1985, p. 118). The result showed that 202 request strategies were made by the characters. The most frequently used request strategy found in the movie was a direct request, which was mood derivable with 111 occurrences (54.9%). Meanwhile, for request goals, requests for action was the most frequently implored type by the characters, and it was dominated by mood derivable strategy with 103 occurrences (64.8%)

    Lexical Error Analysis of Indonesian-English Translation of Texts in Dewantara Kirti Griya Museum

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    The current research aims to examine lexical errors in Indonesian-English translated texts in Museum Dewantara Kirti Griya. The classification of Lexical Errors proposed by Legenhausen (1975, as cited in James, 2013) is applied in analysing the texts. From 43 texts, the result indicates that there are 88 errors, classified into formal errors (62,5%) and semantic errors (37,5%). The first one deals with the arrangement of words and phrases, while the second deals with meaning and collocation. The most common errors are about the confusion between concepts and terms. This happens when the translator meets local-cultural terms in the SL that needs extra effort to translate

    Pragmatic Functions of Questions Found in the TV Series The Office

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    Questions are always present in people’s lives as they are used in daily conversation, not only as a tool to initiate a conversation but also to keep that conversation alive and at the same time to gain information from the interlocutor. This research aims to investigate the syntactic forms of questions and their pragmatic functions found in a TV series entitled The Office Season 1 as the data source. The data used in the research were interrogative utterances, their answers, and the context of the conversation. The results show that 409 questions were found, consisting of 214 (52%) yes/no questions and 195 (48%) WH questions. What outnumbers the other question words with a total of 117 (60%) questions. These questions were used to serve 27 pragmatics functions, seeking the most frequent function, amounting to 140 questions or 34% of the whole data. The dominant use of the questions word what and the function seeking information might be due to the setting of the place where the conversation is held, that is, The Office

    New Woman as Seen in Bram Stoker’s Dracula

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    This paper discusses the influence of feminism in the classic Victorian novel Dracula by Bram Stoker. The New Woman is a feminist ideal that appeared in the 19th century, more specifically amidst the rise of the first wave of feminism. The method of research used in this study covers close reading of the source material and analyzing the characters of the novel through the perspective of the New Woman ideals. The female characters in Bram Stoker’s Dracula portrayed the New Woman characteristic to some degree. Women’s independence, intellect, hyperfemininity, and hypersexuality, are some of the aspects of the movement that go against the norm and values of women in Victorian Britain, such as Mina’s “man’s brain” and Lucy’s hyperfemininity, while the Brides of Dracula provide contrast as the oppressed women with their submissive and compliant attitude towards him. Without erasing their representation of these New Woman ideals, Mina and Lucy also portrayed the complexity and dimensionality of being a woman in the Victorian era; their beauty and appeal were praised while their more “unwomanly” aspects present some threats towards men

    The Flouting of Conversational Maxims by Male and Female Characters in the British TV Series Broadchurch

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    This research focuses on examining the flouting of the Gricean conversational maxims on the British TV series Broadchurch. It also investigates the use of rhetorical strategies in flouting the maxims by male and female characters in the series. The research data were the utterances that flout the maxims. The data were collected from Season I of the Series, containing 8 episodes. The data were analyzed by applying Grice’s theory of cooperative principle (1975). Moreover, the data were also analyzed in terms of the rhetorical strategies employed by the characters when they flout the maxims. The results show that 97 cases of maxim flouting were found. The characters most frequently flout the maxim of relation (44.33%) and least frequently the maxim of quality (13.40%). Furthermore, in flouting the maxims, male characters tend to use the irrelevant statements as their preferred rhetorical strategy (63.46%), whereas female characters tend to use obscure expressions as their preferred rhetorical strategy (33.33%)

    The Significance of the Hero’s Journey in Siddhartha’s Character Development as Seen in Herman Hesse’s Siddhartha

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    This paper discusses the character development of Siddhartha, the main character in Herman Hesse’s novel, Siddhartha (1973). This research aims to study how Siddhartha’s character develops during his journey to reach enlightenment. The analysis is conducted by using the theory of the hero's journey by Joseph Campbell. The result shows that Siddhartha’s journey follows twelve out of seventeen stages of the hero’s journey proposed by Campbell. All of the stages appear in the same order except the stage Belly of The Whale that comes late. It functions as a turning point rather than a preparation for a greater ordeal. The analysis also shows that Siddhartha undergoes two major changes; from an individualistic to a wise person and from someone who is always persistent and thirsty for knowledge to someone who is flexible

    Giving Commands in the TV Series Game of Thrones

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    This research attempts to identify the types of commands, sub-types of the commands, and the influence of situational context, power, and social distance in producing commands between characters in the TV series Game of Thrones. The data used are the commands given by the characters, namely Jon Snow, Sansa Stark, Daenerys Targaryen, Tyrion and Cersei Lannister. Holmes’ theory (2013) and some other sources on the categories of commands, Cutting’s theory (2002) on situational context, and Brown & Levinson ‘s theory (1987) on social variables are employed to analyze how the commands were produced. The results show that there are two types of commands: direct and indirect commands. There are 33 direct commands and 57 indirect commands. Some factors such as situational context, power, and social distance have influenced the dominant use of indirect commands

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