Jurnal POETIKA
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PERGULATAN IMAN BUDHI SANTOSA UNTUK MENCAPAI POSISI TERKONSEKRASI DALAM ARENA SASTRA YOGYAKARTA
This article tries to uncover the strug gle of Iman Budhi Santosa to reach the dominant position in the field of Yogyakarta literature. Bourdieu’s theor y, the field of cultural production, is used to uncover the relation between objects that support Iman to become a consecrated poet in the field of Yogyakarta literature. The relation of the objects are explained by the concepts of habitus, capital, strategy, practice, trajectory.Literary practices which are manifestated in the form of literary writing and publishing activities, the participation in literary activities, institution forming in Yogyakarta are accumulated as symbolic capital which directs his possition to become a consecrated poet in Yogyakarta.Keywords: Iman Budhi Santosa, Bourdieu, the field of cultural production, habitus, capital, strategy, practice, trajector
ANTI-RASISME DALAM NOVEL PERJALANAN BURMESE DAYS KARYA GEORGE ORWELL
Abstract This research is aimed to analyze Orwell’s role in writing a travel writing. Shifting in type, main story, and function of a travel writing leads the researcher to reveal Orwell’s position in it. Approach applied in this research is the concept of negotiation; self and othering by Carl Thompson. It will help the researcher to find out the position and role of Orwell in seeing and responding to apartheid political situation (racism) in Burma. This will also directly reveal the tendential influences existing in Orwell himself.Keywords: Racism, Travel Writing, Negotiation, Self and Otherin
PIERRE BOURDIEU, LANGUAGE AND SYMBOLIC POWER
Judul: Language and Symbolic PowerPenulis: Pierre BourdieuPenerbit: Polity Press, MaldenTahun: 2007Tebal: 302 halama
STRATEGI, AGEN, DAN POSISI EMHA AINUN NADJIB DI ARENA SASTRA DAN ARENA SOSIAL
This research is conducted to prove about Emha Ainun Nadjib’s position, strategies and employment as a agent in the literature and social field. This study uses the sociological literature theor y proposed by Pierre Bourdieu to analyze the problems. The result of the study shows that Nadjib cannot achieve his current position by relying only on his literary works, but also by relying on his social and political movements which are done in literature and social field. Nadjib successfully manages capital with reproduction strategy and reconvention strategy to apply his ideas. Those strategies are employed to accumulate capital for achieving , maintaining , and improving social recognition in the field of national literature which further creates trajector y to a wider social field. The rest, the role of agents around him also have a major influence in cementing his name and position in the constellation of literature and social field in both nationaland international.Keywords: Emha Ainun Nadjib, the field of cultural production, agents, field of literature, field of social
PRODUKSI SIMBOL DALAM SAMPUL BUKU SASTRA TERBITAN GRAMEDIA
As the design and printing technology develops rapidly, the covers’ design of literary books on store develops as well. The covers tell not only title, writer’s name, and publisher, but also show textual symbols such as subtitle, phrases describing title, phrases describing writer, book category, quotes of the content, other writer’s comment, and more. Those additional texts make the cover look full. Gramedia is one of the publishers which keeps putting only title and writer’s name on the book covers without adding up more additional texts mentioned above. Instead, the publisher put the additional texts on the back cover. This article aims at explaining why Gramedia keeps the design of book covers that way. This article applies method of Bourdieu’s theory on literary sociology. The result shows that Gramedia applies a strategy of symbolic capital exchange among the writers whose works published by Gramedia. The symbolic capital exchange is used indirectly to increase the literary books’ sale. Gramedia takes a subtle way of the strategy to keep the symbolic capital of the books and their writers affiliated with the publisher. Gradually the publisher gathers more symbolic capital that consequently increase its economic capital.Keywords: symbol production, Gramedia, literary books’ covers, literary sociology, Bordieu
ARENA (KRITIK) SASTRA INDONESIA: STUDI KASUS PADA JURNAL POETIKA FIB UNIVERSITAS GADJAH MADA
Abstrack This paper discusses the journal as an arena for literary criticism. In the journal the practice of legitimacy is occurred, as a writer, critics or academics. Taking and making positions are conducted by the agents of the journal. This study found that in Jurnal Poetika, academics legitimize the writer and conversely the writer who became the academics legitimize the other writer and even criticize the other academics in their different arena, and it is also possible in the same arena. In the arena of criticism, the exchange of positions continues as long as the existence of the arena, depends on the authorities of the arena, with Faruk as the agent of symbolic power, and even the power is identical to himself. In the arena (criticism) of Indonesian literature especially in the University of Gadjah Mada, Faruk brings the arena (criticism) of Indonesian literature to a new direction with a new angle to bring the literary text towards newer perspective that is identical to the newer view which is a part of the habitus in Indonesian literature.Keywords: Arena, Practice, Positions.
PROSA, RUANG, DAN KOTA PASCAKOLONIAL
Today, the studies on post-colonial urban space in relation with Indonesian modern prose can be said to be minimal. On the other hand, in the history of Indonesian literature, we are endowed with writers like Armijn Pane, Idrus, Pramoedya Ananta Toer, Iwan Simatupang, Budi Darma etc., who consistently write prose with the background of the ex-colonial towns. Unfortunately, there is no enough studies of the encounter between those writers with the city as a representation of a post-colonial experience. This paper tried to track the integral relationship between Indonesian modern prose writers to the city by using the spatial space theory in relation to the study of post-colonial literature in Indonesia. This analysis used the spatial theory by Sara Upstone as the approach, especially regarding to space (spatial) city.Keywords: spatial, city, postcolonial.
RUANG PASCAKOLONIAL DALAM KITCHIN KARYA YOSHIMOTO BANANA
Yoshimoto Banana’ choice on a space as the title of his novel, Kitchin or Kitchen, that describes the importanceof space for the novel becomes the background of this research. Besides, this study is also grounded by a previousstudy conducted by Kazuo Nakajima and The aim of this study is to reveal the response toward cultural colonizationemerging in postcolonial space of novel Kitchin. The study is conducted by analyzing the relationship of significanttextual units in the text, as well as linking it with the data outside by using postcolonial theory about space. The resultsof this study can be summarized as follows. In Kitchin, there are representation of colonial concept and traditionalconcept. Besides the representation of the two groups, there are also depictions of chaos. It is a form of new ideas thatrefuse combination that build opposition between colonial structures and traditions. The chaos emerges a new structurewhich consists of more than two opposition; colonial and traditions. These new ideas are connected to efforts to survivein a society that has been colonized culturally.Keywords: cultural colonization, postcolonial space, Kitchin
REALISME MAGIS DALAM CERPEN: KASUS CERPEN GABRIEL GARCIA MARQUEZ, TRIYANTO TRIWIKROMO, DAN A.S. LAKSANA
Magic Realism Prose brings the magic and the reality at once in a narration. Reality and magic have mutual support to build a narration. The support between the reality and the magic is not only manifested in the unity of the narration but also gives the possibility to give the meaning that goes beyond the narration itself. In other words, the meaning also gives the magic realism experience for the readers. This paper will analyze the form of magic realism in Gabriel Garcia Marquez’s short story entitled “Light is Like Water”, Triyanto Triwikromo’s short story entitled “Sayap Kabut Sultan Ngamid”, and A.S. Laksana’s short story entitled “Dongeng Cinta yang Dungu”.Keywords: real, magic, prose, magic realism
KETERASINGAN DALAM UTOPIA CERPEN “ANTARA DEN HAAG DAN DELFT” KARYA RILDA A.OE TANEKO
This paper is focused on the alienation which caused by nation in Rilda A.Oe Taneko’s short story entitled “Antara Den Haag dan Delft”. Independent nation which is simply a rewriting of what has been taken away by the colonizer created fixation of space which can not accommodate all interests. This circumstance forced ‘kakek’ (an old man) in the short story to imagine the ideal space outside the nation. However, in the utopia kakek feels alienated. This paper used the Postcolonial theory by Sara Upstone which conceptualize that the independent nation and colonizer do the same act, they just covered the instability in the space of nation. In the attempt to achieve independence, nation used the slogan unity in diversity. The instability led a journey to the utopia city where there is no limitations in place. Kakek in the short story feels alienated in the utopia city because of the cover of instability in the form of his love to the nation that given to him. Anything that is not a part of his nation turned into something strange. Keywords: alienation, utopia, love to the nation.