Jurnal POETIKA
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    187 research outputs found

    KRITIK SASTRA DI PRANCIS

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    The emergence of literary criticism, as sort of “literary institution” in a modern sense, is relatively a new phenomenon in France as it happened in 19th century and would be more institutionalized in 20th century. It due to the progressive distinction between the author criticism and the critic cricitism as well as to the decline of poetic representation, which has been built on hierarchy of genres and critic’s superiority over authors in 17th century. This article traces the institutionalization of literary criticism and the duality of its practices through the lens of Roland Barthes’ “two criticism”, applied to read the practices of literary criticism in France from 16th century onwards.        Keywords: literary criticism, “two criticism”, crisis.

    KORELASI MODAL TERHADAP KONTESTASI ARENA DAN PRAKTIK FEBA SUKMANA PENULIS NOVEL HOLLAND: ONE FINE DAY IN LEIDEN DALAM ASPEK PASAR, NARASI, DAN PENGGUNAAN BAHASA

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    This research focuses to show Feba Sukmana’s modal implementation in narration and language use aspect. The first thing is about her cultural asset. She was born from art family and it made her likes reading stories and writing diary. The second asset is her Dutch insight when she studied in University of  Indonesia and master program in Leiden University. The third asset is about her habbit built since she was child, started from writing diary until writing Holland: One Fine Day In Leiden novel. The relation between educational background and language using is on the language choice. It is showed in the ability of  building narration, describing condition, using foreign language such as English and Dutch. Moreover, describing Dutch condition and concept  has so much relevance to the educational background. Keywords: Feba Sukmana, asset, the field of  contestation, and study and language relevance

    GAMBARAN DIRI ANDREA HIRATA DALAM NOVEL EDENSOR: KONSEP TRAVEL WRITING CARL THOMPSON

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    This research is about to review the self-image in the novel by Andrea Hirata, Edensor, which tells the story of his travels around Europe and some African countries as a form of travel writing. To discover how Andrea Hirata write and illustrate the discovery of spaces as a form of a report from the places he visited and how he positioned himself as a traveler, used the theory of  travel writing Carl Thompson to identify novel Edensor from concept Reporting The World, Revealing The Self, and Representing The Other. As a  result, Andrea Hirata identified as a romantic traveler who tends to give a picture of himsel fas an autobiography and more to self-awareness (self-consciously) displayed in each trip made because the motivation to find himself. Moreover, he recognizes himself as inferior to the West because he comes from the East.Keywords: Andrea Hirata, Edensor, Travel Writing, Postcolonial Studies, Travel, Self-Imag

    PEMBACAAN AWAL TERHADAP PUISI DAN FOTO DALAM BUKU FOTO JAKARTA ESTETIKA BANAL SEBAGAI SEBUAH CATATAN PERJALANAN

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    This paper aims to report the reading attempt of a photobook as a new form of travel account. The photobook mentioned is a book rich with visual narration and also enclose few literary texts in form of poem. With the challenge of the photobook form, I will regard the book as a travel account and elaborate the author’s technique in ‘writing’ his travel account.Keywords: Photo, Photobook, Poem, Travel Account

    GEJOLAK RESISTENSI DALAM SELF-FASHIONING LEILA S. CHUDORI: CERPEN “PARIS, JUNI 1988”

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    The purpose of this research is to reveal the subjectivity and autobiography of Chudori as a kind of resistance through a study of self-fashioning exiting in a short story “Paris, Juni 1998”. The self-fashioning study in this research is done by analyzing the text inductively and the applying Carl Thompson’s travel writing concepts. The result of this research shows that the self-fashioning in Paris, Juni 1998 is a kind of Cartesian and Janus-faced. The Cartesian indicates that Chudori’s subjectively is seen as impressive and trustworthy; mean while in Janus-faced we can see scrutiny and persona in Chudori’s autobiography. Keywords: travel writing, self-fashioning, subjectivity, autobiography. Cartesian, Janus-Face

    PENGGAMBARAN DUNIA DALAM NOVEL PERJALANAN 99 CAHAYA DI LANGIT EROPA

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    This paper discussed about the objective and the subjective observations which are used by the writer in representing the world when the writer is traveling. World is not just  merely a landscape or places, but there is also people. Through objectivity point of view, the writer is taking distance with the world which is described. On the contrary, subjective observation emphasizes the personal involvement of the writer towards the described world. In this research, we can see in both places and people, subjective observation is more dominant than the objective observation. Observation always sets off from the objective point of view to the subjective point of view. Some places are described objectively, but then it shifted into subjective. Explicit subjective observation is more dominant than the implicit one. However, even if the quantity is lesser, the implicit subjectivity gives more significant influence.Keywords: objective, subjective, travel

    TRAVEL WRITING SEBAGAI INOVASI PENDIDIKAN PADA NOVEL ETNOGRAFI MANUSIA LANGIT KARYA J.A. SONJAYA

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    This research aimed to describe the travel writing’s as an education innovation on ethnographic novel Manusia Langit by J.A. Sonjaya. This research used the method of descriptive research with structuralism approach and anthropological approach to literature relating to the intrinsic elements, travel writing, and culture. The object is an ethnographic novel Manusia Langit by J.A. Sonjaya. The conclusion is an intrinsic element in the structuralist approach has relation with culture, especially the social system; social anthropology approaches has relation with the principle of life and death, pride, party, and women, both the similarities and differences have linkage of these principles; and travel writing is an educational innovation because it can attract interest in reading, travel, and scientifics. It can be packaged in the novel.Keywords: ethnographic, anthropological literature, structuralism, academic innovation, travel writin

    SASTRA ‘MUNGKIN’: KONTESTASI SIMBOLIK ANDREA HIRATA DALAM ARENA SASTRA INDONESIA

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    The article entitled Sastra ‘Mungkin’:  A Symbolic contestation of  Andrea Hirata in Indonesian Literature Arena is discussing the literary practices of  Andrea Hirata, a novelist who surprisingly popular in Indonesian literature from 2006 to present.  This article aims to explicit the views and contestation of  Andrea Hirata literary practices based on his views in gaining legitimacy of  his works as an author. This research applies Pierre Bourdieu’s Arena Cultural Production, which assumes that literature is not just a question of  aesthetics but also the struggle of positions between agents operating in the literary arena. According to the research that has been conducted, the result reveals that Andrea Hirata actually has a tendency, furthermore, obsession, in order to gain a specific legitimacy as an author (literar y figure). In doing so, Andrea Hirata impose his views about possibility in Indonesian literature.Keywords: field, Andrea Hirata, symbolic violence, legitimacy, doxa, heterodox

    SUBJEKTIVITAS DALAM CERITA PERJALANAN NOVEL LUMBINI KARYA KRIS BUDIMAN

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    In the recent years, there are numerous books containing travel writing, both in Indonesia and abroad, have been published. The books can be a novel, memoir, travelogue, poetry, and short story. One of the novels containing travel writing is Lumbini written by Kris Budiman. It is about Ratna and Niko who travel to Nepal. Told in many points of view, this novel shows its subjectivities. In order to reveal this, the researcher will apply the concept of travel writing by Carl Thompson. Through the analysis, it is found that subject “I” in this novel is not a dependent subject because it, sometimes, is substituated with “we”. Besides, subject “I” also interact with other object. Thus, the subject can be classified as an “romantic self”. According to Thompson, it seemingly more open than Enlightenment self.Keywords: subjectivity, travel writing, romantic subject

    EVERYTHING IS PERMITTED: SEBUAH ULASAN SINGKAT IL PRINCIPE KARYA MACHIAVELLI

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    Judul : Il PrincipePengarang : Niccolo MachiavelliPenerbit: NarasiTahun Terbit: 2014Jumlah Halaman: 18

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