Jurnal POETIKA
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THE LURE OF THE IMAGE KEBOHONGAN PADA NARASI PEREMPUAN DALAM SYNGUE SABOUR PIERRE DE PATIENCE KARYA ATIQ RAHIMI
Full text linkThis study aims to determine the position of the author in women narration. With Rahimi’s background as a feminist, he said that with his novel he voiced the voices of Afghan women. Rahimi offered a strong female figure in the middle of the patriarchal shackles who is able to fight the system. The problem of this study is Rahimi’s ambiguity in narrating women. To determine the position of the author, the research uses the concept of the lure of the image belongs to Lidia Curti. The lure of the image is an offer provided by the author to give positions to women that are in fact not provided by them. Based on the research conducted, the results show that Rahimi keeps women as objects in a patriarchal world. In this case he is not able to pull the women out of the patriarchal zone. The space given to women by Rahimi reinforces male power. What Rahimi written in this novel is the lure of the image according to Curti’s concept which explains it as an image of women given by author or known as female gaze
MITOS KECANTIKAN DALAM CERPEN-CERPEN DWI RATIH RAMADHANY
Full text linkThis study highlights the myth of beauty in short stories written by Dwi Ratih Ramadhany, which are “Janda Sungai Gayam” and “Perempuan Bisu dan Cermin Ratu”. The perspective utilized in this study is the myth of beauty by Naomi Wolf. The results are: (1) both the short stories illustrate standards of beauty identified by long black hair, long neck, sensual lips, body fragrant, white-toned-smooth-skin, and slim body; (2) in both short stories, the quality of beauty refers to behaviors that could arouse an excitement rather than merely consider physical appearance;(3) regarding beauty not as an intrinsic quality, it is affected by external factors, for instance cosmetic and supernatural powers. Myth of beauty in both short stories stands on the runway of men’s interest and taste, and women’s motive toachieve resources provided by men, which are called loyalty, recognition, praise and charm.Kajian ini mengangkat isu mitos kecantikan dalam cerpen-cerpen Dwi Ratih Ramadhany, yakni "Janda Sungai Gayam” dan “Perempuan Bisu dan Cermin Ratu”. Perspektif yang digunakan adalah mitos kecantikan Naomi Wolf. Hasilnya antara lain: (1) kedua cerpen tersebut menggambarkan bahwa cantik memiliki standar baku rambut hitam panjang, leher jenjang, bibir merekah, tubuh wangi, kulit kencang-putih-mulus, dan langsing; (2) dalam cerpen-cerpen tersebut, sesungguhnya kualitas cantik lebih merujuk pada perilaku yang dapat membangkitkan gairah daripada penampakan fisik; (3) karena cantik bukan merupakan kualitas instrinsik, ia dipengaruhi oleh faktor-faktor eksternal, yaitu kosmetik dan kekuatan supranatural. Mitos kecantikan dalam kedua cerpen tersebut berdiri di atas landasan kepentingan dan selera laki-laki, serta motif perempuan untuk mendapatkan sumber daya yang disediakan oleh laki-laki, yaitu kesetiaan, pengakuan, pujian, dan keterpesonaan
STRATEGI CAMP DALAM NOVEL HIDING MY CANDY KARYA LADY CHABLIS
Full text linkThis study aims at discussing about the forms of Camp strategies as well as elaborating the purpose of its application in Lady Chablis’ Hiding My Candy. Hiding My Candy tells a story of a transgender name The Doll who fights for her survival among patriarchal community. To answer the objectives of the research, Moe Meyer’s Camp theor y will be applied. In the book of the Politics and Poetics of Camp, Meyer defines Camp as the total body of performative practices and strategies used to enact a queer identity, with enactment defined as the production of social visibility. The emergence of Camp as a survival strategy appears due to the challenge of transgender discrimination resulted by heteronormativity restraint. The study result shows that transgender survival can be divided into three aspects i.e. social visibility, alternative normative and transgender empowerment. Those transgender survival’s aspects can be achieved by applying the Camp strategies. Those strategies include parody Camp strategy, humor Camp strategy, strategy of posing (costume, gesture and speech act) and strategy of life in performance.Penelitian ini dilakukan untuk mengulik bentuk-bentuk strategi Camp dan tujuan penerapannya melalui novel Hiding My Candy karya Lady Chablis. Hiding My Candy merupakan sebuah novel yang merepresentasikan upaya kebertahanan transgender yang dilakukan oleh tokoh The Doll. Adapun pendekatan yang akan digunakan dalam penelitian ini adalah teori Camp oleh Moe Meyer. Dalambuku the Politics and Poetics of Camp, Moe Meyer mendefinisikan istilah Camp sebagai total keseluruhan praktik dan strategi untuk menunjukkan identitas queer kaum marjinal, dalam hal ini transgender, kepada masyarakat (visibilitas sosial). Lazimnya, masyarakat heteronormatif menganggap transgender sebagai liyan sehingga keberadaan mereka seringkali terpinggirkan. Maka, tujuan dari penerapan strategi Camp adalah untuk menjamin kebertahanan kaum transgender dalam masyarakat. Muatan kritik terhadap heteronormativitas juga tampak nyata dalam penerapan strategi Camp . Sasaran kritik tersebut adalah pemapanan konstruksi gender normatif serta eksklusifitas kaum heteroseksual yang menjadikan kaum marginal seperti transgender tersisihkan. Berdasarkan hasil penelitian ditemukan bahwa bentuk-bentuk strategi Camp dapat dirinci sebagai berikut; strategi parodi Camp, strategi humor Camp, strategy of posing (kostum, gestur dan gaya bicara) serta strategi hidup dalam pertunjukkan.Penerapan strategi Camp tersebut ditujukan sebagai upaya untuk meraih kebertahanan transgender. Selanjutnya, kebertahanan transgender dapat dicerminkan melalui visibilitas sosial, terbentuknya wacana normalitas alternatif dan pemberdayaan transgende
Representasi Penindasan Ganda dalam Novel Mirah Dari Banda; Perspektif Feminisme Poskolonial
No full textThis study specifically examines the multiple forms of oppression that is found in the novel Mirah dari Banda by postcolonial feminist perspective. The analysis showed that the novel talk about inferior position of women as a result of the dominance of Dutch and Japanese colonial system and patriarchal domination both colonial and indigenous men. With the two forms of oppression Thus, indigenous women suffer and the lowest level in a colonial situation. Associated with the time of publication, the 1980 novel Mirah dari Banda include nostalgia novel of oppression and the strug gle against colonialism. Thus at the same nostalgic attitude can be regarded as a reflection on the possibility of the presence of the double oppression of women today which synonymous with the era of capitalism (imperialism) and still rooted patriarchal ideology.Penelitian ini secara khusus mengkaji bentuk-bentuk penindasan ganda yang terdapat dalam novel Mirah dari Banda berdasarkan perspektif feminisme poskolonial. Hasil analisis menunjukkan bahwa novel mewacanakan kedudukan inferior perempuan akibat dominasi sistem kolonialisme Belanda dan Jepang serta dominasi patriarki baik lelaki kolonial maupun pribumi. Melalui dua bentuk penindasan demikian, perempuan pribumi menderita dan berada di level terendah dalam situasi kolonial. Terkait dengan waktu penerbitannya, yakni tahun 1980 novel Mirah dari Banda termasuk novel nostalgia atas penindasan dan perjuangan melawan kolonialisme. Sikap nostalgia demikian sekaligus dapat dianggap sebagai refleksi atas kemungkinan hadirnya penindasan penindasan ganda terhadap perempuan saat ini yang identik dengan era kapitalisme (imperialisme) dan masih mengakarnya ideologi patriarki
WOMB CONTROL IN TONI MORRISON’S BELOVED
Full text linkThis study reveals the ideological strategies the dominant takes to exploit Black enslaved women’s womb experienced by the characters in Toni Morrison’s Beloved as well as their resistance. Written in 1987, the novel is set eight years after the end of the Civil War in time painful experiences during slavery era are still there in the mind of ex-enslaved Black women and men. The novel narrates the past through personal life experiences presented by Sethe and Baby Suggs. During slavery era, their bodies are not merely used to work in the plantation area but since they are women, their wombs are valuable commodity providing advantages and profit to the masters. To make it possible, the dominant function ideological strategies to control the Black enslaved women’s wombs. Therefore, this study tries to explore how the ideological strategies are practiced in the novel. According to Collins, creating negative images such as mammy, breeder woman, and jezebel addresses to the bodies of Black enslaved women belongs to ideological strategy which is more powerful compared to the economic and politic strategy. Each image covers dominant interest to control Black women’s womb under new-progressive capitalism in United States. The result of the study shows that those three images works effectively to control the Black enslaved women, even nowadays, those images are still there in the body of young generation of Black women and provide another form of womb’scontrol. However, the study as well finds out that the resistance toward the oppression is also varied. Self-definition is presumed to be a fundamental element to the journey of internalized oppression to the ‘free mind’ which eventually leads to the action of resistance. With this self-definition, Blackwomen begin to deny the existed negative images controlling their wombs
MEMBACA GENDER DALAM KONTEKS POSTMEMORY
Full text linkJudul Buku The GeneraTion of PosTmemory: WriTinG and Visual CulTure afTer The holoCausT | Pengarang: Marianne HirscH | Penerbit: coluMbiauniversity Press | Tahun: 2012. Halaman: 30
KERINDUAN PADA YANG REAL DALAM NOVEL AKAR KARYA DEE
Full text linkThis research was aimed to describe how the author’s desire manifested through Akar’s novel. There was a relationship between the story of Akar’s novel, which has a Buddhism background, with Dee’s interest as the author’s toward buddha’s teachings that became an indication about the relation between author’s desire and Akar’s novel. To answer this indication, the writer used Lacan’s Psychoanalysis method through the mechanism of metaphor and metonymy by analyzing a series of signifiers on Akar’s novel, so it will discover what exactly the desire of “being” and “having” of the author
READING SIMULATION IN YANN MARTEL’S LIFE OF PI
Full text linkYann Martel’s Life of Pi tells a story of a survivor boy floating on a lifeboat with a Bengal tiger passing Pacific Ocean with the brutal show between animals. He is insisted to tell about more realistic story, thus he tells it contains of similar conflicts with different characters; the animals are changed into humans. Here, it shows two stories in one story which blurs the true story behind it. This is what Baudrillard the process of simulation over simulacra; the reproduced false representation of the true reality. The two stories can be both true and thus, the questions can be problematized are; (1) How is simulation understood in Yann Martel’s Life of Pi? (2) What is the hyper-reality resulted as the impact of simulation represented in Yann Martel’s Life of Pi? The used method is objective approach (textually) and based on the analysis, the two stories are connected to each other, animal story represents human story while human story represents the animal story. The animal story can be seen as the false copy of the true story because it copies the human story, so can human story. This is simulation and this simulation results on the two true stories which are hyper-reality
IMPOSSIBLE MODERNISM: T.S. ELIOT, WALTER BENJAMIN, AND THE CRITIQUE OF HISTORICAL REASON (2016)
Full text linkRobert S. Lehman, dalam bukunya Impossible Modernism: T.S. Eliot, Walter Benjamin, and the Critique of Historical Reason (2016), memosisikan dirinya sebagai sarjana 'modernis tradisional'. Lehman menyatakan bahwa bukunya mengemukakan "suatu interpretasi atas modernisme Eropa". Namun, Lehman menemukan potensi dalam pemikiran Eliot dan Benjan untuk suatu kritik atas apa yang dia anggap sebagai "titik buta" kajian modernis baru, yakni, historisismenya
DISKRIMINASI TERHADAP BEBERAPA PEREMPUAN DALAM PERSPEKTIF FEMINISME MULTIKUTURAL: KAJIAN TERHADAP NOVEL SCAPPA PER AMORE KARYA DINI FITRIA
Full text linkDiva is the main character in novel Scappa per Amore which is written by Dini Fitria. In the story, Diva travels to European countries and meets other female characters who experience patriarchal and social discrimination. This research tries to describe the discrimination which is experienced by female characters by using multicultural feminism approach. The novel indicates that the female characters in the novel are not only marginalized due to their gender, but also their age, religion, race, and the legal status of the children. Multicultural feminism approach focuses on multicultural aspects that respect diversities. This research believes that discrimination toward women could be avoided,because women need to be treated equally.Diva, tokoh utama dalam novel Scappa per Amore karya Dini Fitria melakukan perjalanan ke berbagai Negara di Eropa. Dari petualangannya, ia bertemu dengan beberapa perempuan yang mendapatkan diskriminasi dari laki-laki maupun lingkungannya. Penelitian ini bertujuan untuk melihat diskriminasi terhadap beberapa perempuan dalam novel tersebut dengan tinjauan feminismemultikultural. Melalui penelitian ini dapat diketahui bahwa beberapa perempuan dalam novel SPA didiskriminasi bukan hanya karena persoalan mereka adalah perempuan, tetapi juga dipengaruhi oleh faktor usia, agama, suku, dan status anak. Paham feminisme multikultural yang menekankan aspek multikultur, sangat menjunjung tinggi keberagaman. Semestinya tidak ada diskriminasi terhadap perempuan yang berusia berapapun, beragama apapun, bersuku apapun, dan berstatus apapun. Semuanya harus diperlakukan secara setara dan harus mendapatkan penghargaan yang sama