Jurnal POETIKA
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Pembongkaran Puitik terhadap Diksi-Diksi Gender dalam Sajak-Sajak Dorothea: Kontra Hegemoni Dunia Penciptaan Kaum Lelaki
No full textIn the last two decades, women’s issues have been attracting public attention, particularly for those who see and study women from male world of construction. In the literature framework, the existing problems are not limited to the women’s involvement in the creation, criticism, and as readers only. However, the growth of the creation of female poets has opposed to men's superiority towards women. The role of gender and institution of marriage, which have been the symbol of hegemonic masculinity, has become a deconstruction and parody. The aim of this study is to dismantle the gender dictions in the Dorothea’s poem, which reflect the hegemonic masculinity. The object of this research is the poetry collections entitiled ‘Nikah Ilalang’ by Dorothea Rosa Herliany. Technique of data collection used was notetaking. In analyzing the data, Dorothea's poetries are studied by using heuristic and hermeneutic techniques. In using hermeneutic technique, this study used semiotic approach and potential/actual hypogram in order to find a proper model as matrix actualization
Representasi Konflik Politik 1965 dalam Cerpen Susuk Kekebalan karya Han Gagas
No full textCerpen Susuk Kekebalankarya Han Gagas merupakan salah satu cerpen dalam buku kumpulan cerpen Catatan Orang Gila. Cerpen tersebut menceritakankonflik politik 1965 dengan setingcerita di Ponorogo, Jawa Timur. Seperti halnya peristiwa bersejarah tersebut, Han Gagas menarasikan keterlibatan negara yang terepresentasikan dalam bentuk aparatusnya yaitutentarayang dibantu oleh masyarakat untuk menyerang tokohyang dianggap simpatisan Lekra, yaitu Warok Wulunggeni beserta pengikutnya sebagai representasi ideologi resisten terhadap hegemoni negara. Persoalan yang perlu dicermati berkaitan dengan bentuk representasi ideologi dominan sebagai cerminan hegemoni negara dalam cerpen, bentuk resistensi idologi resisten terhadap hegemoni negara dalam cerpen, danbentuk dominasi negara terhadap ideologi resisten yang tercermin dalam cerpen. Teori yang digunakan dalam tulisan ini adalah Negara dan Hegemoni Antonio Gramsci yang terdiri dari Hegemoni, Resistensi, Konsensus, dan Dominasi. Metode analisis tulisan ini dengan melihat persoalan tekstual dalam cerpen dan mengoperasikan vitur-vitur teori Antonio Gramsci yang berkaitan dengan perebutan momentumdan kekuasaan khususnya pada era 1965. Analisis tulisan ini menghasilkan; 1. Ideologi dominan sebagai representasi hegemoni negara dalam perebutan momentum yang terepresentasikan dalam cerpen tersebut adalah kelompok masyarakat anti-PKI yang dipimpin oleh Warok Wirodigdo dan seorang bapak bersenapan; 2. Bentuk resistensi ideologiresisten yang tercermin dalam cerpen tersebut yaitu perlawanan secara fisik oleh kelompok Warok Wulunggeni terhadap representasi negara yaitu massa yang dipimpin Warok Wirodigdo dan bapak bersenapan; 3. Dominasi negara terhadap kelompok resisten yaitupenumpasankelompok Warok Wulunggenisebagai tokoh Lekra. Kata kunci: susuk kekebalan, resistensi dan dominasi negara, konflik politik 196
MENGUNGKAP KEBUNGKAMAN DALAM PRODUKTIVITAS FIKSI POP ISLAMI PENERBIT MIZAN
Full text linkThis research focus on the discourse of Syiah that alleged to Mizan over the first publication of Dialog Sunni-Syiah which published at 1983. Despite of that negative justification, Mizan publisher still exist and productive, especially for producing pop-islamic fiction. By using Pierre Macherey’s literary production theory, spoken and unspoken, then found a ideological islamization project and also an anti-western effort in the other pop-islamic fiction by realizing it through figuration and symbol inside the text; hidayah, islam figure, moslem gathering, ideal by wearing hijab, Arabian’s figure domination, history of islamic resistance, and preferring middle east background. Therefore, unconsciously, pop-islamic fiction reducing the negative image of Mizan as pop-islamic publisher as well as showing the existence of islamic power. Mizan’s presence appears because of the enthusiasm of intellectuals to the islamic ideas books, especially about Islam Iran Revolution at 1979. By the sensitivity of the discourse in Orde Baru era, then Mizan publisher be a part of negative image in islam. By the Mizan’s productivity producing pop books then the more the image faded, simultaneously awaken islamic power in Indonesia’s popular culture.Keywords: Pop-islamic fiction, Mizan Publisher, spoken and unspoken , silence
Transformasi Perempuan dari “Liyan” ke “Diri” dalam Tiga Cerita Rakyat Kulisusu: Analisis Wacana Feminisme
Full text linkThe study examined three female characters in Kulisusu folklore, each titled: Perselingkuhan Istri Lakino Lipu; Putri yang Hilang; Lagumba dan Wa Ure-Ure Ngkamagi. Three of them narrated women in prototype uniformity, in a concept that is more fluid than some kindergarten like Bawang Putih Bawang Merah or Cinderella. Fluidity mean that the liberation of women from all forms of subordination: a class polarization that took shape into archetypes dichotomous construction. The characters are identified as women who are not only clever, but also able to make decisions in determining their fate. This study will address two issues: 1) how women were originally seated as "liyan"; 2) how the plot revolves and places women as "self". Both are implicated by using the feminism discourse perspective. The review will help parents sort out stories that address the values of plurality and gender equality principles, and stories that must be abandoned for internalizing the bias in the eyes of the quality
Proyeksi Astral: Analisis Wacana Fiksi Posmodern dalam Naskah Film Insidious
Full text linkThis study aims to analyze astral projection as a concept of Death and Dying by using a postmodern fiction discourse analysis perspective in Insidious movie script. This study found that astral projection is a capability possessed by a person to leave physical body and explore an astral world or the spirit world. Astral projection is a death and dying concept that is presented as one of the postmodern fictional strategies known as superimposition. This strategy illustrates that there are two worlds that accumulate and co-exist with each other. Its presence is a way of deconstructing thoughts about something that is considered uncanny and unusual as well as a counterpart of totality that puts the ontological side of the existence of something. It is said by McHale (1987) that it is a sister-genre of postmodern fiction. Science fiction explores ontological issues in order to build a good story while postmodern fiction simply presents the problem without having to build a story. Furthermore, both genres can adopt each other's strategies. Meanwhile, postmodern fictional relations and fantasy fiction are the same, borrowing strategies for exploring ontological issues
Being a Sensible Woman: Hypertextuality in Grimm’s Fairy Tale and Juliet Marillier’s Wildwood Dancing
Full text linkThe re-writing of a fairy tale caters for characters, settings and values that have undergone changes, be it explicit or implicit. In Juliet Marillier’s Wildwood Dancing, the main female character Jena is transformed from the passive and obedient Twelfth/Youngest Princess of Grimm’s The Worn-Out Dancing Shoes into a brave and sensible figure. She challenges the oppression of patriarchal rules by taking control of her household in her father’s absence, securing her four sisters’ welfare, and keeping secret of their nocturnal dancing trips in the Other Kingdom despite being threatened by her domineering male cousin. In this way, Gerard Genette’s Hypertextuality strives to investigate the underlying patterns manifested in both literary works by applying the Re-vision element. Through it, Jena’s and the Twelfth/Youngest Princess’ sensibility trait and the socio-cultural settings surrounding them are highlighted in order to determine the importance of the overall hypertextuality process that takes place between the two. Later, Jena emerges as the more influential heroine than her predecessor character because she does not stop struggling to be regarded as an independent young woman who can always give advice and make decisions for her family affairs sensibly. Also, it is eventually proven that sensibility is indeed a strong weapon to be possessed by women in order to empower themselves against the conventions of a patriarchal world.
NOVEL CHARLOTTE KARYA DAVID FOENKINOS: SEBUAH NARASI TENTANG DISKRIMINASI, RASISME, DAN HOLOCAUST
Full text linkThe Nazi ruling since 1933 made no secret of his dislike of Jews. Adolf Hitler even declared that "rational antisemitism must lead to a system of legal opposition, the ultimate goal of wiping out all Jews" (Mein Kampf, 1925: 27). He also developed the idea that Jews are the evil race that dominates the world. Nazi anti-Semitism is instilled in religious situations and in a political context. Then, the Nazis added a further dimension, racial anti-semitism. With the logic that Jews are not religious but racial communities, the Nazis launched various aggressions in the form of discriminatory, racist, and Holocaust. This dark phenomenon in human history is revealed in Charlotte's novel by David Foenkinos, a French writer who often receives literary awards. The discussion will be conducted by descriptive analysis method through structural approach which includes assessment of character, background, and point of view. Key words : Discrimination, Racism, Holocaust, Charlott
Transmisi Memori dan Trauma dalam Mother Land Karya Dmetri Kakmi: Kajian Postmemory
Full text linkAbstrakPenelitian ini mengkaji tentang bagaimana proses kreatif sebuah karya postmemory dalam proses transmisi memori dari generasi pertama ke generasi selanjutnya dan melihat gender memainkan peran penting dalam proses transmisi, serta bagaimana melihat gender dalam karya tersebut. Tujuan dalam penelitian ini untuk membongkar struktur transmisi memori traumatis Dmetri Kakmi dalam novel Mother Land serta melihat konstruksi gender terhadap kesan-kesan traumatis yang muncul di dalam karya tersebut. Peneliti menggunakan teori postmemory yang dicetuskan oleh Marianne Hirsch untuk melihat 1) Bagaimana transmisi memori dan peran gender dalam penulisan novel Mother Land karya Dmetri Kakmi; dan 2) Bagaimana peran gender di dalam novel tersebut. Hasil penelitian ini yakni: 1) novel ini dibentuk oleh dua transmisi, yaitu transmisi familial dari keluarga sehingga hal itu memunculkan imajinasi, serta transmisi afiliatif. Dalam proses transmisi, gender memainkan peran kepada siapa dan narasi apa yang diceritakan kepada post-generation; 2) Peran gender di dalam novel terlihat dari infantilized yang dilakukan terhadap kaum Yunani dan Hyper-masculinized yang dilakukan terhadap kaum Turki sebagai icon of destruction.Kata Kunci: postmemory, trauma, transmisi, identifikasi, gender. AbstractThis research is a study about the creative process of a postmemory work in the memory transmitting process from the first generation to the next generation and the important role of gender in the transmission process, and the perspective of gender in postmemory’s work. The purpose of this research is to expose Dmetri Kakmi's traumatic memory transmission structure in his novel "Motherland" and to take a look at genderization in traumatic impressions that emerged in his work. The researcher used Postmemory theory initiated by Marianne Hirsch to perceive 1) the transmission memory and the role of gender in Dmetri Kakmi's "Motherland" novel; and 2) the genderization process in that novel, and the results of this research: 1) Mother Land the novel is formed by two transmissions, familial transmission from the writer's family that led the writer to having an imagination of his late grandfather, and affiliative transmission. In the transmission process, gender plays a key role in choosing who and what narration to be told to post-generation; 2) The gender roles in the "Motherland" novel can be found from such varied sources such as infantilized to the Greeks, and hyper-masculinized to the Turks as icon of destruction. Keywords: postmemory, trauma, transmission, identification, gender
Shame and Alienation in Kafka’s The Metamorphosis
Full text linkThis article explores Sartre’s concept of shame and alienation in Kafka’s The Metamorphosis through the portrayal of the protagonist. By focusing on the interpretation of the characteristics of Gregor Samsa through New Criticism approach, this article reveals that shame and alienation may occur when a person realizes that one is judged by others and sees oneself through the eyes of others. This way of looking at one’s identity is problematic because it creates complexity within the existence of the self. Through his fantastical transformation into an insect, Gregor cannot help but seeing himself from his family’s point of view. Instead of fighting for himself, he is made to believe that he deserves to be alienated. From the analysis of the protagonist, it is revealed that his being selfess and dutiful in a way trigger the shame and alienation that result in his submission to death. Keywords: alienation, Kafka, Sartre, sham
REPRESENTASI FEMME FATALE DALAM NOVEL CANTIK ITU LUKA KARYA EKA KURNIAWAN
Full text linkABSTRAKPenelitian ini bertujuan untuk memaparkan karakteristik-karakteristik femme Fatale yang terdapat dalam novel Cantik Itu Luka. Melalui tokoh-tokoh perempuan yang berbeda, ciri-ciri tersebut dapat ditemukan. Dengan menggunakan konsep femme fatale dari Yvonne Tasker dan Edwards, lima tokoh perempuan, yaitu Dewi Ayu, Alamanda, Adinda, Maya Dewi, dan Si Cantik dapat dikategorikan sebagai femme fatale. Citra ini diperkuat juga dengan membandingkan ciri-ciri tersebut pada citra tokoh perempuan yang berbudi luhur. Simpulan akhir mengungkapkan bahwa pada diri tokoh-tokoh perempuan tersebut terdapat ambiguitas antara protagonis dan antagonis, femme fatale dan perempuan berbudi luhur. Dengan demikian dapat dikatakan bahwa ada citra baru perempuan yang dibangun oleh dekonstruksi seksualitas pada novel ini.Kata kunci : femme fatale, perempuan, seksualitasABSTRACTThis study aims to describe the characteristics of femme Fatale contained in the novel Cantik Itu Luka. Through different female characters, these characteristics can be found. Using the femme fatale concept of Yvonne Tasker and Edwards, five female characters, Dewi Ayu, Alamanda, Adinda, Maya Dewi, and Si Cantik, can be categorized as femme fatale. This image is also strengthened by comparing such characteristics in the image of a virtuous woman. The final conclusion reveals that in the female characters there is and ambiguity between the protagonist and the antagonist, the femme fatale and the virtuous woman. Thus it can be said that there is a new image of women built by the deconstruction of sexuality in this novelKeywods: femme fatale, woman, seksualit